Although most consumers think ultra-flat-panel TVs and monitors have a high "cool factor," rear-projection televisions (RPTVs) continue to be very popular. The trend could determine the future for microdisplay makers, as big-screen RPTVs move away from CRTs and toward microdisplay image sources such as LCDs and DLP chips.
Last week, <A HREF="http://www.microsoft.com">Microsoft</A> and <A HREF="http://www.wink.com/">Wink Communications</A> announced an agreement to promote interactive content and commerce based on the <A HREF="http://www.atvef.com/">Advanced Television Enhancement Forum</A> (ATVEF) specification for interactive television. Wink Communications says it will optimize its Response Network Service (which provides the broadcast and cable-television industries with viewer-response services) to support ATVEF-compliant content for television devices that use the Microsoft television-software platform. In turn, Microsoft claims that it will use Wink's Response Network to handle certain ATVEF-based advertising direct-response services. As part of the agreement, Microsoft invested $30 million in Wink Communications.
This week, high-definition television officially begins broadcasting. As part of the rollout, Irvine, California-based <A HREF="http://www.mitsubishi-tv.com/">Mitsubishi Consumer Electronics America Inc.</A> (MCEA) has started its first volume shipments of HDTV systems to dealers. Seven models of HDTVs will be available in all markets.
If you're among the handful of home theater fans who have purchased JVC’s D-Theater videocassette machine, rejoice. On July 25, DreamWorks, Fox Home Entertainment, and Universal Studios announced the impending release of several new titles in the copy-protected ultra-high-resolution D-VHS format.
Early last week, <A HREF="http://www.burst.com">Instant Video Technologies</A> announced that it has acquired Delaware-based Timeshift-TV, a developer of digital-video technology that allows users to "personalize their TV viewing experience by adding VCR functionality to live broadcasts." Similar in concept to recent products released by TiVo and RePlay, these digital recording devices are aimed at giving consumers more control over when and how they watch their favorite TV shows.
On April 30, <A HREF="http://www.gi.com">General Instrument Corporation</A> and <A HREF="http://www.divatv.com">DIVA Systems Corporation</A> signed a letter of intent defining an agreement to market DIVA's OnSet video-on-demand (VOD) service on GI's DCT-1000 and DCT-1200 interactive digital-cable set-top boxes. This joint effort will enable cable operators who use the GI system to commercially deploy an OpenCable-compliant implementation of the OnSet VOD service by this fall.
The video-on-demand saga marches on, as <A HREF="http://www.intertainer.com">Intertainer</A> and Universal Studios' Pay-Per-View division announced last week that they have signed a long-term output agreement that will deliver the studio's film content over Intertainer's digital VOD cable platform. The companies say that Universal movies will become available on the Intertainer service starting this month.
Convergence is more than a buzzword in the minds of the engineers at <A HREF="http://www.hauppauge.com/"> Hauppauge Digital, Inc</A>. The New York electronics manufacturer has announced what it is calling "the first personal video recorder for PCs." In development for eighteen months, the WinTV-PVR is built to occupy a single PCI slot, and allows the recording and playback of television programs via computer. The device is compatible with Microsoft Windows 98 and Windows ME, and comes bundled with a remote control and an FM receiver for the PC.
Movie tickets worth approximately $3.89 <I>billion</I> were sold in the United States during the first six months of 2001. That number is a 10% increase over the same period in the previous year, according to a report from Exhibitor Relations Company, which tracks business trends for the theater industry.
Twenty years ago, 60% of Americans said they would hesitate to see a movie if it were excessively violent. But according to an Associated Press poll released last week, a steady diet of action films over the last two decades have had a marked effect: Now, only 40% say that too much violence would keep them out of the theater.