Sony is also showing a number of prototypes of products that are not available now, but may be in the future. Three different flat panel demos using autostereoscopic technology (no 3D glasses needed) were shown: a 24.5" 2K OLED, a 46" 2K LCD, and a 56" 4K LCD. The results were better than I expected, though there were some distracting artifacts. As expected, you must watch in specific viewing spots. In a cosy twosome one partner will get good 3D, the other not so much. In places outside the designated viewing zones the 3D effect diminishes and those artifacts increase, though the image does not completely fall apart. Promising, but still a work in progress.
Sony also showed a set of goggles designed for private 3D viewing (as seen in the not-so-clear photo), and a autostereoscopic portable 3D Blu-ray player.
Available now for pre-sales ordering is a VAIO F Series 3D laptop (about $1700). Oddly, this does require active shutter glasses. It also does 2D-to-3D conversionfor fun with spreadsheets. Seriously, however, there are genuine business and engineering applications for real 3D, including CAD and medical imaging.
Sony's new HDR-TD10 3D High Definition Flash Memory Handycam Camcorder (about $1500, April) is one of the first the full HD 3D consumer camcorders. It includes two separate 1920 a 1080 CMOS sensors and two lenses to capture distinct 1920 x 1080 data streams for each eye. It's also capable of 2D still image capture at 7-megapixels. At present, playback is from the camera only via an HDMI link to the video display. The future should bring dedicated playback devices (such as a 3D Blu-ray player with a flash card slot). Oh, and you can view the image you're shooting in autostereoscopic 3D on the 3.5" viewfinderno 3D glasses required.
Sharp's big announcement was the addition of a 70-inch Quattron set to its lineup. The LE935 will have full LED backlighting with local dimming and is expected by spring. A 70-inch set was said to offer 62% more viewing area than a 60-incher. There will also be new sets in the LE835 an d LE830 ranges, all connectable with Wi-Fi. The XV-2 17000 3D DLP projector under $5000), first shown at CEDIA EXPO 2010 last September, will also be on display here at CES.
Sharp also announced three new 3D Blu-ray players (February), the BD HP25U, 35U, and 75U. Sharp also launched an E-Media Tablet and reader, the Galapagos. (Tablets appear to be a big item this year, thanks to Apple's iPAD!).
Samsung went all Opra on us with it's sit-down, let's talk press conference. They announced that one million 3DTVs were sold in the US in 2010, well under predictions but ahead of the rate that many other new technologies have achieved in their first year. About 35 million TVs are sold in the US each year, however, so that's actually a pretty small percentage. Nevertheless Samsung claimed a 70% market share of 3DTV sales, and this year 3DTVs make up 60% of the company's new HD lineup.
Samsung is going with the flow in using "Smart" as a catch phrase this year for many of its products. The company expects to sell 6 million 3DTVs this year, two thirds of them Smart TVs. The new gee-whiz feature in the D7000 and D8000 sets is an ultra thin frame, barely 0.2" wide (see photo). In addition, Samsung's new active 3D glasses sport an ultra svelt, and it's said far more comfortable design.
Samsung's new BDD 7500 3D Blu-ray player is as ultra thin as the new TVs, and incorporates its own built-in 2D-to-3D conversion.
Panasonic's CES 2011 press event was like a salad topped with a few perfectly seared pieces of tuna. The salad- i.e., the dull part - was lots of talk about 3D and Internet-connected TV. The seared tuna - i.e., the good part - was a list of improvements was can expect to see in Panasonic's already-awesome line of plasma TVs.
Emerging from beneath a gigantic video screen stretching about 100 feet across, Sony chairman/president/CEO Sir Howard Stringer appeared in the car from the upcoming movie The Green Hornet with the movie's stars Seth Rogen and Jay Chow. It was just the start of what will almost surely be the splashiest event at this year's CES-maybe the splashiest CES event ever.
LG and VIZIO announced today many new models with Passive 3D. This contrasts with Panasonic, Samsung, Sony, and Sharp who all announced new Active 3D models.
The main differences are that active uses comparatively heavy and expensive LCD shutter glasses. The advantage to this method is that you can have full HD resolutions with minimal modifications to the underlying television. The disadvantages are that potential for flicker, crosstalk, and the aforementioned glasses.
LG wasn't the only manufacturer to show an extra-large LCD TV. Sharp unveiled a new 70-incher in its Quattron line, which adds yellow subpixels to the normal red, green, and blue. The LC-70LE935 uses LED backlighting with local dimming and offers online content and 3D capabilities, while the LC-70LE732 omits 3D. In all, Sharp will introduce five new lines with screen sizes up to 70 inches and six lines with sizes up to 60 inches in 2011, and all will have WiFi connectivity.
LG Display, a subsidiary of LG that manufactures LCD panels for its parent company as well as Toshiba and Vizio, held its own press conference today to introduce its Film-Pattern Retarder (FPR) technology, which allows the use of passive-polarized glasses with 3D TVs. Among the benefits of this approach are much less-expensive glasses that are lighter in weight and require no electronics, higher brightness and refresh rate, and no crosstalk. Of course, the main disadvantage is that each eye sees only half the available vertical resolution540 lines instead of 1080, though the company reps argued that the brain fuses each eye's image into a "full HD" image.
The demo included several side-by-side comparisons with active-shutter glasses. For example, as seen on the right in the photo above, you can lie on your side and still watch 3D with FPR glasses, which use circular polarization, whereas shutter glasses completely darken at 90 degrees as seen on the left.
Another demo tried to illustrate how shutter glasses produce flicker while FPR glasses are flicker-free; from what I saw, this was extremely subtle. More pronounced was the comparison of crosstalk in several still images, which was obvious with shutter glasses and absent with FPR. Finally, a comparison of brightness revealed that passive 3D is indeed brighter than shutter glasses, though surprisingly, Tom Norton thought the shutter glasses display was actually brighter. We both agreed that the passive display looked more washed out and less punchy, and I thought the passive image was a bit softer in all cases, which would be worse on a larger screen.