Scott Wilkinson

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Scott Wilkinson  |  May 28, 2010

Yesterday, Tom Norton and I attended a presentation called "3D For Real" put on by Stewart Filmscreen, Digital Projection, S1Digital, Crestron, and AV Partners at Stewart's training facility in Torrance, California. That's about an hour's drive from my house, not counting traffic problems. To make sure we got there before 9:00 AM, I set my alarm for stupid o'clock, which turned out to be unnecessary, since the morning traffic was much lighter than we expected, even through downtown LA. Fortunately, the trip was well worth the early alarm.

Scott Wilkinson  |  May 26, 2010  |  Published: May 27, 2010

Most CD players and transports are relatively featureless, boring rectangular boxes, but not the Kalista from French boutique maker <A href="http://www.metronome-technologie.com">Metronome Technologie</A>. Distributed in the US by <A href="http://tmhaudio.com">TMH Audio</A>, the Kalista looks more like a modern sculpture, though it offers plenty of substance in addition to some serious style.

Scott Wilkinson  |  May 26, 2010
Oppo vs. Oppo
What is the difference between the Oppo BDP-83 and BDP-83SE? I have HDMI capabilities, so should I go with the 83, considering the price difference?
Scott Wilkinson  |  May 25, 2010  |  Published: May 26, 2010
Our own Jon Iverson—audiophile, recording musician, and web monkey for UltimateAVmag.com, HomeTheatermag.com, and Stereophile.com—discusses LPs vs. CDs, data and dynamic-range compression, music servers, digital-to-analog converters, objective measurements vs. subjective impressions in reviews, blind audio testing, and more.

Run Time: 1:12:11

Scott Wilkinson  |  May 25, 2010

The Society for Information Display (SID) hosts an annual conference called DisplayWeek, during which the latest display technologies are unveiled, often long before they become available in actual products. At this year's show in Seattle, Washington, several 3D-related announcements have already been made, and it's only the first day.

Scott Wilkinson  |  May 24, 2010

I don't typically cover so-called multimedia speakers in this blog, but when I came across an ad for the GLA-55 from <A href="http://www.harmankardon.com">Harman Kardon</A> in an upscale magazine, I was intrigued. The cabinet looks like it was chiseled from rock crystal, and its beauty turns out to extend well below the surface.

Scott Wilkinson  |  May 21, 2010

I get lots of thoughtful, intelligent e-mail from our readers, which I greatly appreciate, even&#151;sometimes especially&#151;when they disagree with my positions. But once in a while, a real doozy arrives in my inbox. Normally, I ignore these rants, but I recently received one that I'd like to share, along with my responses. The original is mostly one very long, convoluted paragraph regarding <A href="http://blog.ultimateavmag.com/ultimate-3d/roger_ebert_hates_3d/">my blog about Roger Ebert's hatred of 3D</A>. I will break it up here and respond to each point in turn, and I'll edit for clarity, doing my best to retain the writer's intended meaning.

Scott Wilkinson  |  May 20, 2010
If the Greek gods had been audiophiles, they might well have used something like the Olympus Sound System (OSS) from Adam Audio, a German high-end maker of products for the professional and consumer markets. This behemoth stands seven feet tall and weighs over 350 pounds with separate enclosures for each set of drivers.
Scott Wilkinson  |  May 18, 2010  |  Published: May 19, 2010
Little Blue & Little Yellow
I've heard you talk about Sharp's new RGBY color system, and it started me thinking about something. I have always thought that red, blue, and yellow are the primary colors, and these colors can create any color there is. So why do TVs use RGB?
Scott Wilkinson  |  May 18, 2010  |  Published: May 19, 2010
Rick Dean, senior vice president of THX and chairman of the 3D@Home Consortium, talks about the state of 3D technology today, 3D broadcasting, home vs theatrical 3D, the lack of 3D standards, THX video certification, THX Optimizer, Media Director, and more.

Run Time: 1:12:11

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