More on Procella: "You can't buy them" -- that's what visiting engineers used to be told by the denizens of the DTS testing room in Europe. That is what inspired the Procella folks to go into the speaker business. Following a third-generation redesign, now you can buy them. Shown is the P8, bolted on the P15, and don't call the latter a subwoofer. It's a "powered bass unit" that goes down to 40Hz at a thundering 126dB.
JVC surprised me with the intro of a 3D-capable LCD TV. The 46-inch GD-463D10 uses circular polarization and passive polarized glasses to achieve the 3D effect, which uses alternate lines on the screen for each eye, effectively cutting the vertical resolution in half. It can also display 1080p at full resolution in 2D. The GD-463D10 is available now for $8995. I thought the demo looked pretty good, but not good enough to change my mind about preferring a good 2D image.
I get tons of e-mail asking if there are any Blu-ray recorders available in the US, and up to now, I've had to say no. But JVC changed my answer with the introduction of the SR-HD1500 and HD1250. They can't record over-the-air, cable, or satellite content, nor can they be used to duplicate copyrighted material. Instead, they are intended to record camcorder footage on recordable Blu-ray media. The camcorder can be connected via FireWire or USB, or a memory card can be inserted in the unit's card reader, and the footage is copied to an internal hard disk. It can then be edited and burned to BD-R or BD-RE with or without menus. The HD1250 has a 250GB hard disk and will list for $1995, while the HD1500 has a 500GB hard disk, can accept Final Cut Pro files, and will list for $2550; both will be available in October.
Aside from the DLS-RS4000 4K behemoth, no less than six new projectors were announced at JVC's press conference today—three in the Reference series from the company's professional division and three in the Procision line from the consumer group, all with HQV video processing. At the top of the heap are the DLA-HD990 and RS35, which feature hand-selected and -tuned optics, 70,000:1 native contrast ratio with no dynamic iris, inverse telecine back to 24fps with 96Hz refresh rate, and ISF and THX certification. Both will list for $10,000 and should be available this month. Stepping down the model ladder, we come to the HD950 and RS25, with 50,000:1 contrast and THX movie mode for $8000. The entry level is occupied by the HD550 ($5000) and RS15 ($5500) with 35,000:1 and 30,000:1 contrast, respectively. The demos looked quite good, especially because JVC always goes to great lengths to show its projectors in a darkened environment.
At last year's CEDIA, JVC showed its 4K projector intended for flight simulation and similar applications. Today, the company introduced a version for the ultra-high-end consumer market. With 4096x2400 resolution, the DLA-RS4000 uses a xenon lamp to output 3500 lumens and boasts a native contrast ratio of 10,000:1 with no dynamic iris. This THX- and ISF-certified monster will be available next month for $175,000 (including an outboard I/O box and your choice of lens). The main demo consisted of upconverted 1080p, and the black level wasn't as deep as I expected, even in the mostly darkened room, but some still photos at 4K, such as the screen shot shown here, looked spectacular.
JVC is introducing a whole new range of its DILA projectors at the show. There are six new models, three from the consumer division and three essentially identical models from the pro division. The star of the six is the DLA0RS35 (pro, $10,000), available this month. It has a claimed peak contrast ratio of 70,000:1, adds JVC's 120Hz Clear Motion Drive, and is both THX- and ISF-certified. The consumer version is the DLA-HD990, at the same price.
JVC now has a two new Blu-ray players, but with a twist. The RS-HD 1250 ($1995) and RS-HD 1500 ($2550) not only play Blu-ray discs, but record them as well. Before you get all excited about this, you should know that the two cannot record HD either off the air or from copy-protected Blu-ray discs. Marketed by JVC's pro division, primarily with pro applications in mind, they can, however, copy HD video onto disc from HD camcorders, both pro and consumer. The material is first copied to an internal hard drive, then from there to to Blu-ray. The more expensive model differs in that it can record material from Final Cut Pro, has a larger hard drive 500GB vs 1250GB), and offers an RS-232 connection. Both machines have USB and IEEE-1394 ports.
Scott Wilkinson | Sep 09, 2009 | First Published: Sep 10, 2009
Despite the economic hard times, lighting-control leader Lutron continued the tradition of honoring its best dealers at a big soiree, presenting its Excellence Awards in various categories. The event was held Wednesday evening at the Georgia Aquarium, said to be the largest in the world. After the ceremony, attendees were allowed to roam the exhibits, which are home to a huge variety of aquatic life, including whale sharks and beluga whales. The eel pictured here looked pretty happy to see all the visitors.
Scott Wilkinson | Sep 09, 2009 | First Published: Sep 10, 2009
In the realm of front projectors, Sony unveiled the VPL-VW85 (though Tom Norton has already conducted a review of a pre-production unit for <I>Home Theater</I>, and he liked it very much). With a new auto iris, it claims a dynamic contrast ratio of 120,000:1, and it refreshes the image at 120Hz with dark-frame insertion, a Sony hallmark. It should hit retailers in October for around $8000.
Scott Wilkinson | Sep 09, 2009 | First Published: Sep 10, 2009
Continuing the networking theme at Sony's press conference was the STR-DA5500ES 7.1-channel A/V receiver. It offers Internet and home-network connectivity, providing Internet radio and Rhapsody online content as well as media file sharing via DLNA (Digital Living Network Alliance). Also featured is Control4-certified control over IP, making it possible to control the AVR from anywhere on the network. The STR-DA5500ES should be available in October for $2000.