Sort By: Post Date | Title | Publish Date
Scott Wilkinson  |  Mar 13, 2009  |  2 comments

This week, we are proud to debut a new blog called <A href="">Ultimate Gear</A>. Seeing as how the word "ultimate" is part of the name of our site, we thought it might be interesting to post profiles of home-theater equipment and systems that can rightly be placed in that category.

Scott Wilkinson  |  May 29, 2009  |  29 comments

Last week, I was invited to visit Vizio's offices in Irvine, California, to provide any feedback I might have regarding its upcoming LED-backlit LCD, the 55-inch VF551XVT, which is in the final tweaking stages before its release in early September. This is a very exciting product: an LCD TV with LED local dimming for&#151;get this&#151;$2000!

Scott Wilkinson  |  Aug 19, 2008  |  10 comments

As many of you may know, I'm a regular guest on a nationally syndicated radio talk show hosted by Leo Laporte, aka The Tech Guy. The show is broadcast live from 11AM to 2PM Pacific time on Saturdays and Sundays, and my segment is right after the 11:30 news on Saturday.

Scott Wilkinson  |  Jul 02, 2010  |  16 comments

With all the buzz about Toy Story 3, my expectations were pretty high, and I wasn't disappointed when I saw it in Imax 3D—that is, I wasn't disappointed in the story or the 3D, which was among the best I've ever seen. However, the particular presentation I attended at the AMC Burbank 16 did have some problems.

Scott Wilkinson  |  Jul 02, 2012  |  8 comments
After what has seemed like an interminable wait, Vizio's 21:9 CinemaWide LED-LCD flat-panel TV is finally available to consumers at Vizio's website. With a native pixel resolution of 2560x1080, this XVT-series set is the first ultra-widescreen flat panel available in the US that displays 2.35:1 movies without black bars above and below the image.
Scott Wilkinson  |  Apr 14, 2011  |  0 comments
Yesterday, I ran into David Reisner, digital-cinema consultant and recent guest on my Home Theater Geeks podcast, who told me about an exhibitor called Volfoni, which is showing hybrid active/passive universal 3D glasses at NAB. Intrigued, I sought them out.
Scott Wilkinson  |  Jun 09, 2008  |  First Published: Jun 10, 2008  |  10 comments

A couple of weeks ago, I got an e-mail from Bogeun Chung, general manager of the LCD TV product-planning team at LG's headquarters in Seoul, Korea. He wrote that he would be passing through L.A. with one of his engineers on Monday, June 9, and asked if we could meet at Grayscale Studio, the video-testing facility for <I>UAV</I> and <I>Home Theater</I>. I value any personal contact with manufacturer representatives, so I quickly agreed. Little did I know how interesting that meeting would turn out to be...

Scott Wilkinson  |  Oct 08, 2008  |  3 comments

As many of you know by now, I appear as a weekly guest on <A href=""><I>The Tech Guy</I></A>, a nationally syndicated call-in radio program hosted by Leo Laporte. During a recent show, I was explaining the difference between 1080i and 1080p, a confusing subject to be sure. Shortly after the show, I got a rather long e-mail from John Sullivan pointing out what he thought were mistakes in my explanation. I'll interlace my responses with his comments...

Scott Wilkinson  |  Jan 22, 2008  |  First Published: Jan 23, 2008  |  19 comments

Greetings to all <I>UAV</I> readers! As you may have heard, there have been some changes around this digital watering hole. Shane Buettner has moved over to head <I>Home Theater</I> magazine and its <A HREF="">associated website</A>, leaving some mighty big shoes to fill here at <I>UAV</I>, a challenge I happily accept.

Scott Wilkinson  |  Feb 05, 2010  |  13 comments

To paraphrase The Firesign Theatre, we're all A/V geeks on this bus. We can't get enough about Blu-ray players, high-def displays, receivers, speakers, room acoustics, content creation and distribution, and all the other elements that contribute to an exceptional audio/video experience. To feed that need, I'm delighted to introduce a new feature to <I>UAV</I>&#151;<A href="">Home Theater Geeks</A>, a weekly, hour-long podcast in which I chat with the most important and influential technical experts in our industry about all things audio and video.

Scott Wilkinson  |  Mar 09, 2010  |  15 comments

On Sunday, March 7, the 2010 Academy Awards were handed out at the Kodak Theater in Hollywood, California, and like 41.3 million other viewers around the world (including 3.1 million New York Cablevision subscribers who almost didn't get to see it due to a dispute with ABC), my wife and I watched the spectacle live as it unfolded only a few miles from our house. Well, okay, we didn't watch it live, exactly&#151;we waited a couple of hours so we could skip through the commercials and acceptance speeches thanks to TiVo. So what I'd like to know from you is...

Scott Wilkinson  |  Mar 24, 2011  |  2 comments
Next month, I'm heading to Las Vegas for the National Association of Broadcasters (NAB) convention, which runs from April 9-14. Many people have asked me why I'm going, since the annual event is aimed at professionals in the broadcasting and film industry, not consumers. Well, I believe that some parts of the show are, in fact, highly relevant to consumers, and here's why…
Scott Wilkinson  |  Sep 20, 2009  |  0 comments

<I>I have heard you and Leo Laporte discuss the merits of 1080p versus 1080i signals. You both agreed that both methods are almost indistinguishable from each other, but neither of you seemed clear as to why they were so close. Well, I believe I may have the reason, but please correct me if I am wrong. The essential feature is their respective frame/field rates. 1080p is 30 true frames or complete pictures per second, whereas 1080i is 60 fields per second, but because it is interlaced, it also results in a true 30 frames per second. Thus, both formats generate the exact same number of true frames or pictures per second, which is why their ultimate picture qualities are identical.

Scott Wilkinson  |  Jun 07, 2011  |  6 comments
On Sunday, my wife and I saw X-Men: First Class at the Pacific Theaters Glendale 18 in Glendale, CA. It was the first film presentation I've seen in a while, and I was a bit surprised that this movie is not being offered in 3D at all. And you know what? I didn't miss it at all.