CEDIA 2014

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John Sciacca  |  Sep 13, 2014  |  0 comments
Reach Out and See Someone Video calling is certainly nothing new, in fact with iPhone and Android devices most of us carry the ability to video chat with someone around in our pocket. But the home intercom is still a popular request, especially in larger homes where you want a more elegant way to find everyone than, “HELLO?!? WHERE ARE YOU?!? HELLO!!!!” New company, Nucleus, has one of the coolest intercom systems I’ve seen in a while and at a price that is pretty startling.

Thomas J. Norton  |  Sep 13, 2014  |  0 comments
Classe introduced its new Sigma line at the show, consisting of the Sigma SSP surround sound preamp processor and two amps, the 5-channel Amp5 and the 2-channel Amp2. The latter are both compact class D designs offering 200W per channel into 8 ohms and 400W per channel into 4 ohms.

The Sigma SSP, shown in the photo (though it looks far, um, classier in real life than my middling photography might indicate. It is loaded with features, including SPDIF and 24-bit asynchronous USB digital inputs, DSP-produced parametric EQ and tone control on all channels, and all of the other modes and features of any competent pre-pro. But it has only one HDMI output, is only HDMI 1.4, and is not yet Dolby Atmos-ready. But it's modular design should make future Hardware updates possible. The Sigma SSP and Amp5 are $5000 each, and the Amp 2 is $3500. All three should be available by the end of the year.

Thomas J. Norton  |  Sep 13, 2014  |  0 comments
While JVC introduced no new projectors at CEDIA EXPO for the first time in years, it still produced some of the best-looking images at the show. Using a native 4K source, its top of the line DLA-X900 looked particularly striking in low lamp mode on an approximately 130-inch wide screen. For those unfamiliar with JVC's current models, its higher-end designs can accept a 4K input and process it so that can be reproduced by the projector's 2K (1920 x 1080) LCOS imaging chips. Through further processing it then simulates 4K. Though it isn't true 4K, it can look very good.

I'm guessing that in the depths of JVC's R&D facilities they're working on a way to produce an affordable true 4K home theater projector. So far no one has done this--unless you consider Sony's $16,000 VPL-VW600ES affordable (but see the story above).

Mark Fleischmann  |  Sep 12, 2014  |  0 comments
Yamaha's excellent Aventage surround receiver line now features two Dolby Atmos compatible models, both with nine amp channels: the RX-A3040 ($2199, 150 watts with two channels driven) and RX-A2040 ($1699, 140 watts with two channels driven). The semi-enclosed demo, with Yamaha speakers, was crisp enough to rise above the noise of the show floor, and the height effects (from ceiling speakers) were clearly discernible. Yamaha also showed its first sound base, the SRT-1000 ($500), which features eight front "beam drivers" along with two oval mid-woofers and two bottom-firing bass drivers. Made of sturdy MDF, it is designed to hold sets up to 88 pounds and 55 inches. In addition Yamaha showed two soundbars, one with HDMI input and lossless surround decoding for $1000 and one with legacy inputs for $399. The former is the YSP-2500, which simulates "true 7.1" surround from 16 beam drivers. It is the first soundbar we've encountered with a headphone jack.
Thomas J. Norton  |  Sep 12, 2014  |  0 comments
B&O is widely known for making excellent, stylish, but very expensive products. While its BeoVision Avant 85-inch 4K/Ultra HD LCD set isn't exactly cheap at $25,000, it's not that far off from the prices its competitors charge for similarly-sized 4K sets (and cheaper than some). The set comes with a unique powered, rotating stand and remote. A B&O sibling 55-inch 4K set is also available, but its $8,000 price (the stand for this model is optional at $2,000) it's not as competitive.
Thomas J. Norton  |  Sep 12, 2014  |  0 comments
Splitting an HDMI source to feed both a video projector and a flat panel set is an increasingly popular option in custom home theater installs. But consumer-priced splitters that can do 4K are only just starting to appear. The HDS-12i from Transformative Engineering is one of the first. It can mix output resolutions and both up- and down-scale to 4K. A typical setup might involve a 2K projector and a 4K flat screen Ultra HD TV.

The device also provides full HDCP security and will recognize different EDIDs for each display. Output 2 also can be configured for pass-through, selectable scaling, or an AVR mode which bypasses 4K and 3D to route audio to an AVR or surround pre-pro that lacks the ability to handle these formats.

The HDS-12i's main limitation is that it's only HDMI 1.4a compliant, not 2,0, but that should be adequate for today's source material. It's firmware upgradeable (though not to 2.0--that's hardware) and sells for $299.

