It's the BGX-4850 BG Radia/THX Ultra2 Certified In-wall Subwoofer. After many months of tweaking and a few delays the BGX-4850 Architectural Subwoofer is here. The BGX-4850 is a joint development between BG Radia and THX and has resulted in a very unique in-wall subwoofer design. The BGX-4850 is the first in-wall sub to receive THX Ultra2 certification and the first to incorporate THX Balanced Bass-line technology to deliver vibration-free bass from an in-wall subwoofer.
The Paradigm Seismic 110 sub has a rounded top, and to complement the Millenia Series speakers, a diecast chassis. And it makes the best picture. But the Paradigm subs that will really raise eyebrows are the marginally less photogenic Sub 12 ($1999) and Sub 15 ($2999), each of which has dual 800-watt amps and dual voice coils driving a single cone. Why? More output, better control, less distortion. And there's USB input for fine tuning via the Perfect Bass Kit.
The Suite 7.1HD surround preamp-processor from Audio Design Associates, second from bottom in picture, supports Dolby Volume as well as the new lossless surround codecs. It costs $5500 and will ship in a few months. There are eight HDMI ins and two outs, which should cover every high-def contingency known to humankind. Rather than introduce new amps, ADA is sticking with the existing PTM-6150 and -8150, which is absolutely the right decision, as they are (I'll stick my neck out) the best outboard surround amplifiers in the industry.
Arabesque, from the Crystal Cable folks, is the second manufacturer we know of (in addition to Waterfall) to use glass enclosures. The faceted design of this floorstander came about after the company realized that a curved glass enclosure wouldn't be possible -- but it looks great.
DLS designs its products in Sweden and has them assembled in Taiwan with enclosures from China. But the company designs and manufactures its own drivers. The M Line includes the M66 tower, for $3500/pair, plus the MC66 center, M60 monitor, and M Sub 10.
Which some might construe as weightist. The composite fiberglas, carbon fiber, and resin enclosure makes damping material unnecessary. Two 9-inch woofers share the enclosure with a 6.5-inch mid and 1.1-inch tweeter. The $32,000 pricetag (per pair) may seem stiff but the composite enclosure trickles down to the monitor-size Super Octave. Morel also offers three Sound Spot satellites, all of which have coaxial drivers in a metal pedestal enclosure, but the drivers differ, so pricing ranges from $1500 to $2000 to $2500. The best version has a resin-covered silk tweeter.
President-elect Obama has been turned into a fuzzy iPod dock with bobbing head. This is what he gets for delaying the DTV transition. If he delays it long enough, we'll turn him into a power strip.
Phase Technology's Teatro PC310 ($1200) has three 5.25-inch woofers, five 1.5-inch soft dome midranges, and three 1-inch soft dome tweeters, some of which you see here, and some of which are mounted at the sides. Imaging was wide, the feel was smooth and natural (more so than most sound bars), and if the regular one-size grille doesn't match your flat panel display, you can have one custom cut.
If you like your speaker bars under a thousand, try the Phase Technology Teatro V3.0 for $800. Besides the half-dozen woofers and tweeters on the front, it also has side-mounted drivers, something it has in common with the one above.
Phase Technology's dARTS has been around for awhile. That stands for Digital Audio Reference Theater System, and it involves custom programming, software tuning and amplification precisely matched to the room. But with the 650 Series speakers, it now has cosmetic sophistication to match its digital smarts. The whole package goes for $20,000, but if you have high-end tastes and a wallet to match, try it before you decide that's too much.