Escient has added a whole new product line, supplementing the fabulous five-year-old Fireballs with the new Vision media servers. Models include the VX600, with four swappable one-terabyte drives, enough to hold 600 movies, $7999; VX-200, two times 1TB, $5999; and VX-100, two times 500GB, $3999. Asked if Escient expected the kind of copyright lawsuits that have bedeviled Kaleidescape, the answer was no, the products are unrancorously licensed with the CCA, the DVD DRM authority. Escient is also working with Sony to make its streaming products compatible with the forthcoming 400-disc Blu-ray player. The GUI looks great, with cover view for both DVD and CD, and Rhapsody compatibility is part of the package.
Want to send an HDMI signal over 300 feet of cable? Can't be done. But you could plug it into the Liberty Cable DigitalLinx, which converts to more robust RGBHV for the cable run, then converts back to HDMI at the other end.
Remember, the Sherwood R-972 receiver with Trinnov room correction? It's now scheduled to arrive in December for $1800, and is probably worth the wait, judging from the demo. Despite deliberately misplaced speakers -- center too low and to the right, others too high -- it generated a warm and rich soundfield that was surprisingly vivid and involving. And it did so in two locations, the first with an orthodox seven-speaker array, and the second using only the right side-surround and right rear-surround. The idea is that you may want to listen in different locations, a good idea for rooms with more than one piece of furniture, right? The setup mic is an unusual four-part object. Of the three parts of the room-EQ process (measurement, analysis, correction) it's the analysis that's special, as Trinnov founder Arnaud Laborie explained while showing the professional version of the product. It's pictured. Notice the two color-coded speaker sets: one showing the front speakers where they ought to be, and the other one showing where they actually are.
Why should lightswitches be boring? Legrand offers every possible color (or close) with the onQ series. I'll take the green switch against grey wall, bottom, third from right.
Cool your rack with one of these dedicated fans from Active Thermal Management and, the company promises, you'll never need to use a fire extinguisher on your system.
My reference receiver since 2001 has been the Rotel RSX-1065, so you can imagine the genuine excitement I felt at learning Rotel is about to drop its successor on an unsuspecting world. There are two of them, actually. The RSX-1560 has seven channels of Class D amplification for $2599, while the RSX-1550 has five channels of Class AB amplification for $1999. Both out in October. Please be advised that my longtime position on 7.1-channel surround (incidentally, both models process 7.1 channels) is that it's for idiots, clowns, suckers, and people who incorrectly believe that an average home theater needs more surround coverage than two speakers can provide. Other new Rotel models include a surround pre-pro, five- and two-channel amps, and (hmmm) no seven-channel amps.
Custom Theater System is the name Classé is giving a new series of rack-mount amps coming in spring. They include a 10-channel pre-pro, 300-watt Class AB monoblock, 600-watt Class AB monoblock, 300-watt Class AB stereo amp, and surround amp with 200 watts times five.
B&W has extended its CM Series with the floorstanding CM9 ($1500/each), floorstanding CM7 ($1000/each), and CM5 monitor ($750/each), so may I change the subject now? I somehow became fascinated with the chunky CT7.3LCRS (pictured, $1500/each) and its smaller siblings, the CT7.4LCRS ($1000/each) and CT7.5LCRS ($600/each). The big one has two eight-inch fiber woofers, a six-inch Kevlar midrange, and a one-inch soft dome tweeter. These three speakers can muster up to 94, 93, and 92 decibels respectively and are designed for use with front-projection systems or maybe (yuck) cabinetry. The new CMs are coming in November and the CT7s have been shipping for the past couple of months.
Two of three new Marantz receivers have onboard decoding of Dolby TrueHD, Dolby Digital Plus, and both flavors of DTS-HD. They include the SR6003, 100 watts times seven, $1200; the SR 5003, 90 watts, $800; and the SR4003, 80 watts, $549; all available September. That third one has high-res PCM input, so it'll have no trouble getting the good stuff from a Blu-ray player's built-in decoder. Marantz has one of those too – the BD7003, due in November for $799, is Profile 1.1/Bonus View, not Profile 2.0/BD Live. Marantz also made an odd decision affecting two new SACD players, the SA1552 ($1999) and SA8003 ($999). They have neither HDMI 1.2 outputs nor analog multichannel-outs. Presumably Marantz is aiming them at a two-channel audience. Pictured: BD7003 Blu atop SR6003 receiver.
Denon's receiver demos made good use of Dynamic Volume technology licensed from Audyssey. If the dynamics of action movie soundtracks are too much for you, you'll like the way Dynamic Volume keeps voices constant but curbs the more brutal excesses of effects -- by monitoring the signal, not just the room. If you watch TV programs via your receiver, it'll help tame those blaring ads too. Dynamic Volume is available as a firmware upgrade for some existing models. New models shown by Denon included the two-zone/two-source AVR1909, 90 watts times seven; the AVR989, 115 watts; the AVR889, 100 watts; and the AVR789, 90 watts. All have onboard decoding for Dolby TrueHD and DTS-HD.