There are, at present, two ways to view 2.35 movies on a 1920 x 1080 HD projector. First, you can tolerate the black bars on a 16:9 screen (or use a 2.35:1 screen and zoom the image out to let the black bars spill off the top and bottom). Second, you can use an anamorphic lens, together with video processing, on that same 2.35:1 screen. Engineers at Projectiondesign have a third way. Working with Texas Instruments, they have incorporated a 2538 x 1600 0.9"DLP chip into their new Avielo Optix SuperWide 235, a single-chip, 2-lamp, 2D digital projector. Using a 2538 x 1080 central area of this chip, they can project a 2.35:1 image onto the screen with 1080 pixels of vertical resolution.
No, KEF hasn’t invented an invisible-wall speaker, although it might look that way from the display. In fact, KEF’s new custom-installed ceiling speakers boast a smaller, enclosed PC board crossover that helps reduce the amount of environmentally unfriendly chemicals required in the production of the speakers. Despite the “green” nature of the speakers, KEF wisely chose to keep the color of the slim bezels and magnetically attached grilles white which will still let them cosmetically match the “greenest” of homes.
KEF’s new T-series of super-slim speakers – claimed by KEF to be one of the world’s thinnest, high-performance home theater and flat-panel audio systems – combine two big innovations: a new super-duper-slim bass and midrange driver; and a large, fully vented new tweeter developed straight from the company’s high-end Concept Blade project. The cabinets are only 35mm deep and looked really excellent hanging on the wall next to the flat-panel TV in the booth. Two different satellites are available ($499/pair and $349/each) and systems with matching subwoofers start at $1,499.
FOSI wants you to see stars in your home theater – and not just on your big screen. The company’s star ceiling panels – like this 8-foot x 12 foot version – contain thousands of individual fiber optic cables that take light from three central light sources (either halogen or LED-based lamps) and create astronomically correct reproductions of the night sky on your theater (or other) room’s ceiling. Panels can be ordered in flat black or cloud-sky painted models. This particular setup included over 5,000 fiber optic runs to create a September night sky that included a comet, several shooting stars, and the ability to erupt into a brilliant fireworks display. Without the fireworks lighting, the DIY version – in which you get the fiber optic cables and a complete, full-size template for where to drill the holes for the cables in your own panel – starts at around $2,000. As far as a professionally installed, fully tricked out version with fireworks and a night sky that’s exactly the way you want it from a certain date in history (your wedding night or the evening the Normans invaded England, for example, either of which could be considered the start of epic battles) can cost, well, the sky’s the limit.
No, it didn’t fly while I was there, but a life-size (?) version of the flying robot from the famous THX movie trailer stood mute witness in the Integra booth that Integra has oodles of THX-approved gear. (Oodles – yeah, that’s a technical term. Now that I think of it, Oodles would be a good name for the robot itself. I may name my next kid, Oodles, I like it so much – the name, not the kid…)
A few large manufacturers excepted, most of the video projection industry seems in no big rush to get into 3D. As a result, there was plenty of 2D projection action at this year’s CEDIA Expo, a gathering in Atlanta this week of custom installers...
Wander down to the far end of CEDIA’s long exhibit hall and
you’ll find a closed-door booth emblazoned with an unfamiliar company name:
GoldenEar Technology. Enter that booth, and you’ll see legendary speaker-guy
Sandy Gross...
Among all the super-expensive projectors at CEDIA, some of the biggest buzz has been about Epson's entry into the LCoS market, which turns out not to be entirely true. In fact, Epson has developed a new but related imaging technology it calls "3LCD Reflective," which is basically liquid crystal on quartz instead of silicon. (Keep in mind that quartz is silicon dioxide, so maybe it's not that different after all.)
Calibrator extraordinaire Kevin Miller was demonstrating Epson's latest flagship, the THX-certified 9700UB, which has two primary improvements over the previous 9500UBprocessing for a fixed anamorphic lens and better panel alignment. (We got right up next to the screen, and the alignment was indeed superb.) Also, all controls remain active in THX mode, which is great news for those who understand that no projector can be perfectly calibrated at the factory, because it depends on the screen and environment. Clips from Alice in Wonderland and Remember the Titans looked amazing on a 96-inch-wide Stewart Studiotek 130, even with a calibrated light output of only 450 lumens.
Projectiondesign's press conference concentrated on the Optix SuperWide 235 (around $39,000 with a standard lens), whose DLP imaging chip boasts a native resolution of 2560x1600, though this model uses only 1080 horizontal lines. This projector can display any aspect ratio from 1.33:1 to 2.40:1 at constant height without needing an anamorphic lens or zoom memories, which rob the image of brightness. For wide-screen Blu-rays, it scales the image vertically and horizontally using Sigma Designs VXP processing and two custom FPGA (field-programmable gate array) chips to fill the 2560x1080 pixel structure and maintain a 12-bit color depth per channel.
The demo was shown on a 13-foot-wide Da-Lite Affinity screen (1.1 gain) with a hand-built prototype with only one of two lamps in operation, so we were seeing a peak-level of about 7.5 foot-lamberts. Clips from Paul Blart: Mall Cop and Spider-Man 3 looked quite good, though I would not have chosen Paul Blartwhat an awful movie!