LATEST ADDITIONS

Mark Fleischmann  |  Nov 15, 2007
Flat meets flat.

The big trend is smallness. Flat is the new phat. Manufacturers who want space in your home compete most effectively by taking up less of it. And, in case you hadn't heard, less is more.

Steve Guttenberg  |  Nov 15, 2007
Sound design.

A few weeks before I started on this review, I went to a press event in New York City for the premiere of a "re-performance" of Glenn Gould's legendary 1955 recording of Bach's Goldberg Variations. No, they didn't play a new CD or even the original master tape; we heard Mr. Gould, who passed away in 1982, virtually playing a Yamaha Disklavier Pro concert grand piano. And it was no scam. Zemph Studios (a music technology company based in Raleigh, North Carolina) converted the original recording to high-resolution MIDI files and played them back over this very special Yamaha piano. The concert thrilled everyone, especially those in attendance who were lucky enough to have heard the flesh-and-blood Gould perform back in the day. The event organizers gave each of us a copy of the new Sony/ BMG Masterworks SACD of the re-performance.

Mark Fleischmann  |  Nov 15, 2007
A budget sub/sat set for the divinely inclined.

Nowhere is the universal human desire to get something for nothing more evident than in consumer electronics. While I'm always amenable to reviewing mass-market gear that offers high value to the consumer, I also spend a large portion of my time convincing more discerning listeners that an investment in higher-priced gear is really worth it. Why, then, would I work up a froth of enthusiasm for a modest subwoofer/satellite set like the DCM Cinema2? It would be convenient simply to say that I heard it and liked it, but the truth doesn't always lend itself to a glib lead.

Chris Chiarella  |  Nov 15, 2007
Yeah, stick this in your PC. . ..

Whatever happened to portable TVs, anyway? I know my dad had one. It was a fairly bulky affair with a relatively small black-and-white screen. But the novelty eventually wore off; even the slenderized Sony Watchman didn't exactly take the world by storm, did it? Their allure is still undeniable, and they're certainly still out there, resting upon the knees of tailgaters and beachgoers. But shifts in the ways we use technology have also inspired the tech-savvy to put TV tuners into the omnipresent PC, conceivably turning a laptop into a portable HDTV, with a few caveats.

Mark Fleischmann  |  Nov 15, 2007
A new line from a champion.

The loudspeaker sat in his doctor's examining room. His weight was up, and the results of the cholesterol test were not good.

Gary Merson  |  Nov 15, 2007
The 2007 HDTVs

This time last year, we tested 61 2006 HDTVs to learn how they process all the detail contained within 1080i, the most common high-definition broadcast format. It's the highest resolution format the majority of HD broadcasters and cable channels use, including CBS, NBC, CW, HBO, and Showtime. The results of our 2006 tests were quite disappointing; less than half of the HDTVs were able to properly process the interlaced broadcast signal to the TV's native, progressive resolution. This year, we have expanded our testing to include 74 HDTVs that range from 19 to 67 inches. We have added a new test for 1080p displays to judge their resolution with motion as compared to their stationary resolution. This test illustrates how all HDTVs lower the amount of detail you can see when the camera is panning or where there is action in a scene, such as on a football field. More on this later.

Geoffrey Morrison  |  Nov 15, 2007
Mid 1080p take II.

Not too long ago (June 2007), we checked out this projector's predecessor. In a roundup and the Mitsubishi HC5000, we chose the JVC as the hands-down winner for picture quality, but that wasn't the whole story. The VPL-VW50 was a close second, and one participant even picked it as a favorite, finding it quieter and easier to live with than the JVC. Now, a scant seven months later, the projector landscape has changed a bit. The new Mitsubishi is down to $4,000, and the new DLA-HD100 from JVC rose up to around $8,000, leaving the new Sony all alone at the same price ($4,999) its predecessor was last year.

Mark Fleischmann  |  Nov 15, 2007  |  First Published: Oct 15, 2007
Tie a rectangular ribbon.

Tweeter is the name of a speaker driver, an audio retail chain, and a Warner Brothers cartoon character. No, wait, that would be Tweety Bird. However whimsical the name may sound, the tweeter plays a crucial role in speaker design. An average one delivers not only high frequencies, as the chirpy name suggests, but also a significant share of the upper midrange. It's possible to design a loudspeaker without a tweeter. But most speakers depend on their tweeters to deliver harmonics, detail, airiness, and all frequencies above the crossover to the lower drivers.

Jerry Kindela  |  Nov 15, 2007  |  First Published: Oct 15, 2007
Price-sensitive yet refined, sophisticated sound.

Paul Barton doesn't merely talk about Canada's National Research Council; he preaches about the facility, acting as the Billy Graham for Canadian scientific research. And well he should. The NRC was founded to provide scientific, practical, and developmental support to Canadian companies wishing to compete in a global economy. Barton began using the NRC's facilities and its scientific minds in 1974, just two short years after he launched a modest little speaker company called PSB. Within a year, PSB released the Avante, the first speaker the company designed with the NRC's help. Since then, Barton has continued to design well-received and well-reviewed speakers, each delivered with assistance from the NRC facilities.

Mark Fleischmann  |  Nov 15, 2007  |  First Published: Oct 15, 2007
Surround that stretches for miles.

Although they're now owned by Klipsch, Mirage continues to follow their own ears. The Toronto-based company's name derives from a key design goal—to make speakers so immersive that the listener forgets the product is in the room. In addition to a goal, Mirage also has a method: to favor more omnidirectional sound over direct sound using an unusual reflector assembly built into the top of the speaker, creating a spacious feeling that is the company's sonic signature.

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