POWER AMPLIFIER REVIEWS

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Steve Guttenberg  |  Jan 26, 2007  |  0 comments
They want to take you higher.

The component that put NAD on the map in the mid 1970s—the 3020 integrated stereo amplifier—didn't look like a giant killer. Finished in an indeterminate shade of grayish-brown and devoid of gee-whiz features, the 3020 nevertheless became one of the best-selling audiophile amplifiers of all time—and not just because it sounded better than anything going for two or three times its humble MSRP. The 3020 had that special something that made it, well, lovable. Over the decades, the engineers squeezed a bit of the 3020's magic into every NAD product, but they've pulled out all the stops with the new Masters Series components. They had to, as the ultimate NADs are competing with the likes of Anthem, Arcam, B&K, and Rotel. They're playing with the big boys now.

Thomas J. Norton  |  Feb 03, 2007  |  0 comments

NAD has long been a leading player in the audio, and now audio-video, electronics business. Although NAD once took a leap and marketed speakers in some parts of the planet, it's made its name by offering amps, preamps, receivers, CD and DVD players, and surround processors that delivered more performance than the prices and often-plain cosmetics might suggest. Unlike most of its peers, NAD has avoided the temptation to move sharply up market and produce products that only the well healed can afford.

Michael Berk  |  Aug 03, 2011  |  0 comments

In a sure sign that the low-cost DAC is finding its place as an object of mass consumer desire, NuForce has released a 24-karat gold plated version of their uDAC-2 converter-and-headphone-amp combo unit

Fred Manteghian  |  Jul 12, 2003  |  0 comments

Yippie-i-o-ki-ay, separates-lovers! The Outlaw Model 950 preamplifier-processor is the good five-cent cigar every home-theater bandito has been craving, and the 7-channel Model 770 amplifier is fit to be corralled, cable-tied, and hauled to your mountain hideout as well. The Model 950, in particular, shuns any of the boutique-brand weirdisms you might expect from a mail-order-only outfit like Outlaw. On the contrary, its pleasingly simple front panel conceals a wealth of features that's not a single, solitary letter shy of the latest list of home-theater acronyms. This li'l dogie's got it all!

uavGary Altunian  |  Sep 22, 2008  |  0 comments
A power amplifier is the last electronic component in the audio chain—well, next-to-last if you count the speakers—and it has several important tasks. It must amplify a very small audio signal without changing the signal's characteristics, it must precisely control each speaker in the system, and it must instantaneously deliver adequate voltage and current to each speaker on demand. As such, the power amp is where the rubber meets the road.
 |  Sep 07, 2006  |  0 comments

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 |  Sep 07, 2006  |  0 comments

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Thomas J. Norton  |  Feb 05, 2006  |  0 comments

Power amps get little respect in the home theater world. They're the heavy, black (or silver) boxes that sit somewhere in the dark, serving your speakers with a generous supply of power.

uavGary Altunian  |  Oct 17, 2008  |  0 comments
I love big, beefy power amplifiers for the same reason I enjoy high-performance automobiles. An economy car will get me to my destination, but it's just not as much fun.
Barry Willis  |  Nov 30, 2003  |  0 comments

In my student days, I coped with perpetual financial shortfalls in part by moving furniture. After a weekend of toting hide-a-beds and refrigerators to fifth-floor walkups, I would imagine a perfect world in which everything was designed to work with everything else. Not a world of bureaucratic regimentation, but one in which, by common agreement, every sofa would fit into every elevator and every table would slip through every open door.

Kris Deering  |  May 31, 2012  |  4 comments

Halo P 7 Multichannel Preamplifier
Performance
Features
Ergonomics
Value
 
A 51 Multichannel Amplifier
Performance
Features
Ergonomics
Value
 
JC 1 Single-Channel Amplifier
Performance
Features
Ergonomics
Value
Price: P 7: $2,000, A 51: $4,500, JC 1: $4,500 At A Glance: Analog-audio-only preamp supports up to seven channels • Flexible hookup options • Halo amps deliver staggering performance

One of the few lessons that was ingrained into me during my time in the Navy was, “Keep it simple.” I admit it wasn’t phrased quite so politically correctly, but the point is still the same. It’s a motto I apply to just about everything I do in my daily life, and when I received the Parasound Halo P 7 multichannel preamplifier ($2,000) for review, it appeared that Parasound sticks to the same philosophy. The strictly analog preamp shrugs off digitaldecoding duties to your source components, shunning any dirty digital processing while providing a high-end, multichannel, analog preamp stage to feed into your amps. With the right front-end source components, this makes for a spectacular two-channel and multichannel listening experience.

Chris Lewis  |  Aug 30, 2005  |  First Published: Aug 31, 2005  |  0 comments
Performance and value never go out of style.

My curiosity was naturally piqued a few years ago when I heard that Parasound was going upscale with their look. This was a company that had become virtually synonymous with performance plus value, facilitated somewhat by forgoing aesthetic flair, and I wondered where the decision to go uptown with the finish in the Halo line would lead. The first good sign was the Halos' higher price tags. It costs a lot more to make boxes look that good, and this told me that they weren't taking resources away from performance to do so. What ultimately satisfied my curiosity, though, was how good the Halo models sounded. Yet, there are still those who want Parasound performance, have less to spend, and don't mind—or maybe even appreciate—Parasound's rugged, utilitarian old style. The New Classic line is exactly what they're looking for.

Ultimate AV Staff  |  Jul 10, 2006  |  0 comments

<UL CLASS="square">
<LI>Price: $2,500</LI>
<LI>Channels/Power: Five channels; 250-Watts into 8 ohms/385-Watts into 4 ohms </LI>
<LI>Inputs: Single-ended</LI>
</UL>
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Mark Fleischmann  |  Mar 22, 2007  |  First Published: Feb 22, 2007  |  0 comments
Multinational speakers meet American amps.

On the battlefield of speaker design, I am the triage nurse. I walk into speaker demo rooms at trade shows, my badge sometimes inadvertently turned inward, listen for a moment, and quietly mutter to myself, "This one's a keeper," or, "He's dead, Jim." Or occasionally just, "Hmmm," because good speakers may sound iffy under bad conditions, and I respect the potential buried within an ambiguous first take. But, if my instincts tell me to pursue a review, I whip out a business card and start making arrangements on the spot.

Robert Deutsch  |  Mar 21, 2004  |  0 comments

For a country with a population of fewer than 6 million, Denmark has an amazingly high profile when it comes to manufacturers of audio and home theater products. Bang & Olufsen, Dynaudio, Vifa, Peerless, Jamo, Gryphon, Ortofon, Thule, Dali, TacT&mdash;the list goes on and on. According to the folks at US importer Sumiko, Primare (pronounced "prime-AIR") has been around since the 1980s, and their products combine outstanding industrial design with an emphasis on sound quality. In the late '90s, the Primare team was joined by Michael Bladelius, well-known for his analog and digital design work for Threshold, Class&#233;, and Pass Labs. Primare products are now manufactured in Sweden, while the head office and design center remain in Denmark.

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