Darryl Wilkinson

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Darryl Wilkinson  |  Aug 23, 2010  |  1 comments
Price: $3,912 At A Glance: Less than 2 inches thick, including the wall mount • Catenary-geometry-derived aluminum-dome woofers • Aluminum enclosure

How Perfect Can Perfect Get?

It’s always a big deal when Definitive Technology introduces a new speaker. Why? Well, as I’ve written in the past, the company has hit as many home runs as Mark McGwire—without the engineers taking any banned steroids, testosterone supplements, male-enhancement products, or vitamins. (That last part about the vitamins probably isn’t true. I’ll leave it to your imagination about the rest.) In the same way fans watched with anticipation and cameras flashed every time McGwire came up to bat, those of us who are lucky enough to do this sort of thing for a living eagerly await the chance to get our remote-control-stained hands on any new Definitive Technology speakers. Unlike with McGwire, it would be big news for the Definitive Technology team to strike out. None of us sitting in the press box really expect that to happen, though. We’re most interested in finding out how good the new speakers are going to be.

Darryl Wilkinson  |  Dec 29, 2001  |  Published: Dec 30, 2001  |  0 comments
Bass beyond belief.

There are some things you just don't expect to find together—say, peanut butter and foie gras or Anne Rice's vampire Lestat in a Garlique commercial. Other combinations may be more desirable and more elusive: a multiterm politician with integrity, for example, or computer products that not only work as advertised but do so consistently (wow, what a concept!). Rarer still is that mythical, mystical creation, immortalized in song and story and lusted after by speaker designers since the invention of the voice coil: the bookshelf speaker with bass.

Darryl Wilkinson  |  Dec 21, 2012  |  0 comments
Soundbars promise to deliver a full home theater experience with much less complication and confusion—and usually at a much lower price—than a traditional home theater system with an A/V receiver and multiple speakers. But how close can a svelt 43-inch-wide cabinet with nine drivers crammed in it come to actually pulling it off? Veteran speaker reviewer Darryl Wilkinson hooks up Definitive Technology's new SoloCinema XTR to find out.
Darryl Wilkinson  |  Dec 19, 2002  |  Published: Dec 20, 2002  |  0 comments
Just how does the StudioCinema 350 speaker system find that mystical balance between high performance and low price?

I used to wonder why I felt such an affinity for so many of Definitive Technology's speakers. What is it, I asked, that gives these slender, sock-smothered sirens their perennial appeal? Is it magnetism? (Well, surely, they use magnets, but that couldn't be it.) Is it the sexy allure of not being able to yank off a speaker's grille cloth to reveal what's hidden underneath? (Instead, you have to gently coax the soft sock covering down, slowly undressing the speaker. It's an act best done in the privacy of your own home after the children have gone to bed.) Maybe it's some secret, arcane knowledge inherited from the Knights Templar (promising riches, wealth, and speakers with popularity beyond reason)—or possibly it's from an earlier era, gleaned from chiseled hieroglyphics on the ancient stone walls of the pyramids at Giza (regaling in an afterlife filled with music and movies).

Darryl Wilkinson  |  May 16, 2012  |  4 comments

StudioMonitor 55 Speakers
Performance
Build Quality
Value
 
SuperCube 6000 subwoofer
Performance
Features
Build Quality
Value
Price: $2,494 At A Glance: Top-mounted, passive radiator • Dual binding posts • Enhanced phase plug

Whether you think a decade is a long or a short period of time depends on your perspective. If you’re discussing cosmology with astrophysicist Neil deGrasse Tyson, the word “decade” probably won’t even make it into the conversation. If you’re Apple, you crank out more than 300 million iPods in that period of time. If you’re a momma elephant with a particularly frisky elephant husband who likes to party, you might be able to birth five elephant progeny. (Although the stretch marks will simply be impossible to get rid of after that third one, no matter what exercise club you sign up with.) At the Glenmorangie distillery in the Scottish Highlands, you’re trying to decide whether or not to bottle the batch of single-malt scotch that’s been aging in the barrels for the last decade or to wait another eight years and ship out cases of Glenmorangie 18 Years Old instead. But if you’re Definitive Technology, you take your sweet time and eventually come out with…wait for it…three (as in one more than two) totally redesigned monitor speakers.

