"Keep Austin Weird" is a catch phrase that adorns many a T-shirt in this Texas town that for well over two decades has hosted the South By Southwest music festival.
I’ve been covering video projection since the early 1990s, but last week was the first time I walked into a product display and had a hard time figuring out which projector was showing which picture.
Price: $6,300 At A Glance: Automatic Room Optimization (A.R.O.) with microphone • XLR output to connect one or more slave f212 subwoofers • Dual 12-inch active drivers
Unless you live in South Florida or are heavily into car audio, there’s a good chance you don’t recognize the name JL Audio. That’s because while these guys make dozens of products for automobiles and boats, they only make a few for home theaters. And the cheapest ones—the just announced 10-inch E110 and 12-inch E112, cost $1,300 and $1,600, respectively.
Price: $1,799 At A Glance: Front-firing active driver with down-firing passive radiator • Independent volume controls for simultaneous use of high- and low-level inputs
So, who the hell is REL Acoustics? That’s a question you might be asking yourself if your favorite places to shop for the latest in A/V gear happen to be Sears, RadioShack, or Big Jim’s Family Pawn & Gun Shop. I’m not saying there’s anything wrong with those establishments (well, Big Jim’s might be a little iffy), but REL’s subwoofers are not a cash-and-carry kind of thing. As a matter of fact, REL—a British company that makes only subwoofers—claims its products “are not traditional subwoofers, but true sub-bass systems.” Starting with this slightly different concept of what a subwoofer should be, it’s no wonder that REL subs require a somewhat out-of-the-ordinary setup and that the company recommends parameter settings that are a bit unusual. As a result, REL subwoofers are found only at retailers that have silk-robed salespeople who have been trained by mystical, shoeless REL Zen Bass Masters to be highly skilled in the ancient acoustical arts of transducental bass reproduction.
Based on Brian Selznick's book, "The Invention of Hugo Cabret," Hugo is one of the best films from 2011 and it certainly deserved its 11 Academy Award nominations (winning five). Acclaimed director Martin Scorsese brings the magic back to filmmaking and in the process gives the viewers a history lesson on one of the early pioneers in movie making. Going in, I had no idea what this film was about, but was blown away by the reference-quality audio and video presentation as well as the engaging story, believable characters, and exquisite set design. The film was shot on an Arri Alexa digital camera and the level of detail is out of this world. Every shot is razor-sharp in both the foreground and background and I only wish I was sent the 3D version from Paramount because I've read that it has some of the best 3D effects available on Blu-ray. Not to be outshone is the DTS-HD MA 7.1 soundtrack that features stupendous dynamic range, pinpoint accuracy with its discrete effects, and astounding frequency response.
Price: $799 At A Glance: Infrared remote control included • Optional wireless kit • Disappearing alphanumeric display behind grille
At $799, the diminutive Definitive Technology SuperCube 4000 isn’t “recycle enough aluminum cans and buy it” cheap, but it’s still in the reasonably affordable price range for a large percentage of home theater enthusiasts. Although Def Tech calls it a SuperCube, the actual dimensions are 11 inches wide x 11⅞ inches tall x 12 inches deep, which isn’t strictly a cube according to my high school geometry book. Evidently, SuperApproximatelyACube and SuperCubeLike were already trademarked, so Def Tech had to settle for the close-to-accurate SuperCube. Regardless, the compact size makes it super easy to place in a room, and fairly inconspicuous wherever you place it. Don’t let the SC4000’s small form factor fool you, though, because it’s one of the most feature-packed and easiest-to-set-up subwoofers I’ve encountered, regardless of price. It’s also surprisingly heavy (around 25 pounds) for its size.
I'm trying to develop a home-theater system. I am definitely a neophyte, not an audiophile, and based on your reviews, I fit into the entry-level price range. I have a pair of Bose 401 speakers in very good shape, and I like them. Also, I thought the money saved by using these could be put into other components. I don't know what surround speakers, center speaker, and subwoofer to buy that are compatible with the 401s. I'm also going to purchase a new A/V receiver and Blu-ray player.
Currently, I'm considering the Pioneer VSX-1021 or Onkyo TX-SR609 AVR and the Samsung BD-D6700 Blu-ray player. After that I have no idea what to do. What subwoofer, center channel and surround sound speakers do I buy to go with the Bose 401s? Perhaps the Bose 161s? Or do I just forget it and buy a complete speaker system? If so, which one?
A Princess of Mars was the first serial novel published by adventure writer Edgar Rice Burroughs (the Tarzan guy) almost exactly 100 years ago. It’s a classic tale: Civil War veteran is mysteriously transported into the midst of two warring cultures, of course, with a beautiful woman to be saved. Hmm, countless sci-fi films and more than a few Western flicks have borrowed that theme. Most recently and notably, James Cameron has said that A Princess of Mars (which he read as a child) was his inspiration for Avatar. Here’s the problem: Once so many others have copied it, the original feels — oddly enough — derivative. Despite all that, Disney gambled that Princess had enough life left to kickstart a new franchise.
Were we to travel to, say, Jupiter, and abduct its leading audio engineer (turnabout is fair play, after all), we might want to ask him (or it) this question: what’s the very best way to design a loudspeaker for the reproduction of high-fidelity music?
There’s no doubt in my mind as to how our Jovian guest would answer: “Active/powered!”
A few weeks ago I reviewed the Altec Lansing inAir 5000. It wasn't bad, but for $500 I would have hoped for more. That seems to be the case with many Wi-Fi audio systems these days, and that got me thinking:
For the same amount of money, could I build an audio system with similar functionality, similar footprint - and that actually sounds good?