LATEST ADDITIONS

Chris Lewis  |  Jul 02, 2001  |  First Published: Jul 03, 2001  |  0 comments
The Highs and Lows of Super Audio: Sony's SCD-CE775 five-disc SACD player offers high resolution for a low price.

We know all too well that there are lots of new formats out there. We also know firsthand that this means a lot of spending and a whole lot of studying to try to keep pace. If everything falls into place as it should, there will come a day a couple of years from now when you'll slide into that easy chair, throw some high-definition television on the screen or some high-resolution audio into the speakers, and smile from ear to ear, wondering how you ever lived without either. No one ever said change was easy; however, from what I've seen and (more importantly) heard over the past couple of years, I have no doubt that this change will be worth it.

Steve Baldwin  |  Jul 02, 2001  |  First Published: Jul 03, 2001  |  0 comments
Comparing the Incomparable? The Philips SACD 1000 ushers SACD into the world of multichannel audio. Does this bring the high-resolution format closer to DVD-Audio or drive them farther apart?

Apples and oranges are both great, but generally you like one or the other better. Sure, they're both fruits, and they're both sort of round, but there are lots of things you'd do with one and not the other. Ever mix vodka with apple juice? I haven't either, although the mere thought brings a shudder. Ever tried orange sauce with pork chops? Not likely.

Chris Lewis  |  Jul 02, 2001  |  First Published: Jul 03, 2001  |  0 comments
Part two in our high-resolution-audio series introduces SACD and DSD. The CD is dead. Long live the super CD.

You must allow me a bit of hyperbole for the sake of a powerful opening statement (which, as I assume they say in journalism school, is important). The truth is, the CD is about as dead as the analog television, which means it's alive and kicking just as it has always been. Still, the writing is on the wall for both formats. While the CD can at least take consolation in the fact that it doesn't have government mandates guaranteeing its demise, the future of audio has most definitely arrived (as with television) in the form of high-resolution. Let's not forget multichannel, either. While the hard-core music lovers are salivating over the potential of high-resolution, most are well aware that popular acceptance in America usually requires the new and different to be as big and flashy as possible. On many systems, the multichannel format is undoubtedly going to represent a more-noticeable change in the way people listen to music.

Jon Iverson  |  Jul 01, 2001  |  0 comments

Remember that scene in the Wizard of Oz when our heroes are making their way through the forest chanting "lions, tigers, and bears, oh my! . . . lions, tigers, and bears, oh my!" Well, the movie business is apparently chanting "hackers, pirates, and peers" as they work their way through the digital media jungle. A new report released online last week details just how scary the future may or may not be for the Hollywood suits.

Jon Iverson  |  Jul 01, 2001  |  0 comments

Just imagine if you could have this for your home theater system: <A HREF="www.ibm.com">IBM</A> announced last week the T220, which the company is calling the world's highest-resolution flat panel monitor. Unfortunately for us, IBM says that the new display will enable "photograph-quality" imaging for science, banking, engineering, publishing, medicine, and business-critical visualization tasks, and is not likely to appear in consumer living rooms anytime soon.

Barry Willis  |  Jul 01, 2001  |  0 comments

A threatened strike against the entertainment industry by actors will probably be avoided. Negotiators for film studios and television networks, and for two actors' unions, worked late Saturday, June 30 and resumed work Sunday morning in an effort to avoid a strike. The situation is a replay of one enacted two months ago by writers and producers, who arrived at an agreement May 4.

 |  Jul 01, 2001  |  0 comments

Less than seven years after putting its first satellite in position, <A HREF="http://www.directv.com">DirecTV</A> has signed its ten millionth subscriber. The El Sugundo, CA&ndash;based direct broadcast satellite service now claims ten percent of the US television market.

Gary Frisch  |  Jul 01, 2001  |  0 comments

<I>Brendan Fraser, Elizabeth Hurley, Frances O'Connor, Orlando Jones, Miriam Shor, Brian Doyle-Murray. Directed by Harold Ramis. Aspect ratio: 2.35:1 (anamorphic). Dolby Digital 5.1. 93 minutes. 2000. Fox Home Entertainment 2000815. PG-13. $26.98.</I>

 |  Jul 01, 2001  |  0 comments

"In George Orwell's novel <I>1984</I>, everyone had a television in their home that monitored their every move," reads a June 26 report from the <A HREF="http://www.cme.org/access/index_acc.html">Center for Digital Democracy</A>, a Washington-based advocacy group. Orwell's good citizens dutifully watch, and are watched in turn, their every move tracked and recorded.

Darryl Wilkinson  |  Jun 28, 2001  |  First Published: Jun 29, 2001  |  0 comments
Move over, Volvo. There's a new Swedish import to love.

I used to be one of those snide individuals who took joy in deriding people who drove Volvos. In my admittedly limited experience, a swiftly moving Volvo was invariably piloted by an aggressive female hell-bent on a mission to get Junior to his soccer game or Missy to her Brownie troop meeting on time. In the minds of these monomaniacal matriarchs, the brakes included on the vehicle were exclusively for emergencies. Then, through a curious train of events, I became the owner of a used Volvo 740GL. Despite some of its nagging proclivities—like spending more time parked in the mechanic's garage than in mine—I became quite enamored of that car. Its boxy shape and heavily overbuilt feel made it a deeply comforting and enjoyable automobile in which to travel. I'm not talking the plush and cushy kind of comfort here. This was more the secure and stable kind of comfort.

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