The EPIC2 and two other models are the first Epos speakers to use soft dome tweeters along with, in this case, a seven-inch polypropylene woofer. For a front treatment, choose a screwless baffle plate, or a grille. The dealer can switch between them by sticking a metal rod into the back of the speaker and pushing off whichever one you don't want. Price is $799/pair for the EPIC2, $599/pair for the slightly smaller EPIC1, and $1399/pair for the EPIC5 tower.
In these pages, you’ll see small speakers referred to as monitors, stand-mounts, or—if they’re small enough—satellites. But rarely as bookshelf speakers. As I’ve often said, a bookshelf is a terrible place for a speaker. Unless it’s designed specifically for in- or on-wall use, a speaker belongs a few feet out from the wall to minimize undesirable acoustic interaction with the wall. So don’t refer to the Epos M12i as a bookshelf speaker. They’d never forgive you for it. They have an artistic sensibility, and that extends to the M8i center-channel speaker and M SUB subwoofer.
We maintain that a well-voiced sat/sub system can be a thing of joy and Epos is one good place to look for one. The 8VS 5.1 system includes a satellite that looks smaller than its 9.25-inch height with matching center and sub. Tweeter is aluminum, woofer is kevlar, and price is $1750. Nice black gloss finishes too.
Epsilon is a French company founded in 1938. While these globular objects can serve as passive speakers, the active version is more interesting. It's got 100 watts of ICEpower amplification and connects wirelessly. Look for it in the third quarter for whatever the U.S. equivalent of 1200 euros will be then (currently a bit north of $1700).
Home theater is the integration of big-screen television and surround sound. But how often do you see the two product categories integrated with <i>each other</i>? That's what makes a new system from Atlantic Technology and Epson so special.
Home theater is the integration of big-screen television and surround sound. But how often do you see the two product categories integrated with each other? That's what makes a new system from Atlantic Technology and Epson so special.
Speakers come and go in my listening room—as I persist in calling it, although it also includes a front-projection system, an LCD HDTV, and my home office. But there’s one review I relive every day. And that’s my rave review of era’s Design 4 speaker system, which appeared in our April 2006 issue. Why? Because I have only to look at my desk, where of course I’m typing this now, and there they are, the Eras, on either side of my recently and joyously installed 24-inch NEC monitor. When I do YouTube, this trusty pair of the Design 4 does the honors, along with an Onix OA21S integrated amp and a Pinnacle Baby Boomer sub.
The audio industry seems about to leap off a cliff. Permit me to suggest that this may be a rash decision. True, component audio sales have diminished, but that's no excuse for the industry to abandon its principles and give up on sound quality. What consumers are rebelling against is not good sound but bad design. They've had enough of big, dumb, room-hogging speakers. "It doesn't suit the room, but it sounds good" doesn't cut it anymore. "It looks as good as it sounds" is the winning combination.
Four new Escient media servers, including the VS-100 ($3999), now handle DVDs. You can also get paid downloads from Rhapsody and other outfits, run a photo show, and bask in the new user interface. A media server has to be copy-protection-savvy to transfer disc content to its hard drive, so Escient follows with interest the legal woes of Kaleidescape, whose own DVD server has sparked litigation by the studio-dominated DVD Copy Control Association.