Few things have dropped in price as quickly as DVD players. Less than a year ago, progressive-scan models like this one would have cost over $1,000. Now, you can find the Samsung DVD-P421 progressive-scan player for well under $200.
At first glance, this appears to be yet another review of yet another PVR. Sure, this PVR looks a little cooler and seems a bit newer, but take a closer look at the back panel. There amongst all of the inputs you'd expect to see is an Ethernet connection. ReplayTV and new owner SONICblue have pushed the PVR to the next level: the Internet.
Can home theater really be simplified into one box?
A home theater in a box? Can it really be that simple? Do you really get everything you need in one package? HTIBs are huge sellers. Some complete systems sell for less than $500, and others cost more than $2,500. We gathered three that fall somewhere in the middle: the JBL Cinema ProPack600, the Sony DAV-C900, and the Unity, codeveloped by Kenwood and Boston Acoustics. All three retail for $1,200, but you should be able to find them for a bit less. Promising free ice cream, I gathered the usual suspects to participate in the Face Off: audio editor Chris Lewis, executive editor Adrienne Maxwell, copy editor Claire Lloyd, and the ubiquitous Ron Williams, our technical consultant. Much was voiced about the ruse of free ice cream, which was a lie.
When it comes to home theater, sometimes you can take it with you.
It happens to the best of us. You've just plunked down your hard-earned money to buy a dream home theater system, and you have to leave it. Maybe it's the vacation that, after months of planning, you suddenly want to cancel. Maybe it's the business trip you knew was coming and couldn't pawn off on a junior partner. Even worse, maybe your half-uncle, third removed, has passed on and left you his venomous-bee collection, which the terms of the will require you to pick up in person. Whatever the case may be, you're leaving, and your home theater is staying behind. Well, maybe not.
From the time movies first emerged as a pastime, filmmakers and theater owners have tried to come up with ways to make the movie experience more and more realistic. The picture (other than size) couldn't change, so they tried other ways. Some, like the Smellorama, didn't work. Others, like multichannel sound, did. Moving from one channel to six or eight channels, most people would think, "I'm surrounded by sound. What else is there?" What all, or at least most, systems lack is the ability to touch you—to literally touch you. Clark Synthesis' line of transducers aims to change that with tactile sound.
To understand the greatness of JVC’s DLA-X7 projector, it’s important to understand contrast ratio. Every TV and projector company rattles on about a million-to-one this and a billion-to-one that. How come? Because there’s no standard method to measure it. Result: Manufacturers can pretty much make up whatever they want.