A watermarking technology used to trace pirated movies back to the source will soon be built into set-top boxes. Thomson developed NexGuard to trace pirate masters back to the theaters where they were stolen with camcorders or to DVDs distributed to reviewers and awards juries. Soon chips will be built into STBs to read watermarks in MPEG-2, MPEG-4 AVC, and VC-1 formats. The technology might be applicable to cable, satellite, or any other kind of STB. So if a piece of copyrighted material enters your home through the box, and ends up being pirated or file-shared, it will bear an individual watermark leading the copyright holder back to you. Should you worry? Said a Thomson executive: "The idea is to slow down piracy without limiting the use of the consumer. They should not be upset about this unless they are widely redistributing content." Of course, if you loan an archival video to someone who does file sharing, the copyright holder might become upset, and the copyright holder's attorney might make you very upset.
Bose recently invited us by their Columbus Circle store in Manhattan to give a listen to their in-ear headphones. While not a new product per se, they wanted to discuss some new and upcoming enhancements that I'll touch on in a moment, but this was my first chance to really evaluate the 'phones and, as someone whose been using earbuds extensively for a decade now, I was genuinely impressed by the sound. While not noise-canceling or sound-isolating, they incorporate the same Bose Tri-Port technology as in their QuietComfort line: small ports in the earpieces that help in bass reproduction without adding great size, so they're a handy accessory to iPods et. al.
The fight over new Internet-radio royalties heated up Friday when National Public Radio took a stand against against them. In advance of a petition for reconsideration, filed with the federal Copyright Royalty Board, came this statement from NPR's Andi Sporkin: "This is a stunning, damaging decision.... Public radio's agreements on royalties with all such organizations, including the RIAA, have always taken into account our public service mission and non-profit status. These new rates, at least 20 times more than what stations have paid in the past, treat us as if we were commercial radio--although by its nature, public radio cannot increase revenue from more listeners or more content, the factors that set this new rate. Also, we are being required to pay an internet royalty fee that is vastly more expensive than what we pay for over-the-air use of music, although for a fraction of the over-the-air audience. This decision penalizes public radio stations for fulfilling their mandate, it penalizes emerging and non-mainstream musical artists who have always relied on public radio for visibility and ultimately it penalizes the American public...." Like NPR itself, many local public radio stations now have active websites with audio feeds, podcasts, and other content that doesn't make it on the air. NPR's audience hit an all-time high of 26.5 million in fall 2006 and has been adding a million listeners a year for the past five years.
If you're a next-gen format with only three supporting studios total, and only one studio that's exclusive to your format, you could do worse than having that one exclusive studio be Universal. Following up on its promise to release over 100 HD DVD titles in 2007 Universal is releasing 13 catalog titles on the Toshiba-backed format this June. Count 'em- 13!
Like Poe's purloined letter, some stories lay in plain sight, unnoticed. On rooftops, no less. I'm talking about the return of the humble TV antenna in the age of HDTV. As Newsweek's Johnnie L. Roberts says so eloquently: "The irony is marvelous. Pushed into obsolescence by the technological advances of cable and satellite, antennas are re-emerging thanks to one of the most promising high-tech services of the digital age. High-def channels can be plucked out of thin air by antennas just like regular broadcast signals--no cable, no satellite dish, no monthly bill, no waiting for the cable man." OK, if you've got a Jon Stewart addiction, the dear old antenna will do nothing to help. But how many such addictions do you really have? If the answer is just one or two, try this exercise: Get your cable or satellite bill. Multiply what you're paying for television by 12. That's what you're spending every year for Jon Stewart. Still think it's worth it? Then multiply the figure by 10--that's the amount of cash you could have put in your retirement fund over a decade. And what with cable's constant rate hikes, the final figure will be considerably larger than this simple calculation. If free TV seems like a good idea after all, the Consumer Electronics Association maintains an antennaweb site expressly to help people like you save money every month. Consumer hints: All HDTV channels live in the UHF band, so make sure your antenna works well at those frequencies (like the Terk indoor model shown here). You'll need a TV, set-top box, or DVR with an ATSC (meaning digital) tuner. But the results are worth it. Broadcast HDTV operates at a higher data rate than cable or (especially) satellite. So over-the-air HD picture quality is more than competitive. Salut!
According to Outlaw Audio, exceptional consumer demand is the reason why it is now offering its first not-a-subwoofer loudspeaker. Calls for transducers from these electronics producers increased dramatically following the introduction of the company's not-multichannel RR 2150 Retro Receiver.
Going back to those heady days of wine, roses and Laserdiscs, the general public, if aware at all of LD's existence, would yawn and claim to be interested when a recordable LD is introduced. Of course that never happened and LD is currently residing in the "where are they now" of consumer electronica.
I've been reviewing speakers for a long time. I'm not saying my ears are any better than yours, but they're trained. Give me that much credit. I can wax rhapsodic paragraphs ad nauseam on why the latest multi-thousand dollar speaker can bring you closer to your music and movies. If you can afford them, great! But if you can't, it's not the end of the line. A more than decent system can be built around five mid-priced speakers, like the Polk LSi-9 ($500/ea), plus a good sub. But <i>really</i> inexpensive speakers? Well, that's always been a big challenge – until now that is.