POWER AMPLIFIER REVIEWS

Sort By: Post Date | Title | Publish Date
John J. Gannon  |  Dec 24, 2001  |  0 comments

We at <I>SGHT</I> are no strangers to Rotel products. In the October 2000 issue, Michael Fremer reviewed Rotel's RTC-965 surround processor/tuner with the RB-985 Mk.II power amplifier, and in February 2001, Robert Deutsch waxed enthusiastic about the RMB-1095 power amp. Both writers lauded these products' value, and RD spoke of Rotel's consistency in product and circuit design, something he'd noticed through the years. He declared the RMB-1095 "one of the best buys in a multichannel amplifier."

Mike McGann  |  Sep 30, 2001  |  First Published: Oct 01, 2001  |  0 comments
Truth be told, we could all watch TV on 19-inch screens and derive some enjoyment from it. We could all drive tiny-bodied, tiny-engined commuter cars and get to and from work. We could get little, tiny cups of soda at 7-Eleven and quench our thirst. But this is America, where we haul our 65-inch widescreen HDTVs home in our block-long Ford Expedition SUVs, stopping on the way home for a 64-ounce Big Gulp. We do things big. The bigger and badder-looking, the better.
Clint Walker  |  Jun 25, 2000  |  First Published: Jun 26, 2000  |  0 comments
A new value-driven benchmark in high-performance theater.

I've been sitting here at my computer for over an hour without typing a word. I'm showing signs of terminal writer's block, but I wish I were that lucky. In truth, I'm just speechless, and the Cinénova Grande amplifier from Earthquake Sound Corporation is the reason why. Several weeks ago, a massive wooden crate stamped "heavy" arrived at our sound lab in Woodland Hills. I had seen crates like this during my stint in the military—they usually contained Patriot missile warheads. We gathered around it like cavemen observing fire, poking at it and wondering what it might be. Finally, I worked up the nerve to open it up.

Michael Trei  |  Jun 25, 2000  |  First Published: Jun 26, 2000  |  0 comments
The B&K Reference 7260 six-channel amplifier proves to be a solid all-around performer.

Like many people, I often dream of what it would be like to have unlimited funds to buy the very best. You know, a Mercedes S500 and a Ferrari F50, along with a Hummer for those off-road adventures (not to mention a ski lodge in Aspen and, of course, a 250-foot yacht in the Bahamas). These are nice to fantasize about; however, when the reality of our lives takes over, most of us would probably buy a more-sensible vehicle like a Honda. While much of the glamour and notoriety in magazines tends to revolve around the most exotic stuff, there are companies that can give you most of that performance for a fraction of the price.

Michael Trei  |  Jan 25, 2000  |  First Published: Jan 26, 2000  |  0 comments
Hard-core gear maker Krell makes a poweful argument with KAV-250a and KAV-250a/3.

Since their inception some 20 years ago, Krell has remained about as hard-core of an audiophile company as you're likely to find. Back in 1980, Krell shocked the hi-fi world with their enormous KSA-100. Since then, they have remained on the cutting edge of solid-state electronics. Just when you thought they couldn't push things any further, they would obliterate the competition with some unimaginably huge and powerful beast. The most recent example of this is the Master Reference series that they describe as being "mini-sized," but I think they must have been comparing the amps with a British car.

Pages

X