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Lacking the high-end street cred of a boutique brand, Sony probably won't get much credit for producing the best sound of CES 2013 (at least so far) with its new ES speakers. The NA-2 tower ($10,000/pair), NA-5 monitor ($6000/pair), N-8 center ($3000), and matching sub ($4000) have the same Scandinavian-made multi-chambered birch cabinetry of the existing AR-1 and AR-2. Note the triple tweeter configuration, shown here on the center but present on all the new models. No, you're not seeing two super-tweeters flanking a tweeter, just three tweeters, though they're not the same size and are not all getting exactly the same frequencies (we'll have to get into the intricacies some other time). Fed by Pass amps and high-res sources including vinyl and DSD, the tower established an instant comfort zone with its super silky sweet top end, fatigue-free and convincing midrange, and controlled bass. In addition to today's press announcement at the Venetian, Sony is also showing the ES speakers in a 9.2-channel configuration at its gigantic booth in Central Hall.

ADA is best known for its world-class surround separates so it's a pleasant surprise to see it getting into receivers, or as the company calls them, integrated controller/amps. The Cinema Rapture ($5000, shipping this week) musters 150 watts into eight ohms and 300 into four ohms while the Cinema Rapture Jr. (price and shipping to be determined) offers 80 watts into eight ohms and 150 into four ohms. Both use Class D amp modules of ADA's own design. They are not licensed from someone else. We can't wait to hear how they sound in our own listening room.

The major HDTV manufacturers fell all over themselves, as usual, trying to produce the most spectacular, eye-catching booth theme. But the grand prize goes to LG, which built on the 3D video wall first shown last year with some of the most eye-catching imagery seen at the show. The wall appeared to be made up of 140 sets, if my count is right (I counted them on site; a few sets re cropped off here) and each set appeared to be 55-inches. That's about 90 feet wide.

The images had to be viewed through passive 3D glasses provided to the attendees (the glasses were also needed inside the booth, where many displays were 3D). How, you may wonder, did I capture these images in 2D to show here without the double image effect? Simple: I held one lens of the 3D glasses in front of the camera lens, so only one eye-image came through to the camera's imager.

Samsung claims to be showing the world's first curved OLED, but there seems to be some dispute about that (see below). Nevertheless, you'll see flat OLEDs in Vin's Video Barn before you see curved ones. Exactly when we'll see the flat versions remains a question mark. LG has starting to sell them in Korea either now or claims it will do so shortly, but the US availability date will be later. Samsung claims in June of this year or later. Expect prices between $10,000 and $12,000 for the only size anticipated for now: 55-inches (the 56-inch Sony shown below does not have a delivery date). How that will stand up in the market against the increasingly cheaper big-screen designs remains to be seen.

One thing is certain: OLED can trump any current display technology in a wide range of important performance parameters. The off-axis performance and black level quality comes through in this photo, even on a your computer screen, which itself will certainly have a far poorer black level.