LATEST ADDITIONS

Tom Norton  |  Jan 09, 2010  |  First Published: Jan 10, 2010
The untimely passing last summer of Jim Thiel, the heart and soul of Thiel Audio, was a jolt to entire high-end audio industry. But he left the company in good hands, as its big demo room at CES amply proved. The Thiel CS3.7s ($12,900/pair) were clean, crisp, but never bright unless the program source made them so, it was one of the best audio demos I've yet heard. The front end of the system, and the amps, were from Bryston. Thiel subwoofers fleshed out the bottom below 30Hz. At some point in the future we can expect a matching center channel for this system; according to Thiel reps, Jim left detailed designs for future projects, and a center appropriate for use with the CS3.7 was one of them.
Scott Wilkinson  |  Jan 09, 2010  |  First Published: Jan 10, 2010

IDT isn't the only company working on cleaning up low-quality Internet video—Anchor Bay demonstrated its solution to this problem in a Hilton suite. Looking at 480i from DVD, 720p from Apple TV, and video from an iPhone, the new DVDO chipset did a great job at smoothing out jaggies as shown in the split-screen photo above (processed image on the left), but not so well at reducing noise. The new chipset is less expensive than the company's PReP (Progressive Reprocessing) technology and is intended for products such as iPod docks and the like.

Scott Wilkinson  |  Jan 09, 2010  |  First Published: Jan 10, 2010

I profiled the KEF Concept Blade speaker <A href="http://blog.ultimateavmag.com/ultimate-gear/blades_of_glory/">here</A>, but since there's only one pair in the world, there was no way for me to hear it until the company brought it to CES and set it up in a room at the Hilton with an Audio Research CD5 CD player and DSi200 integrated amp. Listening to Patricia Barber in a live recording and a tenor sax with rhythm section, it sounded quite good overall, with very clean, tight low bass, but the upper bass and vocal range was slightly congested. The KEF rep agreed and said it was the room, and I couldn't disagree—hotel rooms generally make lousy listening environments.

Tom Norton  |  Jan 09, 2010  |  First Published: Jan 10, 2010
Though I've covered only a fraction of the rooms at the Venetian so far, with a day to go, my favorite rooms today were the Thiel (above) and the Avalon, where the new Avalon Times were making terrific sounds, driven by monoblock power amps from Jeff Rowland. The Time employs two 11" Nomex-Kevlar composite woofers, a 3.5" concave Ceramic Dome midrange, and a 1" concave Diamond diaphragm tweeter. The Thiel and Avalon systems could not have soundxed more different (Thiel leaner, Avalon warmer and richer) but both flattered a wide range of the music I tried on them. The Avalons, however, will cost you a lot more, at $49,000/pair -- and the fijnish shown is a $4000 option!
Tom Norton  |  Jan 09, 2010  |  First Published: Jan 10, 2010
You can be forgiven if this looks like one of those odd, transparent speaker systems. But it wasn't put in the Avalon room to compete with the Avalon Time. Its a passive room treatment device from Acustica Applicata (sounds like a singing technique, like a capella), an Italian company. The visible "eye" is a mechanical iris diaphragm, which combined with a port in the base with an adjustable opening and an internal membrane can tune the device to between 26Hz and 60Hz. This is said to improve the low frequency resolution by tuning out bass problem areas over a narrow or broad range. $3600 each.
Tom Norton  |  Jan 09, 2010  |  First Published: Jan 10, 2010
TAD was demoing both its flagship Reference One speaker (priced in "if you have to ask" territory) and the smaller Compact reference shown here (at $37,000/pair, it's only in the "say again" price range). It sounds spectacular, however, and while you don't need TAD's new disc player and monboblock amps (see below) to make it sing, it couldn't hurt.
Tom Norton  |  Jan 09, 2010  |  First Published: Jan 10, 2010
TAD's new monoblock power amp outputs 300W into 8 ohms and 600 watts into 6 ohms. What looks like an amp stand under the thick aluminum chassis is actually a cast iron piece of the amp's structure that houses some of the components and adds to the rigidity of the piece. Each $26,500 monoblock weighs in at 200 lbs.
SV Staff  |  Jan 09, 2010
Websites and cable TV channels are packed with news from the Consumer Electronics Show in Las Vegas. But with thousands of exhibitors spread out through several convention halls and hotels, there are always lots of stories that go overlooked. Here...
Tom Norton  |  Jan 09, 2010  |  First Published: Jan 10, 2010
A proprietary master clock , specially designed disc mechanism, and a rigid, die-cast aluminum chassis are only a few of the reason's why TAD's new D600 CD/SACD (2-channel) CD and (two-channel) SACD disc spinner commands a price of $26,500. Available in spring 2010.
Tom Norton  |  Jan 09, 2010  |  First Published: Jan 10, 2010
Magico's Q5 loudspeaker is composed entirely of one-half inch thick aluminum, and while the speaker isn't very larga as high-end floor-standers go, each one weighs 400 lbs. There are two 9" woofers, one 9" mid-woofer, one 6A" midrange, and a beryllium tweeter. The latter is new for a for Magico; the other drivers are similar in design to the drivers in other Magico speakers. $54,000 a pair, if you have to ask! For five channels, that's...never mind.

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