LATEST ADDITIONS

Fred Manteghian  |  Sep 08, 2007

Ron Phone was deep in discussion when I wandered by and I didn't disturb as I was in a rush too, but I did snap this picture of their pre/pro. I've had great things to say about Sherbourn amps in the past but was disappointed when I saw this pre/pro had no HDMI switching on back. Good thing I checked <a htref= "http://www.sherbourn.com/PDF/PT-7010A/PT-7010ADataSheet.pdf" target="new">their website.</a> The PT-7010A will have a separate HDMI switcher, controlled by the processor via an RS-232 port, for, hopefully seamless operation.

Tom Norton  |  Sep 08, 2007

At the 2006 CEDIA Stewart Filmscreen showed a new, frameless,self-supporting rear projection glass material, Starglas. The company has now come up with a wide assortment of possible applications. Here a glass panel is mounted in a shallow cabinet at the foot of a bed. When needed, it rises up to viewing height. The image is projected from the rear, perhaps, as here, from a projector mounted in a cabinet at the other side of the room (presumably, a bedroom of more than shoebox size!). Ta Da! A substitute for a large plasma. The glass in the Starglas panel, incidently, is safety glass.

Tom Norton  |  Sep 08, 2007

Take the Starglas material discussed in the last entry, make it 2" thick, and you can have your TV picture on the floor and even walk all over it.

Shane Buettner  |  Sep 08, 2007

The most recent projector I reviewed here at UAV was a real standout, Epson's <A HREF="http://ultimateavmag.com/videoprojectors/607epsonprocin/">Powerlite Pro Cinema 1080p</A>. This projector is among the more marvelous packages of peformance and price I've seen. Especially susprising was that the color fidelity was so pristine and on this LCD projector, along with a relaxed and naturally detailed image with real depth. The only thing that held this proejctor back was slightly dim light output and softer image. The Pro Cinema 1080p UB is here to settle both scores.

Tom Norton  |  Sep 08, 2007

I could tell you that this is a better picture of the Samsung SP-A800 we reported on earlier in the show. But it isn't. It's the Samsung SP-A400, and apart from its smaller size, it's a dead ringer in appearance for the SP-A800. It's a 1280x768 design. Didn't catch the price yet, but it's sure to be lots cheaper than the circa $10,000 price of its big brother.

Tom Norton  |  Sep 08, 2007

Wilson Audio can produce their high end speakers in the color of your choice. I believe these colors are in the '50s Lawn Furniture line.

Fred Manteghian  |  Sep 08, 2007

NHT has come a long way, or a different way, or, whatever. Their A/V pre/pro, bundled with five speakers, two self-powered subs, five 4-channel amps (one for each speak), plus, uh, wires I think, goes for $40,000! Each of the amp's channels is responsible for one of the four drivers in each speaker, so there is no crossover in the speakers themselves. Of course, in the middle of the convention hall you couldn't get much of a feel for the systems sound. I would have liked to have heard an isolated room demo.

Fred Manteghian  |  Sep 08, 2007

This is a pretty good shot of the JVC RS1 projector with an anamorphic lens by Panamorph giving it a 2.35:1 image. Video processing was done in the Anthem D2 processor and sequence from Phantom on Blu-ray looked really good.

Tom Norton  |  Sep 08, 2007

The Velodyne SPL-800R isn't the smallest or newest Velodyne subwoofer, but it caught my eye since I'm in a hunt for small, manageable, high quality subs-as you might gather from a few of my entries hereabouts. It uses a 10" driver, is a bit over a foot all around, and will run you $$1249. The larger SPL-1000R to its left can be yours for for $$1649.

Fred Manteghian  |  Sep 08, 2007

I got a chance to see the Statement D2 pre/pro from Anthem up close. I like the 4 HDMI inputs but I'm already starting to think 5 or even 6 would be appropriate for the next gen. Marketing manager Mark Aling told me their new room equalization software is now available and will be integrated into the D2. It adds a couple of hundred to the price, bringing it up to just under $7K. Unusual is Anthems recognition that every EQ mic shipped with a pre/pro or receiver is inherently different from each other mic, so they actually cut a CD for each microphone / serial# combination and their software recognizes where compensation is needed to overcome the sample to sample variation between microphones. I doubt you'll ever see that level of detail from a mass-market receiver manufacturer, but in a "statement" product like the D2, it really sets Anthem apart from the pack. If you already own a D1 or D2, you can get the upgrade by contacting your dealer.

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