LATEST ADDITIONS

Ken C. Pohlmann  |  Oct 11, 2007

You're enjoying a lovely evening in the park - sandwiches and softball. A nice-looking kid comes over and offers to sell you an iPod for $100. You're reluctant, but it's a really sweet deal. You agree. The next day, you find out you've bought stolen goods. Congratulations! You're a business partner in the latest crime wave: stolen MP3 players.

James K. Willcox  |  Oct 11, 2007

Until recently, in-wall speakers were the last choice for anyone who cared about sound quality. Now, thanks to improved technologies and the entrance of major speaker brands into the burgeoning "architectural audio" category, in-wall (and ceiling) speakers are legitimate alternatives in rooms where you either can't or don't want to use freestanding models.

James K. Willcox  |  Oct 11, 2007

In-wall speakers have come a long way since the first models, which were essentially re-purposed car-stereo speakers. That dramatic improvement over the past decade is due largely to the boom in "architectural" audio products driven by the advent of flat-panel TVs, any-room home theater systems, and whole-house audio.

Rob Sabin  |  Oct 11, 2007

Although I'm a little embarrassed to admit it, I was a high-school A/V geek. Some kids go out for track or baseball, others for student theater. But I, along with my (still) best friend Burt, found my haven in a small interior office full of rolling TV carts and overhead projectors.

 |  Oct 11, 2007

Q. For a home theater in my basement, I have a room that measures 16 feet wide by 27 feet long. I'd prefer to keep the space as a multipurpose room with the theater integrated in a way to keep the space open.

Mark Fleischmann  |  Oct 11, 2007
Musicians are the backbone of several industries: recording, broadcasting, music publishing, live performance, etc. Several of those industries are currently waging a rhetorical free-for-all over what musicians get paid. It's like watching a pit full of weasels fight over a burger.
Mark Fleischmann  |  Oct 10, 2007
I'm nothing if not loyal to my reference gear. Google "fleischmann rotel rsx-1065" or "fleischmann paradigm studio 20" and you'll see what I mean--the latter alone brings up more than 900 links on this site and elsewhere. I continue to use, and implicitly recommend, these products because they sound great, combine the best traits of both real-world and high-end audio, and give my ears a stable and reliable benchmark against which to judge other things. When I tell speaker makers I use the Rotel, they breathe a sigh of relief. So do receiver makers, when I tell them I'm using the Paradigms. The reference pieces also like one another. Hearing them together recalibrates my ears between reviews. I wish I could listen to them more often.
SV Staff  |  Oct 09, 2007
It's all about the relationship. That was the message at the official rollout of TiVo and Real Networks' new partnership at  the Arena club in Manhattan this week. Emcee Chris Harrison, host of The Bachelor, opened the festivities, leaving...
Fred Manteghian  |  Oct 09, 2007

Shane and David are taking shrapnel over on Shane's blog regarding BD replication "rumors" (which are what Blu-ray fanboys calls factual, documented and critically contradictory statements from Sony's DADC division regarding BD disc yields over the span of a year) so I thought I'd run a flank attack and see if we can't create enough of a diversion to get those two to safety.

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