At the opposite extreme are the Sony SS-AR1 speakers, shown in the middle of the photo (the larger speaker on the left is a JBL). The SS-AR1s are not yet available in the U.S., but likely to cost $20,000/pair if and when they are brought in. They sounded excellent in the Kimber Kable room, where Roy Kimber was playing his impressive IsoMike multichannel recordings (the only multichannel music to be heard at the show). The brochure on the speakers talks a lot about using the wood from maple trees grown in the cold northern Japanese island of Hokkaido, harvested in November when the grain is tightest. Combine that with the birch plywood from Finland and you get a "reverberation with a beautiful northern-European ambience." OK. In any event, the midrange and tweeter also appear to be of Scandinavian origin—likely made by the same Scan-speak that energizes the YG Acoustics speakers.
If the Vivid Giyas make you think of the B&W Nautilus speakers, that's because the same cabinet designer was involved. The Giyas will set you back $58,000/pair, not including, of course, the Luxman electronics and source driving them here, and the Synergistic actively shielded cables (don't ask) tying it all together.
Attention, Wilson Audio Alexandra and MAXX owners, your center channel speaker has arrived and your checkbook is about to take another hit. I didn’t catch the price of the new Polaris, due in 2010, and it wasn't on site. I found out about it only through a lonely printed handout sitting on a side table. The photo here is from the Wilson website. The speaker is far larger than the picture might suggests, and if it's designed to match those two…um…puppies, you can bet it will be a cost-no-object design. My guess is that you just might be able to bring home a <I>pair</I> of the new Sasha W/Ps for less.
You may not have heard of Bamberg Audio, out of Fishers, Indiana, but you might in the future. The company's Series 5 TMW offers a lot of value in this intriguing and fine-sounding $8300 package. The top modules are available separately, making them more or less suitable for surround and center channel duties.
The company may be more widely known for clever ads that play on its naim than for loudspeakers, but Naim Audio's new Ovator S-600 might just change all that. There's enough innovation here to fill a review-length discussion, but the main feature of the system is the BMR (Balanced Mode Radiator) midrange/tweeter. The latter covers the entire spectrum from 380Hz to above the audible range. The dispersion is claimed to be similar that of a conventional midrange and tweeter array, but with the superior coherence possible when all the mid/high frequencies are coming from the same location. A brief listen indicated more than a little promise. The BMR also seems to be ideally suited to a center channel design, though there appear to be no immediate plans to offer one. The S-600 is expected to sell for just north of $10,000. A somewhat smaller, less expensive sibling is also expected.
If I had to give a prize for the best sound at the show, it would be a toss-up between the Wilson Sasha W/Ps tied to Ayre electronics, discussed earlier, and the PMC MB2XBDi speakers (shown here) driven by Bryston electronics. Apart from room bass mode issues that all manufacturers had to deal with, the PMCs were superb. They were far too big for the space, designed as they are for professional applications. But the top modules of the towers are available separately (known as the MB2i), offering a more domesticated appearance for $21,000/pair. I didn't catch the price of the add-on bottom subwoofer modules, but am reasonably certain that for home use a duet (or, for home theater, a quintet) of MB2is will be a better fit—supplemented by a more conventional and inconspicuous subwoofer or two positioned where they minimize room interactions (co-locating the subwoofers with the main speakers almost never gives the best results).
So went RMAF 2009. The show also offered a wide selection of interesting and informative seminars, with presenters from the two major high-end, mainly two-channel audio print publications, <I>Stereophile</I> and <I>The Absolute Sound</I>, and others as well. If you missed the show this year, a 2010 edition is currently planned for next fall.
Price: $2,300 At A Glance: Outstanding black level and shadow detail • 240-hertz-like operation • Full range of calibration controls
An LED Touchdown
LCD HDTVs have long been compromised in their ability to reproduce the deepest blacks together with good shadow detail. But that’s changing. We’ve seen some notable improvements in a few recent conventional sets. However, the change has been most pronounced in sets that use a revolutionary new development: LED backlighting with local dimming.
Price: $8,000 At A Glance: Solid blacks • Accurate color • Unique adjustability • Color management system could be more effective • Superb resolution
Big Performance
The June 2009 issue of Home Theater featured a glowing report on Sony’s VPL-VW70 video projector. But as they say, time flies when you’re having fun. Building on its enviable past record in cutting-edge, high-value video projectors, Sony has just launched the VPL-VW70’s successor, the VPL-VW85.
Price: $2,400 At A Glance: Excellent resolution and color • Full adjustability • Blacks could be better • Ultra-thin 1.2-inch profile
Plasma Soldiers On
LCD televisions are everywhere these days. They fill the back walls of Best Buys, are lined up like hedgerows near the entrance of Costco, and fly out the door at Walmart. Even at this moment, they’re undoubtedly being flogged out of the back of a fleet of white vans in parking lots across the land.