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Rob Sabin  |  Sep 12, 2011
Monitor Audio and NAD both showed high-end, high-performance iPod docks at the show that take straight aim at B&W's successful $600 Zeppelin iPod dock. NAD's VISO 1 is a $700 model that has PSB's renown speaker designer Paul Barton behind it and plays music from a mounted iPod or via a lossless Blutooth connection. Meanwhile, Monitor's Technical Director Dean Hartley is the brains behind that brand's new two-model i-deck series.The i-deck 100 ($499) is the more compact unit with a pair of the company's 3-inch C-CAM bass drivers and two 3/4-in C-CAM Gold metal dome tweeters. The iDeck 200 ($599) is the flagship, with a pair each of 4-inch woofers and 1-inch tweeters. Both offer a clever automatic EQ system in which a built-in microphone picks up three bass tones sent out when you first power the unit up, allowing it to detect its proximity to room boundaries and adjust the bass accordingly. Given the engineering talent behind the Monitor and NAD docks, it's no surprise that both sounded pretty good for an iPod dock, even on a crowded show floor.

Rob Sabin  |  Sep 12, 2011
Sanus showed off a revision of its value-priced ready-to-assemble Basics Series furniture line with an attractive new feature: tool-less construction. Really, not even a screwdriver. The screws and screw cams/posts of yesteryear have been replaced with a combination of internally hinged parts (such as drawers) that are already partially constructed and simply fold out to their final shape, and easy-to-use lever cams that pull the final pieces together and hold strong. The new designs both speed and simplify construction—something to celebrate if you've ever pieced one of these together the old way.

Rob Sabin  |  Sep 11, 2011  |  First Published: Sep 12, 2011
Manufacturers of control systems and many other products have embraced the iPad in a big way, building apps that turn these small flatpanel computers into easy-to-use, high powered touchscreen controllers. But the iPad's (or iPhone's) strength as a do-it-all device is also a weakness if you're going to use it as a remote control. The reality is that these multipurpose machines can be quite inconvenient if at the moment you need to switch an input on your receiver or press the Pause button for your disc player your tablet isn't woken up, unlocked, and running the correct page of the control app in its open window. And that assumes the device hasn't walked away altogether with another family member who needs it for web browsing or a round of Fruit Ninja. RTI's solution, believe it or not, is a second inexpensive remote to keep around as a backup. The new SURFiR ($149, shown next to the iPad) is an option for anyone using one of RTI's controllers and the company's RTIPanel app for Apple iDevices. Unlike the company's usual remotes, the SURFiR requires no programming, and system commands you execute with it automatically update the RTIPanel display—the two track each other. Apps are great, but if you're busy looking at email and just want to make a quick volume adjustment, the SURFiR companion remote is intended to provide quick, easy, tactile control at low cost.

Rob Sabin  |  Sep 11, 2011  |  First Published: Sep 12, 2011
Canadian audio manufacturer Bryston Ltd. was showing off its soon to be released SP3 surround processor at CEDIA 2011. Taking a purist approach, there's no video processing to potentially muck up the audio signal, but the unit provides convenient HDMI v1.4 video pass through from each of seven HDMI inputs, and should a higher HDMI version ever be required, modular construction insures that a factory upgrade can do the trick. The prototype on display was a 7.1-channel model that decodes all the latest Blu-ray codecs and steers the audio to either balanced or RCA outputs. There's also a pair of AES/EBU inputs and a USB input along with the usual mix of analog and digital stereo inputs. Bryston sales VP James Tanner said the SP3 uses all discreet Class A circuitry in its analog stages for optimal sound quality, and great care was taken in the circuit topology to keep incoming video signals away from the audio, including dedicated power supplies for the video and audio circuits with no shared common grounds. Price is expected to be $9,500 when the SP3 ships at the end of September.

Philip Ryan  |  Sep 11, 2011

With two shows of very solid playing in the bag, we come to the end of the Colorado run. The guys are firing on all cylinders from the beginning, though they get tripped up a little in the second half of the first set - they're obviously going for it, but can't seem to get there.

Scott Wilkinson  |  Sep 11, 2011
SIM2 wasn't the only company with a native 2.35:1 DLP projector at the show. Digital Projection showed its dVision Scope 1080p single-chip model with a native resolution of 2560x1080 and a native (non-dynamic) contrast ratio of 7500:1. A modified Gennum processor expands 2.35:1 images to occupy the entire imager when black bars are detected. Pricing is around $50,000. Another new dVision model is the 35-1080p 3D, which uses active glasses and two lamps for 3D content. The price tag here is $35,000.
Scott Wilkinson  |  Sep 11, 2011
Digital Projection's entry-level 3D model is the M-Vision Cine 3D single-chip DLP, which outputs 3000 lumens without BrilliantColor (5500 lumens with BC, but you sacrifice some color fidelity in this case). Pricing is around $18,000.
Scott Wilkinson  |  Sep 11, 2011
As we all know, 3D needs as much brightness as it can get, and you get plenty with Digital Projection's Titan Quad 1080p 3D. This monster includes four lamps to blast up to 16,000 lumens at the screen with a native contrast ratio of 2000:1. You can up the contrast to 5000:1 by closing down the aperture, but then you get "only" 8000 lumens. The price for all that light? Just shy of $90,000.
Scott Wilkinson  |  Sep 11, 2011
Also in the SpectraCal booth was an LCD TV using quantum-dot technology from a company called Nanosys. A liquid with suspended nanoparticles is sprayed on a film that is added to an LCD TV, and blue LEDs stimulate the particles to glow red and green. Combined with the blue light from the LEDs, this forms full-color images. The image on the prototype display wasn't the best I've ever seen, but it's a new technology that could well improve in the future.
Scott Wilkinson  |  Sep 11, 2011
Video-calibration stalwart SpectraCal now offers the eeColor TruVue color processor under its own name. This processor is based on 35 years of research into color perception in various environments, analyzing the color coordinates of each pixel 20 times per second and using three-dimensional lookup tables to compensate for different amounts of ambient lighting and other perceptual factors. It also supports all forms of 3D except frame-packed Blu-ray, and it can expand the color gamut while retaining the D65 white point and flesh tones, which is a pretty cool trick. I look forward to checking it out more closely.

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