You wouldn’t expect to find a company known for making cooking grilles at CEDIA, but Dimplex came to CEDIA for the first time bringing several examples of the company’s electric fireplaces – a couple of which were built into home theater media consoles. The Dimplex electric fireplaces can be run with or without producing heat. With the heater off, the fireplace costs just a penny or two an hour to run. While you wouldn’t be able to heat an entire home with one, the faux fireplaces are perfect for supplemental zone heating. At the moment, the fireplaces come with an RF remote control; but after many suggestions from interested installers, the Dimplex’s people now know how important it is to be able to integrate the operation of the fireplaces into home automation systems.
Screen Innovations' Black Diamond screens are now available in gains of 0.8, 1.4, and 2.7. They can be made as a curved, fixed screen, a traditional fixed frame design, a new Zero Edge frame (shown in the photothe one on the right is a 2.7 gain model) and, in six months, retractable versions. They are also available in any aspect ratio, as long as the maximum height is 56" (higher screens must be seamed.
James Loudspeaker caught our eye with more than one fascinating product. The SPL-618 three-channel soundbar ($6000) features an unusual tweeter array, as you can see. It reminded us of the petals of a flower. Each quartet of tweeters is angled inward -- not with the intention of creating a sweet spot, but to provide good dispersion via summing. The 2.5-inch-deep bar can be made in various widths.
Each of these three in-ceiling models has a concealed woofer mounted at a diagonal. It fires through apertures at the front, where there are also tweeter and midrange drivers. Prices range from $400-1000/pair with ascending woofer sizes from 6 to 8.6 inches. Two buttons tailor the speaker to the space. They include a notch filter and a circuit that adjusts for room reflections.
The new Thiel floorstanding SCS4T (about $3700/pair), mentioned again further down in this report, is a modest speaker by Thiel standards. The single coaxial driver has the advantage of coincidence. That is, the tweeter is mounted coaxially with the woofer, so the two drive units do not produce comb filtering dips in the speaker's response at off axis angles. Coaxial drivers are also used in more upmarket models from Thiel, and also by KEF and Tannoy, but otherwise are relatively rare.
Yes, I heard more dramatically impressive sound at the show, but the Thiel room, one of the first I visited, sounded so honest and right that for me it represented the sort of value that most of the higher-end products could not manage. Of course, a pair of Thiel subwoofers were helping it along in the deep bass!
And unlike nearly all of the speakers heard at the Venetian, the SCS4T is ready for home theater. The older, stand-mount SCS4 (about $2400/pair, available in singles) should be a good match. It uses the same coaxial driver and can be used as a matching center channel, even mounted on its side (a trick that other non-coaxial 2-way speakers cannot do without sonic consequences.
As with the Thiels, we mentioned these Sony speakers earlier in this report. But also like the Thiels, they deserve another mention. No other speakert impressed me as much as this one did at the show. I'm enough of a show veteran to realize just how much the room, associated components, and program material can effect the sound of a system, but under the conditions in the Sony room, in a 2-channel setup (four of the speakers were also being used in a surround system in a different room) they impressed me about as much as any speaker ever has at a trade show. The sound was punchy, dynamic, and full-bodied without being overblown. And they made both modern and classical music sound realfew speakers can do as well on both.
The SS-AR1's (I sense an homage in that name) have been on the market in Japan since 2006, but have recently been upgraded in the voicing and crossover department.
But will we ever see them for sale here in the states? Possibly, but this show appeared to be a trial run to judge dealer interest. That's been a problem with Sony speakers in the past, and there have been some very good ones. High-end dealers are reluctant to take on Sony speakers, and Sony dealers are reluctant to take on speakers this expensivecurrently about $27,000/pair in Japan.
Associated equipment included Pass Laboratories monoblock solid state amps and an EMM Labs (Meitner) Reference SACD/CED player.
Another potential best-of-show system has to include the Heritage Series Getz, a new model from Sweden's Marten loudspeakers. With their all ceramic drivers from Acuton (apart from a passive radiator, one of the large cones visible in the photo) they were very different in balance from the Sony speakers, above. Faster on their feet and even more sparklingly detailed, but less weighty and majestic sounding. And at $20,000, cheaper, though not exactly a blue-light special.
While I can't say I had any complaints about the sound of this system featuring Lamm tubed electronics and Wilson Alexanria X-2 MkII, at around $675,000 (2-channels only, of course) it was a bit, um, over the top.
I've never heard of the Italian loudspeaker company B2, but their Titan, which stands about 65-inches tall and weighs in at 286 lbs, sounded spectacular in a very large room. The mids and highs were particularly transluscent, thanks to a pair of ceramic-coned midranges from Accuton and a 6" ribbon tweeter. The smaller speaker on the right in the photo is the Hebe (not heard). Estimated retail prices as of show time were about $75,000/pair for the Titan and $19,500 per pair for the Hebe.
Most of our budgets won't stretch to the $18,000/pair level of these floorstanders, but with their Nextel series drivers from Seas of Norway, each speaker with one 7-inch midrange driver, one 10-1/4-inch long excursion woofer, and a 1.1-inch HEXADYM™ magnet tweeter, the Pass Pabs SR-2s sounded mighty sweet.