LATEST ADDITIONS

HomeTheater.com has been wearing the same haircut for a good many years now. Introducing you to HomeTheater.com 2.0 really takes me back, as I was intimately involved in the last design updates we did a few years ago, when we added the Buyer’s Guides and built out a lot of the content you see today.

This new design is up to the bleeding edge modern, with chunky images, large fonts and a very clean aesthetic that we think you’re really going to like. But a lot more function will follow the form too.

The first thing you’ll need to bring 3D home is a 3DTV. While they’re outwardly similar to any HDTV and fully capable of 2D playback, 3DTVs can decode and display 3D from one of several standard 3D formats. In general, 3D sets also offer separate setup menus for 2D and 3D material, plus additional 3D controls that can help you get the best out of 3D sources.

Some of these sets, like LCD models from Sony, Samsung, and Toshiba, and some new Panasonic plasmas, include special processing that converts 2D sources into a semblance of 3D. Our limited experience with this feature so far suggests that it can be effective with some material, but it’s no substitute for the real thing.

My recent post on extended surround surprised me with the response it drew, both quantitatively and qualitatively. I think what surprised me the most was how many of you have already moved beyond 5.1. Myself and most of the writers for the magazine are still using 5.1 as a base system, and occasionally jury-rigging extended surround on an as-needed basis for testing. I can’t answer for all of them, but I did want to pass along more of my own thoughts and experiences on the subject and why I’m still using 5.1 and not at all likely to change that anytime soon.

Years ago, I experimented extensively with both 6.1- and 7.1-channel surround sound, both with a single surround back channel and with two surround back channels. I was then in a dual-purpose living room space, and the 6.1 with the single surround back channel was most effective, but not enough to totally sell me on the concept. My last two rooms have been dedicated media spaces, and each has been in the neighborhood of 25x16, with a first a 10’ ceiling and now just under 9’. The first house was new construction with a ground-up media room build. It was a big room, and I pre-wired the back wall for 7.1 as a precaution. It turned out I never felt I needed it and when I moved to my current house, a retrofit job, I didn’t give any consideration to 7.1, let alone height and width expansion. Let me speculate on why.

The title of this Ultimate Gear entry identifies the DX-5 as a "universal disc player"—the better to snag search-engine hits with—but American manufacturer Ayre Acoustics calls it a "universal A/V engine." Why? In addition to playing every available audio and video optical-disc format, this box also provides a USB port that allows it to act as a portal for the music files on a computer.