Many companies seem to have lost sight of the fact that, at the end of the day, their products are supposed to be fun. This is especially true for music servers, which by definition are supposed to serve up enjoyment. But complicated setup and clunky interfaces bog down most models.
Just when you think they're all done adding more channels to sound systems, they add a couple more. The June 18 premiere of Toy Story 3 also marked the premiere of Dolby Surround 7.1, a technology that allows a commercial cinema to add two additional channels of sound to the 5.1 channels they already have. The existing left, center, right, left surround, right surround, and low-frequency effects channels have been augmented with left back surround and right back surround channels.
Not all directors are as enthusiastic about Hollywood's 3D push as James Cameron of Avatar fame. Some are against 3D while others are ambivalent about it.
3D movies have simultaneously reached their apex and nadir. Canadian teen pop sensation Justin Bieber is getting his own feature-length, widespread-release documentary film, and it's going to be in 3D. It gets weirder, too. Paramount is in talks...
Maybe you saw Inception. Maybe you loved those three-dimensional-looking images. Maybe you realized — and appreciated — that those images weren't actually in 3D.Director Christopher Nolan (at right in photo, with Leonardo DiCaprio) digs good...
"He started a business selling FM radios in the 1950s" . . . and now he's running Newsweek magazine! Yes, Sidney Harman, whose 92nd birthday is tomorrow, has bought the ailing publication because, as he quipped to The New York Times,...
Five years before his untimely death in 1977, Elvis was followed by a film crew during a 15-city tour of the United States. The footage was pieced together into a documentary by Robert Abel and Pierra Adidge and includes over 25 musical numbers with montage sequences from Presley's early career.
A young boys life is turned upside down when his parents pass away and he's sent to live as a virtual slave with his two witch-like aunts. One evening he risks life and limb in order to save a spider and in the process gains possession of some magic crocodile tongues from a mysterious man. When he spills them in the garden a humongous magical peach grows on a dead tree that turns out to be his ticket to freedom.
Inspired by Roald Dahl's children's book and brought to the screen by producer Tim Burton and director Henry Selick, James and the Giant Peach was a box office bomb but has found a cult-like following on home video. I had caught portions of the movie over the years but this was my first time watching it in full and I'm not that impressed. The stop motion animation is good, but slow pacing and dreary visuals didn't impress me.
What happens when you take a jock (Emilio Estevez), a stoner (Judd Nelson), a geek (Anthony Michael hall), a prom queen (Molly Righwald), and a psychotic teenage girl (Ally Sheedy) and place them in detention for nine hours on a Saturday? Inquiring minds want to know.
John Hughes capture the teen mind, dialog, and spirit unlike any other writer/director in my lifetime. As a product of the 1980s, I can watch any of his films from the era and it's like reliving my youth. This film delves into the philosophical realm of existentialism and although each kid is part of a different clique, they each face the same struggles in school, at home, and in life and after a long day of detention end up becoming friends.