Audio Video News

It's a DTV jungle out there, with manufacturers, broadcasters, consumers, and other market forces fighting for their ecological niches. Always an aggressive participant in the struggle, the <A HREF="http://www.ce.org">Consumer Electronics Association</A> (CEA), in comments filed with the Federal Communications Commission last week, stated that "ensuring that today's viewers continue to enjoy free, over-the-air service should be the primary focus of the digital television (DTV) transition." While new services should be "permitted and encouraged," argued the CEA, they should be consistent with broadcasters' "continued delivery of free over-the-air programming in the digital era."

In mid-June, <A HREF="http://www.dtstech.com/">DTS</A> announced a new version of its DTS-ES Extended Surround Format for home theater. Designated DTS-ES Discrete 6.1, the system is a "new, proprietary technology for the playback of discrete, 6.1-channel content from DVDs and CDs," according to a company press release. The innovation is said to "elevate the performance standard for playback of the DTS 6.1-channel Extended Surround format introduced in motion picture theaters last year."

After bleeding money for two years, <A HREF="http://www.hollywoodvideo.com/">Hollywood Entertainment Corporation</A> has announced that it is pulling the plug on <A HREF="http://www.reel.com/">Reel.com</A>, its high-profile online video sales operation, whose losses have been in the range of $4 million to $5 million monthly. The announcement came June 13, in which Hollywood Entertainment stated that it has laid off all 150 employees of Reel.com and arranged a deal with <A HREF="http://www.buy.com/">Buy.com</A> to fulfill orders. The Reel.com site is still active, with a pop-up advisory telling customers the bad news.

For home theater fans, plasma display panels (PDPs) are among the most promising technologies. The space-saving flat panels eliminate the need for projectors and screens or huge boxy rear projection sets, but their acceptance by critical viewers has been hampered by a low (400:1) contrast ratio which renders black as more like charcoal gray.

N<I>arrated by Liam Neeson. Directed by David Brashears, Greg MacGillivray, and Stephen Judson. Aspect ratio: 1.33:1 (full frame). 45 minutes. 1998. Dolby Digital 5.1. Miramax Collector's Series 16539. NR. $24.98.</I>

The digital camera is now firmly established as a standard tool and toy for most technophiles. The next frontier for consumers---digitally-recorded moving pictures---is about to open up with a new camcorder from <A HREF="http://www.hitachi.com/">Hitachi</A>. The price will be 248,000yen, or approximately $2340 US.

In news that is sure to strike fear in the hearts of videophiles everywhere, <A HREF="http://www.macrovision.com">Macrovision</A> announced last week the implementation of its copy protection technology for higher resolution DVD playback on players with 525p progressive scan outputs. The company says that 525p copy protection has now been licensed to Genesis Microchip, JVC, Matsushita, Oak Technology, and Pioneer.