SV Staff  |  Sep 12, 2014  |  0 comments
…who you might run into at a trade show but there he was—Buddy Valastro (aka The Cake Boss), surrounded by throngs of camera-crazed showgoers. America’s favorite baker delivered the massive cake shown above to help home automation powerhouse Elan celebrate its 25th anniversary. The base of the cake is modeled after the company’s next-gen g1 system controller. The globe…well, we’re not sure what it signifies—perhaps the desire for world domination? (Actually, it’s probably a nod to Elan’s tagline: “Your World Made Simple.”) Valastro is no stranger to Elan. His 7,000 square foot New Jersey home (next door to Tony Soprano) and state-of-the-art bakery production center are both equipped with an Elan g! system.
Thomas J. Norton  |  Sep 12, 2014  |  0 comments
It's no coincidence that manufacturers offering screens that reject ambient light use bright images to show off their wares, often either animation or sports. There's no way such a screen, on dark movie scenes, can compete with a conventional screen in a darkened room. But such light-rejecting screens, if used properly, can be of real value in some installations. Seymour-Screen Excellence introduced its first light rejecting screens this year, including this Ambient Visionaire 1.2 model. As shown here, fixed frame at 116-inch diagonal 16:9, it will cost you about $3500.
Mark Fleischmann  |  Sep 12, 2014  |  0 comments
Focal ingeniously integrates a soundbar with a subwoofing TV stand. They're two separate products, but notice how they fit together. The Dimension 5.1 soundbar ($1399) is a "true 5.1" bar with a brushed aluminum chassis holding five inverted dome full-range drivers and lateral bass drivers, driven by six times 75 watts, along with HDMI, lossless surround decoding, and touch controls at the right side. Four dip-switch DSP controls compensate for room size, seating distance, and whether you're using a wall mount or placing the bar on a cadenza. Both standing and wall brackets are provided. If you want more bass, place the Dimension SUB ($399) behind the bar. Wouldn't that block the sub's drivers? No, the elliptical drivers are on the sides. The demo sounded excellent, with a warm, un-screechy midrange and full bass.
Thomas J. Norton  |  Sep 12, 2014  |  0 comments
Christie Digital, a big name in theatrical digital presentations, made its first appearance at a CEDIA EXPO. Here is the biggest projector they had on display, a 4K, 3-chip DLP. Christie's Josh Kolbeck stands next to it for perspective.

While not on demo at Christie's own booth, it was being used in a Stewart Filmscreen demonstration elsewhere on the show floor. On a 15-foot wide Stewart Director's choice Gray Matte 70 screen, and with 4K sources, it produced what was easily the best-looking images I saw on the show's first day. I didn't catch the price (it took Christie personnel several minutes to find the price on the Christie laser projector shown below), but it definitely falls into the "if you have to ask" category. You'll also need to put it in a separate projection room. It's cooling fans are loud.

Mark Fleischmann  |  Sep 12, 2014  |  0 comments
The rethought CM Series from Bowers & Wilkins includes three towers, three monitors, two centers, and one sub. They use a double dome aluminum tweeter array which combines a dome with a ring radiator, stiffening the driver and shifting its breakup mode from 30 to 38 kHz. Nautilus-style tweeter tube loading is employed in all of these new speakers though it's most visible in the tweeter-on-top models (the CM10 S2 tower and, pictured here, the CM6 S2 monitor). Woofers continue to be Kevlar. The models, all priced per speaker, are the CM10 S2 tower ($2000), CM9 S2 tower ($1600), CM8 S2 tower ($1200), CM6 S2 monitor ($1000), CM5 S2 monitor ($800), CM1 S2 monitor ($550), CM Centre2 S2 ($1250), CM Centre S2 ($700), and ASW 10CM S2 subwoofer ($1500).
Thomas J. Norton  |  Sep 12, 2014  |  0 comments
While the JBL Atmos demo remains the champ at the show (at least through the first two days) for shear impact, undistorted output level (in a good way), and immersion from 39 speakers, it's not likely to find its way into too many homes. The Atmos demo from GoldenEar, however, was a more conventional 5.4.4 setup with five conventional channels, 4 true ceiling speakers (no reflective Atmos here), and four subs. It was both impactful and at the same time subtle in a way that will please many audiophiles with at least some interest in home theater. Not that a lot of audiophiles wouldn't covet the JBL (I'll take the JBL for my big room when I win the lottery, and something like the GoldenEar for the smaller!), but the GoldenEar is more practical.

The GoldenEar system used an Oppo Blu-ray player, an Integra Atmos-ready pre-pro, three Pass Labs monoblock amps for the front channels, six other amp channels for the two surrounds and two ceiling speakers (I didn't catch the make for the latter, but it was far more modest and less pricey than the Pass amps). The speakers were the GoldenEar Ones left and right, a SuperCenter XL, GoldenEar Twos for the surrounds, and four Invisa HTR 7000s for the ceiling channels. The four subs were the powered subs built into the GoldenEar Ones and Twos. The levels chosen were loud enough, but sensible, and the experienced convinced me, at least in these fledgling days of Atmos (I remain open minded on this), that true ceiling speakers just might produce the best Atmos results.

Bob Ankosko  |  Sep 11, 2014  |  First Published: Sep 12, 2014  |  1 comments
Make it disappear is a common refrain in the aisles and corridors of CEDIA Expo 2014. Montreal-based Revolution Acoustics is doing just that with an “invisible audio” system that uses a patented multifunction transducer less than 3 inches in diameter to produce sound. Attach the SSP6 Multiducer to the inside or outside of a wall and it energizes the entire surface to create what the company calls “whole-room sweet spots.”
Darryl Wilkinson  |  Sep 12, 2014  |  0 comments
Panamax is introducing three new Power360 series surge protectors at CEDIA today. The wall-mounted DOCK includes six surge-protected outlets along with two USB ports. The USB ports share a 2 amp capacity, allowing it to charge two smartphones simultaneously or a single tablet. A unique groove - Panamax calls it a “Technology Cradle” - along the top of the DOCK is designed to provide a convenient niche in which to place your smart device while it is charging.

The next of the three models is...

Thomas J. Norton  |  Sep 12, 2014  |  0 comments
Here are further details on Pioneer's flagship Blu-ray player. There will also be a BDP-85FD at $1000. It looks almost identical, and offers the same video performance, but has more conventional audio circuitry.