The Digital Entertainment Group (DEG) today announced that it has developed packaging for the 4K Ultra HD Blu-ray discs heading our way early next year.
In the spirit of "if at first you don't succeed . . .," Hollywood is attempting every combination of interactive DVD/Internet "synergy" it can think of. Warner Home Video will be taking its latest stab at convergence January 17 when the company will be hosting a "Virtual Theater" event for their DVD release of <I>The Perfect Storm</I>.
HD DVD is gaining momentum with Hollywood studios. Several studios have announced their intentions to go with the Toshiba format, among them New Line Cinema, Paramount Pictures, and Warner Brothers Studios, according to a Toshiba press release from Tokyo.
After bleeding money for two years, <A HREF="http://www.hollywoodvideo.com/">Hollywood Entertainment Corporation</A> has announced that it is pulling the plug on <A HREF="http://www.reel.com/">Reel.com</A>, its high-profile online video sales operation, whose losses have been in the range of $4 million to $5 million monthly. The announcement came June 13, in which Hollywood Entertainment stated that it has laid off all 150 employees of Reel.com and arranged a deal with <A HREF="http://www.buy.com/">Buy.com</A> to fulfill orders. The Reel.com site is still active, with a pop-up advisory telling customers the bad news.
Jeffrey Katzenberg, former chairman of Walt Disney Studios and co-founder of DreamWorks Animation, has a grand scheme to reinvent TV for mobile viewers.
No one who's ventured into a computer store recently could have failed to note the amount of space devoted to video capture and editing technology. Most of it is being marketed to amateur videomakers and would-be cinematographers, but there's an obvious implication that the next step is bit-for-bit copying of commercial DVDs.
It used to be that truly high-quality video, the pristine jaw-dropping images previously available only to the "Golden Eyes" of Hollywood post production and broadcast facilities (and anyone else with a spare $60,000 to spend), was simply beyond the bounds of the typical home theater. But Silicon Optix intends on changing all that with the introduction of their new Realta with HQV single-chip video processor.
Hollywood special-effects pioneer Ray Harryhausen died May 7 in London. He was 92. While not a household name, Harryhausen is know for his work on such classic films as Mighty Joe Young (1949) and Clash of the Titans (1981). In his memory we present Chris Chiarella's 2008 interview with Harryhausen.
Public Knowledge and a half-dozen other consumer groups are leading the charge against selectable output control, Hollywood's attempt to deny signals to the component video inputs on early (in fact, all) high-definition TVs.
For the second time, the Motion Picture Association of America (<A HREF="http://www.mpaa.org">MPAA</A>) has sued chipmakers for selling chips to makers of DVD players capable of violating industry-wide copy-protection rules.
Jeez. There's so much going on in Washington these days. Elections, bailouts, natural disasters. Let's add Copyright Police to the list. A new lobbying group, called Arts + Labs, just descended on DC. Their mission, on the surface, appears to be...
It's no news that Hollywood has gone digital in a big way in the production, post-production, and, to a lesser extent, theatrical presentation of films. In fact, the day may yet come when the term "film" itself will be nothing more than a generic, but not entirely accurate, description like Scotch tape.
Netflix, previously the bane of content owners, is now wearing a halo of approval. What changed? Netflix is now willing to part with more of its burgeoning revenue for content acquisition.
One notable example is Time Warner, whose CEO Jeff Bewkes once referred to Netflix as the Albanian army. As in: "Is the Albanian army going to take over the world?" Then Netflix paid Time Warner $200,000 per episode for 100 episodes of Nip/Tuck. Now Bewkes refers to Netflix with "fondness."
Here's something that won't be at CES this week, but could well appear at the show in years to come. Researchers at the University of Cambridge in England are working on a new video-projection technology based on holographic techniques. Now, don't get too excited; the images are 2-dimensional, not 3-D. But the technology is plenty interesting nonetheless.