Some of the best sound at CES was from speakers that don't officially exist. KEF gave the press a look at their skunkworks with a “concept” speaker called the Blade. In a cabinet carved from carbon fiber, the Blade uses the latest version of KEF’s Uni-Q coincident midrange and tweeter with four woofers mounted in close proximity around the sides of the cabinet to better emulate a point source. The woofers on either side of the cabinet cancel cabinet vibrations. The sound that came from these speakers was simply magic. Driven by Audio Research electronics, I heard spooky, lifelike imaging, high-resolution of detail, and tremendous dynamic swing and punch. Bass and drum kits in particular were simply right there in the room with us. Sticking to its story that this was a technology demonstration, KEF wouldn’t say that this speaker would ever come to market. But the sound here is just too good to keep it in the hangar at Area 51.
According to the CEA, over 110,000 bodies came to swarm the Las Vegas Convention Center and environs for the 2010 CES. Even though there were still two days to go when I took this picture, CES had already taken its toll on these two gentlemen.
The group at Anthem/Paradigm now offers complete turnkey home theater solutions comprised of separate electronics, speakers, a Blu-ray player and a front projector and screen. The results almost shook the Venetian hotel to the ground. The Anthem line brought in Statement series electronics with the D2v processor, A5 power amp, three BLX-200 Blu-ray players (continuous demo, no disc swapping), and an LTX-500 LCOS projector driving an SI Black Diamond screen. Paradigm’s Signature S6 speakers held down left and right duty in this surround system, but my eyes and ears went immediately to the presence of two ginormous SUB 2 subwoofers at the front of the room. The $7499 SUB 2 uses six 10” woofers in its unusually shaped cabinet. And get this. Wiring 240v AC to the SUB 2 Paradigm claims 4,500 watts RMS sustained with its Class D amplification. If you can only wire for 120v, don’t’ feel too bad. Paradigm claims 3,000 watts RMS sustained over old-fashioned 120v lines, which isn’t exactly anemic either. The cabinet/driver configuration cancels cabinet vibration, and all that’s left is earthshaking bass. The versatility of this system was extraordinary, bringing me to my emotional knees with an evocative KD Lang concert performance before shattering that blissful calm with a bonecrusher (ok, hunter-killer) scene from Terminator Salvation (all the demo material was Blu-ray). Then Anthem/Paradigm’s Rob Sample played Nine Inch Nails Beside You in Time, and we were whisked off to the concert arena. I’ve never heard rock concert bass portrayed as convincingly in a home theater system. Not only was the bass pounding at startlingly high SPLs, the air in the room was fully charged. I saw NIN live in 2008, and this is as close as I’ll get to that energy until they come around again. This is powerful stuff. So powerful that I need to know more. Paradigm’s on the hook to send me a SUB 2 review sample. My neighbors have no idea what’s coming for them!
Wolf Cinema has something for those who can’t quite go to the screening room screen sizes supported by its big D-Cinema based projectors. The company was holding private demos showing pre-production samples of a new LED-based projector that will be available later this year. While it’s not small, it looks kinda cute next to the company’s digital cinema based line. The image was bright and punchy, and loaded with crisp detail on a 106” wide 2.35:1 screen. It didn’t hurt that the source material was comprised of clips of serious eye candy like Baraka and the psychedelic Speed Racer. Still, the projector wasn’t missing any of it. Final pricing is not yet determined, but is expected to be around $23k. While it already has a model number, Wolf Cinema’s John-Paul Lazars mentioned calling it the Cub, and I’m running with that. Consider the start of an online campaign!
<IMG SRC="/images/archivesart/cliffhanger.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>When an equipment malfunction takes the life of an inexperienced climber, Gabe (Sylvester Stallone) places the blame upon himself and loses not only his best friend (Michael Rooker), but his girl (Janine Turner) too. Almost a year later, he is asked to go back to the same mountain range and rescue a group of stranded people, but when they turn out to be a band of criminals led by an international terrorist (John Lithgow) a deadly game of cat and mouse ensues.
Yeah, it's one of those kinds of things. We're sworn to secrecy (hopefully not too much longer), but we were one of the few who were given a glimpse at a new speaker line from a brand new company called GoldenEar Technology. New companies come into existence all the time, of course, but what makes this one so special is the fact that it's being started by Sandy Gross and Don Givogue, two of the founders of one of our (and many, many other' people's - if all of the stellar reviews and impressive sales numbers are anything to go by) favorite speaker brands, Definitive Technology. Gross was also one of the founders of another speaker brand you might have heard of: Polk. So when we heard Sandy Gross was working on a new speaker, our ears started to tingle (and not just from being at CES for several days). We can't tell you many of the details, but what we saw was elegant, affordable, and has all the makings of another blockbuster line of gear. To use a Vegas analogy, it's the kind of thing you might get if Frank Sinatra and Elvis had a love child. (Yeah, I know it's not biologically possible, but this is Vegas, after all...)
My search for home theater displays at the Venetian hotel, home of the high-end audio exhibits, was frustrating. And while I enjoyed checking out the audio rooms, looking mainly for speakers suitable for home theater (but also for the fun of it!), their prices were often a put-off for multi-channel applications). The Meridian room did not break the price barrier either, but the quality of the system was outstanding. The company left its big 4K projector at home and settled on the smaller DLA-MF10 with an ISCO anamorphic lens (about $28,000 --$15,000 without the lens) and 8-foot wide (approximately) 2.35:1 Stewart Studiotek 130 screen. Even though this projector is based on an older JVC DLA design (extensively modified courtesy of video expert William Phelps) the picture was to die for.
Scott Wilkinson | Jan 09, 2010 | First Published: Jan 10, 2010
My impression of Westinghouse LCD TVs has steadily improved with each one I've reviewed, so I was eager to see its new line of LED edge-lit models. The larger screen sizes—42, 46 (pictured), and 55 inches—are 120Hz, and all are quite slender as you would expect from LED edge lighting. The 46- and 55-inchers will be available in the fourth quarter, while the smaller sets will ship in April. Prices were not disclosed, but a company rep said it would be "comparable to CCFL pricing today."
Scott Wilkinson | Jan 09, 2010 | First Published: Jan 10, 2010
B&W announced that it has updated the 800 series with diamond tweeters in all models as well as improvements in the other drivers and crossovers, resulting in greater dynamic range, lower distortion, and higher power handling. Prices range from $2750 for the HTM4D center-channel to $24,000/pair for the 800D, and all models should be available to consumers by April. You can read more on the 800 series and diamond tweeters, <A href="http://blog.ultimateavmag.com/ultimate-gear/diamond_john/">here</A>.
Scott Wilkinson | Jan 09, 2010 | First Published: Jan 10, 2010
As I was wandering around the 3D Tech Zone, I stumbled upon a small booth with an autostereoscopic 3D LCD TV—in other words, no glasses. Technicolor was demonstrating its algorithm that takes in right and left images, derives depth information for each pixel, and interpolates six additional views between the right and left images, a process that cannot yet be performed in real time.