After becoming music director of the Minnesota Orchestra in 2003 Osmo Vänskä began recording an excellent multi-channel SACD set of Beethoven symphonies with his new group. The Finnish conductor has since returned to the work of his countryman Jean Sibelius (1865-1957), recording this multi-channel SACD of the composer's most popular symphonies, Nos. 2 & 5.
One of the best weekends of my life involved a train trip to visit a new, out-of-state girlfriend. I barely remember my time with her, but I vividly remember what I read on the way: Vance Dickason’s Loudspeaker Design Cookbook.
Jason Hartlove, CEO of Nanosys, Inc., explains his company's new backlight technology for LCD TVs called quantum-dot enhancement film, or QDEF, which uses nanoparticles that emit light of different colors when exposed to blue light. The emitted colors can be tightly controlled in the manufacturing process, resulting in just about any desired RGB color gamut, including the original gamut captured and intended by movie producers. A very geeky episode!
Audio Performance Video Performance Features Ergonomics Value
Price: $1,799 At A Glance: Strong texture, imaging, dynamics • Dolby Volume for low-volume listening • Relatively affordable price • Subpar video processing
The Good Ship Arcam steers a different course than most manufacturers of audio/video receivers. That means the prospective buyer has to read spec sheets in a different way. At 75 watts per channel, this $1,799 receiver shares a power spec with much, much cheaper competitors. But that doesn’t mean it performs the same. For one thing, Arcam specifies power output with five channels driven (1 kilohertz )—a hurdle most manufacturers don’t even try to clear. The figure rises to 80 watts (20 hertz-20 kHz) or 90 watts (1 kHz) with two channels driven. This leads to what might be called the Arcam Paradox: If you’re willing to step down in the specified number of watts per channel, you can optimize a product, especially its power supply, so that it will drive five reasonably efficient speakers to high levels without hardening the top end or collapsing the soundfield.
2D Performance 3D Performance Features Ergonomics Value
Price: $2,200 At A Glance: Excellent 2D and 3D performance • Inexpensive, lightweight, passive 3D glasses • Poor ergonomics
When Tom Norton reviewed the 65-inch Vizio XVT3D650SV 3D LED-edgelit LCD TV last year (see review here), he found it to be an excellent performer in most respects. However, its list price of $3,700 kept many potential buyers away—and, along with the few problems he did find, kept him from bestowing HT's Top Picks designation.
The road to A/V perfection is littered with formats and products that didn’t make it for one reason or another. Some were technically sound but ahead of their time or poorly marketed. Some were victims of bad timing, unforeseen circumstances, or uninspired design. Others were just plain curious in a “what the heck were they thinking?” kind of way. And then there are the tweak formats and technologies—embraced by enthusiasts and ignored by the masses—that refuse to go away. Here, we remember A/V formats, products, and technologies that are gone but (mostly) not forgotten.
British firm Monitor Audio has introduced the new CWT series - a line of in-wall and ceiling speakers featuring not just an audiophile pedigree, but a low-profile grille design perfect for stealthy custom installations.
It seems that every few weeks Onkyo rolls out another round of upgrades and apps for their AVR line, but today the company announced four new receivers for 2012: two 5.1 models (the $299 TX-NR313 and $499 414), and two 7.2 models (the $599 TX-NR515 and $699 616).
The 2012 Grammy Awards — "music’s biggest night" — was certainly a unique evening of entertainment. As Reba (when did she lose her last name?) pointed out, it brought together so many different aspects of the music industry. Where else would you find hip-hop newbies rubbing elbows with old-school crooners?
There is a way to make your music sound better. Well, OK, there are LOTS of ways to make your music sound better. If you're looking to improve your digital music, beyond new speakers, amps, and so on is a bit of technological wonder called the DAC, or Digital/Analog Converter. This is what turns your music files into something analog you can actually hear.
Receivers these days tend to have built in DACs, but just because they're there doesn't necessarily mean they're any good. A great sounding DAC can smooth out your digital audio, making it sound more natural and realistic.
Firestone Audio's tiny ILTW packs a lot into a tiny frame, for not a lot of money.