Denver is one of the best cities on the planet, if you ask me. I'll really miss not coming here next year when CEDIA moves to Hot Lanta. Except for the 45-minute ride from the airport, Denver is completely convention-friendly. Transportation is cheap or free (the 16th Street Shuttle) and abundant. The weather, at least in early September, is nearly ideal. The commercial convention district is pregnant with possibilities, from restaurants to record stores, to absorb any free time your editor may not know you have. Hell, even the bums here are nice!
I just returned from the annual CEDIA Expo in Denver. Media servers and Windows-based media centers are nothing new for this event, but this year it was apparent that the category is growing with more choices than ever before.
What better way to celebrate a 40th anniversary of producing audio components, than to debut a new flagship loudspeaker? Infinity Systems did just that, showing off its new Prelude Forty loudspeaker. This high-end tower features Maximum Radiating...
Harman Kardon took the wraps off its new flagship receiver, the AVR-7550HD. My photo (at right) is pretty poor, but in fact there's not much to see. This beauty has a completely stealth front panel, with a cool lighted, translucent volume knob....
Pioneer debuted another high-end Blu-ray player at the show, shown here in a cool 3D "exploded view" that highlights the player's isolated circuit boards. It's BD-Live with a whopping 4GB of onboard memory and two HDMI outputs. A Pioneer-developed video chip processes 8-bit video with 16-bit resolution, and a Marvell Qdeo handles the scaling. The BDP-09FD should be available in December for $2000. Also at the show were the Elite BDP-05FD ($800, shipping now) and the Pioneer-brand BDP-51FD ($600, shipping now), both Profile 1.1 with the same Pioneer processor (12-bit instead of 16). Power-up and load times are said to be much faster than previous generations.
Video guru Joe Kane was demonstrating the Samsung SP-A800B projector that he helped design (review forthcoming), but it wasn't on a Stewart screen as usual. Instead, he was using a new screen material he developed with Da-Lite. Dubbed JKP Affinity (JKP = Joe Kane Productions), the new material is exceedingly flat with no diffusing granules as on many types of projection screens. This is said to improve flat-field uniformity and depth of modulation by reducing light scatter, leading to greater detail and contrast because adjacent areas of the image don't interfere with each other. The current material has a gain of 0.9 and should be available in a few weeks. The demo was impressive indeed, with exceptional detail and uniformity; can't wait to shine my light on one.
High-end Blu-ray players made quite a showing at CEDIA, including the BDP-S5000ES from Sony, shown here from the front and back. It's BD-Live, and it even comes with a 1GB USB memory module to enable that functionality. The player decodes all the advanced audio codecs and offers a 7.1-channel analog output. It should start shipping in November for around $2000.
One of the big themes are CEDIA this year was 3D, and Da-Lite was in the thick of it with a new screen material called 3D Virtual Grey (though I would have used the American spelling "Gray"). Designed for 3D applications, the material is said to retain 99% of the incident light's polarization, which is the key to achieving a good 3D effect using polarized light and passive glasses. The demo looked quite good, smoother than most I've seen, which could be due in part to the fact that the real-life material was shot stereoscopically with two cameras and the CGI was created specifically for 3D.
Denon showed off its new line of AV receivers, no fewer than 10 of them, to complement its flagship AVR-5308CI (pictured). All of the new models feature Audyssey Dynamic EQ, Audyssey Dynamic Volume, and Audyssey MultEQ, as well as HDMI 1.3a...
If I had to pick a single obvious trend at this year's CEDIA Expo, it would be 2.35:1 anamorphic projection using an add-on anamorphic lens. At least five lens manufacturers were showing product, and all but a few projector manufacturers were featuring some sort of 2.35:1 anamorphic projection. (The fact that our October 1008 issue, distributed at the show, featured an article on this type of setup was a happy coincidence).