Price: $4,494 At A Glance: Distinctive angular form makes for an un-boxy look • All drivers utilize Ceramic Metal Matrix Diaphragms • Subwoofer has bloat-killing EQ and wireless option
Curves Ahead
Where ideas are concerned,” the late George Carlin said, “America can be counted on to do one of two things: take a good idea and run it completely into the ground or take a bad idea and run it completely into the ground.” Many loudspeaker manufacturers tend to follow one of these two trains of thought, with results that range from staid to disheartening. But there is a third path, the one that Infinity Systems follows, and it will take more than a sentence to summarize, period, enter, tab.
Speakers of the future will go green. Among the several environment-friendly materials Infinity is considering is recycled-denim insulation (not to mention bamboo plywood). It will soon arrive in product. Just think, what was warming someone's booty yesterday may be in your speakers tomorrow.
Infinity Reference R162 Speaker System Performance Build Quality Value
Infinity Reference SUB R12 Subwoofer Performance Features Build Quality Value
PRICE $2,100
AT A GLANCE Plus
Detailed high frequencies
Proprietary drivers
Curved enclosure
Minus
Can be too revealing
More finishes needed
THE VERDICT
The new Infinity Reference series has superb top-end transient detail and a commendably subtle sub, turning even familiar material into a fresh experience.
“Attention to detail.” That was my mantra when I hired and trained people to write product descriptions for an e-commerce site. It’s a pretty good rule to live by in general, and I try my imperfect best to practice it myself, both personally and professionally. It came back to me when I pulled the grille off the Infinity R162, part of the big brand’s new Reference series. When I saw a tweeter waveguide unlike any I’d previously seen, I knew I was communing with a kindred spirit, a lover of detail—though one with access to far greater resources than I command as a mere reviewer. Infinity’s parent corporation, Harman International Industries, has the kind of facilities and personnel that many speaker companies can only dream of. Harman pays a whole lot of talented people to attend to detail.
The Infinity Prelude Forty ($6000/each) is a slimline tower with dual eight-inch side woofers, four flat-panel midranges, and tweeter. Wish my abdomen were as flat as those diaphragms.
Like a master linguist conjugating a verb, Harman International has a way of reusing original ideas to good advantage in different settings. So, it's not exactly a surprise to find a family resemblance between Infinity's high-end Cascade speaker line, circa 2006, and the TSS-800 set, circa 2007. They share a unique extruded-aluminum form that's tapered at both the top and bottom, for starters.
Replacing the value-oriented Beta Series, Infinity's new Classia Series starts with the C336 tower ($899/pair) with three six-inch woofers, a 3.5-inch midrange, and one-inch tweeter, all in the company's composite aluminum/ceramic CMD material. There's also a C225 center ($499), C205 bookshelf ($329/pair), C255BS dipole ($499/pair), and 12-inch PS-12 sub ($799). The classily shaped MDF cabinet looks like the extruded aluminum in the higher-end Cascade Series. Fed a brassy big band, the system showed off its extended treble and overall naturalness. In development: a wireless sub!
The Infinity ERS 610 in-ceiling speaker ($599, October) features a flat diaphragm CMMD woofer similar to that in the high-end and somewhat revolutionary Cascade series. JBL and Revel offer very similar-looking products (under the great Harman International corporate umbrella, of course). The hot one might be the Revel, since it's been voiced by Kevin Voecks. Note the three-position switch at right, which adjusts high-frequency response for the room. Not pictured are the wireless 2.4GHz subs, the 10-inch PSW310W (10 inches, 400 watts) and PSW212W (12 inches, $679, January).
For a band that steadfastly denies its existence, Pink Floyd sure manages to keep the product coming. I've been spending time with Nick Mason's 2004 book Inside Out: A Personal History of Pink Floyd, now updated to include a postscript about last year's miraculous reunion gig. Although he acknowledges having had a good editor, Mason really knows how to tell a story and does so with enormous wit and candor. Pink Floyd's rise from London's psychedelic underground to international megastardom would be great material for any writer—I couldn't put it down and ended up killing a whole weekend. A three-CD audio book read by the author is also available albeit hard to find. The 1994 concert video Pulse will be reissued in September as a double DVD extravaganza. The reunion is already available on the five-disc Live 8 DVD set. David Gilmour's 2002 In Concert DVD is extraordinarily beautiful. His third solo album On an Islandcame out yesterday and he's touring this year to support it. Roger Waters now has a whole opera, a Ira, to his credit. He has two albums in the works and is also touring this year.
Performance Features Ergonomics Value Build Quality
Price: $200 At a Glance:
2.1-channel soundbar with bottom-firing bass drivers •
Dynamic Volume and other Audyssey features •
No surround processing, analog input only
Home theater is the union of big-screen picture and surround sound. Flat-panel HDTVs have made the first half of the equation irresistible even for consumers of modest means. But the sound-related half has suffered in comparison. In fact, it has suffered in response: The thinner the HDTV gets, the less hospitable its pencil-thin enclosure becomes to speakers. Things have gotten to the point where an HDTV’s built-in speakers aren’t even up to the task of delivering a weather report, let alone a high-caliber movie experience or decent music playback. Ultra-flat HDTVs are like anorexic supermodels who starve their puppies because they want pets as fashionably thin as they are.
Recent ruminations over the contents of my rack have given short shrift to a major player. A disc player, in fact--the Integra DPS-10.5. It has long served as the main signal source in my reference system. Occasionally I make a note to that effect in reviews but I've never really done justice to the Integra. Let's remedy that now.