Darryl Wilkinson  |  Mar 13, 2012  |  1 comments

Performance
Build Quality
Value
Price: $799 At A Glance: Infrared remote control included • Optional wireless kit • Disappearing alphanumeric display behind grille

At $799, the diminutive Definitive Technology SuperCube 4000 isn’t “recycle enough aluminum cans and buy it” cheap, but it’s still in the reasonably affordable price range for a large percentage of home theater enthusiasts. Although Def Tech calls it a SuperCube, the actual dimensions are 11 inches wide x 11⅞ inches tall x 12 inches deep, which isn’t strictly a cube according to my high school geometry book. Evidently, SuperApproximatelyACube and SuperCubeLike were already trademarked, so Def Tech had to settle for the close-to-accurate SuperCube. Regardless, the compact size makes it super easy to place in a room, and fairly inconspicuous wherever you place it. Don’t let the SC4000’s small form factor fool you, though, because it’s one of the most feature-packed and easiest-to-set-up subwoofers I’ve encountered, regardless of price. It’s also surprisingly heavy (around 25 pounds) for its size.

Darryl Wilkinson  |  May 03, 2007  |  0 comments
An HTIB you can grow to love.

Denon has a long and venerable history in the audio/video industry, including much of the pioneering work in the field of digital audio. Fitting of that tradition, Denon was, for many years, a brand reserved solely for the audiophile (later followed by the videophile) who frequented the high-end shops. This was a no-nonsense era for Denon, and its designers and engineers eschewed flashy features and other niceties, such as easy-to-use menus.

Darryl Wilkinson  |  Jan 23, 2015  |  2 comments

Denon HEOS 7 Speaker
Performance
Features
Ergonomics
Value

Denon HEOS 5 Speaker
Performance
Features
Ergonomics
Value

Denon HEOS 3 Speaker
Performance
Features
Ergonomics
Value
PRICE $2,148 as reviewed

AT A GLANCE
Plus
Stellar audio performance
Simple, intuitive app
Minus
No desktop controller
Fewer streaming services than Sonos

THE VERDICT
It’s not the first wireless multiroom sound system, but it certainly ranks among the best.

When I asked the folks at Denon why they felt the need to develop a multiroom, streaming music system, this was the answer they gave: “Probably for similar reasons why we developed the LP turntable and didn’t continue to manufacture gramophones.” That wasn’t quite the answer I was looking for, but it was an interesting way of putting a tangible perspective on the past 100-plus years that Denon has been involved in the audio industry.

In this day and age, it’s the rare person who sits at home enjoying selections from his or her collection of bulky spinning cylinders; streaming songs is what’s popular now. In fact, our collective propensity for listening to audio from the Internet or music stored on NAS drives and computers has resulted in wireless speakers of various kinds becoming the product du jour of nearly every audio manufacturer on the planet. So the question I really should have asked was how Denon thought they could build a system that would rise above the flood of streaming music speakers and systems on the market—and, specifically, how in the world Denon thought they could compete head to head with the Goliath of streaming music systems, Sonos.

Darryl Wilkinson  |  Jan 14, 2012  |  2 comments
Once a bustling center of earth-changing activity, the CES2012 Press Room at the Las Vegas Convention Center looked dull and dismal (well, more so than it did earlier during CES) fifteen minutes before closing time on Friday. Gone is the jovial camaraderie, the fighting for seats, the wrestling matches for the last (free) press lunch, and the incessant questioning. (It’s usually one of two: “Are there any lunches left?” or “What’s the login and password for the Press Room WiFi?”) I was one of the last few stragglers to inhabit the large conference room that’s housed the CES press for as long as I can remember - which, considering the state of my mind at the end of CES, is not too long - Friday, showing just how dedicated I am (and what a loser I am, too). The most important journalist question I asked during the CES grind? “Where are the f’ing free cookies and brownies that they used to give us?”

(On a brighter note, that’s the Griffin HELO TC iOS-device-controlled helicopter I convinced the Griffin booth guy to allow me to leave with.)

Darryl Wilkinson  |  Sep 07, 2008  |  0 comments
One of the first products to come to market using DIGI-5 technology for signal distribution over Cat 5 cables is Aton’s DH44 digital audio router. It routes 4 audio sources to 4 zones using Cat 5 wiring. One touted benefit of DIGI-5 is that the amplified touchpads that are used in each of the zones can provide higher power – Aton claims up to 30 watts/channel – than traditional analog-based systems.

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