W<I>e inadvertently left out the sidebar of the measurements TJN did of the Proceed BP3 amplifier, which was intended to accompany FM's review of the BP3 and BP2 amps in our May issue.</I>
At last week's <A HREF="http://www.nab.org">National Association of Broadcasters</A> (NAB) convention, the <A HREF="http://www.ce.org">Consumer Electronics Association</A> (CEA) called on broadcasters to step up digital television (DTV) programming efforts while announcing new market data and projections that they claim demonstrate the link between DTV sales and available content. The CEA says that the data include specific sales numbers for DTV receivers in 1999. The CEA also released revised DTV sales projections based on three different programming scenarios.
The changeover from analog to digital television was once envisioned as a smooth, peaceful process. The reality has proven to be rocky and contentious. The broadcast standard has been debated continuously since the beginning, continuing as the first generations of digital television transmitters and receivers went on the market. In March of this year, the Advanced Television Systems Committee, under pressure from Sinclair Broadcasting Group and others, began a review of the technical standards that it recommended in 1996, with the possibility of changing the modulation scheme for DTV. If the ATSC finds that a change is needed, the FCC could require its implementation. Any changes could adversely affect the desirability of products now on the market or in production.
Last week, <A HREF="http://jvc.com">Victor Company of Japan</A> announced that it has developed a new copyright-protection system for prerecorded D-VHS content, as well as for in-home analog and digital recording. JVC says that the copyright-protection feature will be included within the D-VHS standard and adds that "this new standard makes it possible to develop and produce prerecorded HD (High Definition) video content as well as add momentum to the development of D-VHS hardware products."
The American broadcasting industry needs an attitude adjustment, according to <A HREF="http://www.fcc.gov/">Federal Communications Commission</A> chairman William Kennard. At last week's <A HREF="http://www.nab.org/">National Association of Broadcasters</A> convention in Las Vegas, Kennard took the industry to task for the slow rollout of digital television, mandated by his agency for more than two years now. The consumer electronics industry has embraced the promise of digital television from the beginning.
The march of progress comes at a price to the environment. Old computer monitors and television sets often wind up in landfills, where they can leak lead, cadmium, mercury, and other toxic chemicals into the groundwater. The federally mandated changeover to digital television, projected to be complete within the next six years, may exacerbate the problem as millions of consumers consign their old displays to the trash.
The <A HREF="http://www.bbc.co.uk/">British Broadcasting Corporation</A> is creating a new film division that will develop projects with American producers and distributors for theatrical release in the US and elsewhere in the world, according to an official announcement made April 4 in London. The new division is part of a corporate restructuring that will free up $318.5 million annually for dramatic programming, according to the BBC's new director general, Greg Dyke.
J<I>imi Hendrix, Little Richard, Pete Townshend, Mick Jagger, Eric Clapton. Aspect ratios: 4:3 (full-frame), 16:9 (anamorphic). Dolby Digital 2.0. 102 minutes. 1973. Warner Bros. 11267. R. $24.95.</I>
S<I>tar Wars</I> fans might prefer to watch <I>Episode 1—The Phantom Menace</I> on DVD, but they aren't saying "no" to the videotape version. More than 5 million copies of the VHS version were snapped up within 48 hours after the tape went on sale April 4, accounting for almost $100 million in retail sales. The 133-minute film, which debuted last year, reached #2 in all-time box-office statistics.