LATEST ADDITIONS

Mark Fleischmann  |  Jan 10, 2009
The Suite 7.1HD surround preamp-processor from Audio Design Associates, second from bottom in picture, supports Dolby Volume as well as the new lossless surround codecs. It costs $5500 and will ship in a few months. There are eight HDMI ins and two outs, which should cover every high-def contingency known to humankind. Rather than introduce new amps, ADA is sticking with the existing PTM-6150 and -8150, which is absolutely the right decision, as they are (I'll stick my neck out) the best outboard surround amplifiers in the industry.
Mark Fleischmann  |  Jan 10, 2009
Arabesque, from the Crystal Cable folks, is the second manufacturer we know of (in addition to Waterfall) to use glass enclosures. The faceted design of this floorstander came about after the company realized that a curved glass enclosure wouldn't be possible -- but it looks great.
Mark Fleischmann  |  Jan 10, 2009
DLS designs its products in Sweden and has them assembled in Taiwan with enclosures from China. But the company designs and manufactures its own drivers. The M Line includes the M66 tower, for $3500/pair, plus the MC66 center, M60 monitor, and M Sub 10.
Mark Fleischmann  |  Jan 10, 2009
Which some might construe as weightist. The composite fiberglas, carbon fiber, and resin enclosure makes damping material unnecessary. Two 9-inch woofers share the enclosure with a 6.5-inch mid and 1.1-inch tweeter. The $32,000 pricetag (per pair) may seem stiff but the composite enclosure trickles down to the monitor-size Super Octave. Morel also offers three Sound Spot satellites, all of which have coaxial drivers in a metal pedestal enclosure, but the drivers differ, so pricing ranges from $1500 to $2000 to $2500. The best version has a resin-covered silk tweeter.
Mark Fleischmann  |  Jan 10, 2009
President-elect Obama has been turned into a fuzzy iPod dock with bobbing head. This is what he gets for delaying the DTV transition. If he delays it long enough, we'll turn him into a power strip.
Mark Fleischmann  |  Jan 10, 2009
Phase Technology's Teatro PC310 ($1200) has three 5.25-inch woofers, five 1.5-inch soft dome midranges, and three 1-inch soft dome tweeters, some of which you see here, and some of which are mounted at the sides. Imaging was wide, the feel was smooth and natural (more so than most sound bars), and if the regular one-size grille doesn't match your flat panel display, you can have one custom cut.
Mark Fleischmann  |  Jan 10, 2009
If you like your speaker bars under a thousand, try the Phase Technology Teatro V3.0 for $800. Besides the half-dozen woofers and tweeters on the front, it also has side-mounted drivers, something it has in common with the one above.
Mark Fleischmann  |  Jan 10, 2009
Phase Technology's dARTS has been around for awhile. That stands for Digital Audio Reference Theater System, and it involves custom programming, software tuning and amplification precisely matched to the room. But with the 650 Series speakers, it now has cosmetic sophistication to match its digital smarts. The whole package goes for $20,000, but if you have high-end tastes and a wallet to match, try it before you decide that's too much.
Mark Fleischmann  |  Jan 10, 2009
"We like the sound," said the MK Sound folks in response to my question -- "why an analog bass management controller?" The DMC-1 accepts five XLR input for line-level loop-through. Available in February for $1200. MK is the newly returned heir to the M&K legacy, so expect to see lots of classic models return with upgraded parts to make them even better.
Mark Fleischmann  |  Jan 10, 2009
While I liked the HDMI-equipped jack panel at the Mirage -- and envied Tom's at the Hyatt even more -- the aspect ratio on my Philips LCD set left something to be desired. The hotel appeared to be feeding 4:3 analog signals and using the stretch mode. Suze Orman and Anderson Cooper couldn't have gained that much weight, could they?

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