Tom Norton

Vandersteen does build center channel speakers, subwoofers, and hang-on-the-wall speakers suitable for surrounds, and began as a company that specialized in high performance but surprisingly affordable speakers. They still do build less expensive models that compete strongly in that market segment,, but their flagship Model 5As, at around $15,000 and driven by Audio Research's $40,000/pair Reference 610T, 610W (!!) tube amp (sporting 36 viswible tubes in its two channels and warming up the room quite nicely) weren't designed for the beer-budget crowd. And surrounds, subs, and center channels weren't on the wine-list at the show, either.

My search for home theater displays at the Venetian hotel, home of the high-end audio exhibits, was frustrating. And while I enjoyed checking out the audio rooms, looking mainly for speakers suitable for home theater (but also for the fun of it!), their prices were often a put-off for multi-channel applications). The Meridian room did not break the price barrier either, but the quality of the system was outstanding. The company left its big 4K projector at home and settled on the smaller DLA-MF10 with an ISCO anamorphic lens (about $28,000 --$15,000 without the lens) and 8-foot wide (approximately) 2.35:1 Stewart Studiotek 130 screen. Even though this projector is based on an older JVC DLA design (extensively modified courtesy of video expert William Phelps) the picture was to die for.

Westinghouse showed a new 1920x1080 47” set (the TXF450S) with 120Hz operation. A split screen showed the same thing we’ve seen on many such sets; when operated in 120Hz using interpolation (which this set clearly does) a film original looks just like it was shot on video. And that’s not necessarily a plus.

Here's "The Kiss," the upcoming floor-standing model in the Vienna Acoustics' Klimt line.