Technology, like time, never stands still. Take DLP projectors, for example. Since their inception, Texas Instrument's DLP display chips have continued to evolve at a dizzying pace. For both reviewers and home theater enthusiasts, opinions based on one generation of DLP projectors are quickly overturned by the next generation.
<IMG SRC="/images/archivesart/headshot150.tjn.jpg" WIDTH=150 HEIGHT=194 HSPACE=6 VSPACE=4 BORDER=0 ALIGN=RIGHT>I'm a huge fan of having a physical copy of video content (high-definition or otherwise) for my own personal use any time I see fit. The downloading paradigm scares me. It opens up all sorts of ways for the provider to stick it to the consumer. How about paying <I>every</I> time you want to watch? How about additional compression so our downloaded movies are "High-Definition Quality," like those "CD-quality" MP3s? How about spyware or adware along for the ride? Pop-up ads in mid-movie, anyone?
DisplaySearch, a global video-display market-research and consulting firm, last week hosted their annual HDTV Conference, a two-day affair devoted to—you guessed it—HDTV. Held at the Beverly Hilton hotel in Beverly Hills, California, this year's conference began with a keynote address by Mark Cuban, founder of HDNet, which will be broadcasting their recording of the event in September and October.
More and more PC fanatics have grown to appreciate the computer as a television, fully exploiting the kick-ass video potential of even a run-of-the-mill PC monitor, first for viewing then for timeshifting/recording and even burning those recordings to DVD. The ATI TV Wonder Elite ($149) has it all covered. A surprisingly complicated chain of technology is necessary to achieve this amount of functionality at this level of quality, although it is all ultimately transparent to the end user, with a very user-friendly interface to boot. The TV Wonder Elite (TVWE) is also designed to work seamlessly with Microsoft Windows XP Media Center Edition 2005.
A generation before Captain Kirk and company, there was Jonathan Archer, first captain of the Starship Enterprise, heading with his crew of true space pioneers to explore strange new worlds. It's 2151, and Archer and his officers have a distrust of transporters, phased pistols, and Vulcans, who have subjugated humans' efforts in space for the 100 years since Zefram Cochrane invented the warp drive.
In the simplest possible terms, Steve McQueen had "It." Truly, women wanted him, and men wanted to be him. Maybe it was the eyes, the sense of intensity he conjured, or the impression that he knew something we didn't. Or perhaps it was his physicality, the grace with which he performed his own stunts, combined with his ease and outright glee with props. Warner has assembled some hard evidence of the actor's elusive mystique in their recent Essential Steve McQueen Collection, a grouping of souped-up reissues and new-to-DVD titles.
Imagine the score for a 33-minute film noir with nonstop action. That's Béla Bartók's The Miraculous Mandarin in a nutshell, although it's actually a one-act dance suite. The story concerns three thugs who use a young woman as bait to rob a series of victims, culminating in the Mandarin. They murder him—but not before he consummates his passion for the girl. The plot had enough sex and violence to get it banned immediately upon its 1926 debut in Köln, Germany.
I am a big Get Shorty fan. The dialogue, the acting, and the plot all just exude a coolness that is never struggled for, just achieved. The thought of a sequel seemed a little odd, but knowing that it is based on the Elmore Leonard sequel novel, I had high hopes. The end result was admittedly funny but nowhere near the quality of the original. The story takes place a few years after Get Shorty, and Chili Palmer is deciding to get out of the movie business. After a friend gets murdered, he decides to get into the music business instead. Far too many jokes are rehashed, but that in itself isn't the problem. Whereas the original was an effortless cool, this movie tries too hard to be cool—and rarely succeeds. Far too much time is spent on the (admittedly excellent) secondary characters, with Chili himself just kind of showing up to drive the plot along. The effect, though, highlights two of the best aspects of this movie: the Rock and André 3000. These two absolutely steal the movie, and this disc is worth a rental just for them. There are many musician cameos, but, unlike in Get Shorty, where actor cameos are natural (as in, they can act), the musician cameos are often awkward and distracting.
On August 4, 2005, Infinity invited a number of journalists to their home at the Harman International corporate campus in Northridge, California, for a tour of the facilities and a sneak peek at their latest speaker line, dubbed Cascade. Why are you only hearing about it now? Because Infinity embargoed the information until August 25.