Paradigm will be plumbing the depths at CEDIA with its new Seismic 110 subwoofer. Designed to meet today's demand for smaller subs, the Seismic 110 still delivers the goods with a 10-inch driver and an 850W UltraClass D power amp. It should be shipping by the end of October for $1500.
As with all things, Paradigm's Signature Series of flagship home-theater speakers have evolved. At CEDIA, we'll see the third generation of this impressive series, which boasts a 50-percent increase in output and extensive modifications to the bass/midrange drivers, including low-density NLC (Non-Limiting Corrugated) TPE surrounds, which are said to far more effective than standard thermoplastic elastomers at damping vibrations and resonances. Pricing ranges from $600 each for the S1 G-PAL bookshelf to $3500 each for the S8 floorstander and C5 center pictured above.
In addition to the Seismic 110, Paradigm will be introducing two new flagship subwoofers at CEDIA this year. The Sub 1 ($3500) has three pairs of stacked 8-inch drivers, while the Sub 2 ($7500) sports 10-inch drivers in the same geometrically aligned configuration, which is said to balance the forces generated by the drivers. Powering the Sub 1 is a class D amp that generates 1700W sustained/3400W peak, while the Sub 2's amp puts out an astounding 3000W sustained/7500W peak with a 20-amp, dedicated 120V circuit.
I recently posted an item in the Ultimate Gear blog about <A href="http://blog.ultimateavmag.com/ultimate-gear/nordost_odin_cables">Nordost Odin audio and power cables</A>, the company's flagship, ultra-expensive line. What do I mean by "ultra-expensive"? How about $20,000 for a 3-foot pair of speaker cables? As you might expect, this stimulated many contentious comments about whether or not such cables can possibly affect the sound enough to justify such an exorbitant price tag.
Here are a few final photos of the Georgia World Congress Center and the show floor, plus one more from the Georgia Aquarium. I really liked the architecture of Building B's foyer.
CEDIA Expo 2011 is history, but the memory lingers on. Many manufacturers go to great trouble and expense to dazzle showgoers with their booths, and I always photograph a few of the best ones as I wander the floor. My favorite this year was the Klipsch booth with its floating translucent columns encasing LEDs that provided an ever-changing light show. But it wasn't the only booth that caught my eye…
CES is three weeks away, and my inbox is already filling up with new-product announcements. Among them is the X260.5, a new monoblock power amp from <A href="http://www.passlabs.com">Pass Labs</A>.
As far as I have understood up to now, a passive-3D LCD flat panel displays 3D Blu-ray images in the following mannerthe odd-numbered lines of left-eye information are displayed in the odd-numbered lines on the screen, and the even-numbered lines of right-eye information are displayed in the screen's even-numbered lines. As a result, the TV simply discards the undisplayed lines and each eye sees a resolution of only 1920x540 pixels. However, the image on such TVs that I've seen looks sharper than this would seem to indicate, though I do normally see thin, black horizontal lines, especially if I'm too close to the screen. The explanation I've heard most often is that the brain fuses the two images into one 1920x1080 3D image, but LG tells a somewhat different story.
The daily deluge of news into my inbox included a very sad item yesterday. Insight Media, a display-industry analysis firm, reported that Samsung will not be making so-called "active retarder" 3D LCD TVs in collaboration with RealD. This approach places an active polarization-switching layer over the LCD layer, much like the polarization switcher placed in front of a projector lens in a commercial RealD theater. The viewer wears standard passive glasses, and the TV quickly alternates the polarization in sync with the alternating left and right images on the screen.
As I explained in a previous entry in this blog, virtually all direct-view 3DTVs coming to market now use battery-powered active-shutter glasses to ensure that each eye sees only the image it's supposed to. But if you've gone to see a 3D movie at a commercial cinema lately, you were undoubtedly handed a different type of glasses that includes no electronics at all. These so-called passive glasses are much less expensive than their active counterpartswhich is why they're used in public settings where they can be easily damaged or stolenand there are two different types, depending on the technology being used in a particular theater. In this blog entry, I'll explain how one of these technologiespolarizationsimulates 3D on a 2D screen.