Most recliners have a high back, which can interfere with the audio your ears receive. My long-term HT seats have long had this problem, which I minimize by using a different chair for serious music listening. It's hard to find a low-backed recliner, but the Axis model from Canada-based Palliser might be just the ticket. The rear headrest can be extended when you're in a more laid-back (literally) than critical mood. At roughly $2000 per seat (with power reclining and various shades of leather, straight and curved multi-seat configurations available), if they seem expensive, you haven't priced many premium HT seats. They're manufactured in Canada and Mexico.
We showed the $400 PSB M4U 2 headphones in an earlier pose. Here they're worn by PSB chief Paul Barton. They're not only highly effective at noise cancellation (Barton claims about 18dB below 1kHz)) but sounded exceptional. The detachable chord can be attached to either side, and the phones will work for audio even with the batteries discharged. They will be available in December
I reviewed the Aragon 8008 amplifier for Stereophile back in the mid-'90s and loved it. I often wished I'd bought it, in fact, as it was a near perfect match for my Energy Veritas v2.8 speakers. When Mondial (the original source company) folded, the Aragon line (and the lower end but also well-regarded Acurus products) was acquired by Klipsch. That company never really supported either of these lines. The rights were recently acquired by a company called Indy Audio Labs, which has just re-launched the 2-, 5-, and 7-channel Acurus amplifiers (200w/ch intro 8 ohms, all).
Later this year Indy plans to re-introduce the Aragon 8008 mkIII, 2-channels at 200W/ch (8 ohms) at $4000 and the Iridium, a 400W (8 ohms) differential monoblock, successor to the Aragon Palladium, at $4000 each. Apart from some added control and status features, the amps are said to be nearly identical in design to the earlier versions, though to my recollection the original Palladium was lower powered (but biased heavily toward Class A). And, of course, those 1990s models were considerably cheaper. Time marches on.
KEF's new R-series, mentioned in an earlier blog, was inspired by KEF's far pricier Blade ($30,000/pair), shown here in its dress whites. It sounded surprisingly good on the open show floor, with a tight, punchy bass that was undoubtedly helped by the lack of room modes--though the latter can hardly be blamed on any speaker. When I placed by hand on the composite cabinet during those heavy kick-drum hits, I felt practically nothing.
Kaleidescape's CD/DVD/Blu-ray server gets around the copy protection issue with Blu-rays by having the user load his or her Blu-rays into this carousel-like unit--the Vault. The discs are then loaded onto hard drive servers and played from there. But they will only play from the server if the unit confirms that they are still in the Vault. If not, the server will no longer play the disc file. That's not a limitation with CDs or DVDs, which can also be loaded into the Vault, but can be removed (but still play) after copying onto the hard drives. The Vault holds over 300 discs, but the number of Blu-rays you can load will depend on how big a server you purchase. No word on whether the pretty blue light is standard or just a show special.
Vivitek was demoing two of its projectors in 2D. A stacked pair of its well-established H9080 LED-based DLP projectors ($15,000 each, shown here) were converged onto a 118" wide, Da-Lite Affinity screen (gain 1.1). A single D8300 ($118,000, shown below) was firing onto a c comparably sized Stewart Firehawk.
Panasonic brought along its 152-inch, 4K plasma. It was surprising how small it looked on the open show floor, until a passerby stood in front of it to provide a sense of scale. I don't even want to imagine how much it adds to an electric (including air conditioning!) bill. Of course if you can afford the set, that probably won't matter much to you.
Wolf demonstrated its Cub 3D projector ($15,000) on a SI Black Diamond screen (gain 1.4, 10-feet wide). The demo material consisted of music, including scenes from the new Blu-ray release of Rio which I recently reviewed for our November issue. It's a terrific transfer, and I had no complaints about the Wolf. A review sample of the Cub is expected at chez Home Theater, soon.