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Tom Norton  |  Jan 11, 2012
Later at the show we obtained more details about Panasonic’s 2012 sets. New models in the VT50, GT50, and ST50 series of plasma sets will make up the meat and potatoes of Panasonic’s updated designs, expect to be available in 2-3 months if past delivery schedules are maintained. There will be an expanded range of new Panasonic LCD IPS designs as well. In fact, there are 15 new LCD models, 13 with LED backlighting. Seven of the LCD sets are 3D, including three in the ET5 series using passive glasses—Panasonic’s first departure from full HD 3D (passive glasses sets cut the vertical resolution seen by each eye in half in a 1080p set). In addition, the LCD line now includes 47- and 55-inch sizes. Previous Panasonic sets at 42-inches and larger have all been plasma designs. With LCD now dominant in the market, could Panasonic be hedging its bets?
Brent Butterworth  |  Jan 11, 2012

I had no idea when I wrote my CES Audio Preview how right I’d be. I predicted that Bluetooth and AirPlay wireless technologies would be making their way into tons of new audio gear, and sure enough, at CES both were as common as bad food. Bluetooth and AirPlay make extra-good sense in compact audio systems, which you’re likely to use with smartphones and computers.

Brent Butterworth  |  Jan 10, 2012

CES 2012 was the coming-out party for Sony’s in-ear headphones. Nearly buried in the talk of cell phones, media managers, and 3DTV was the announcement Monday night of Sony’s first line of balanced-armature in-ear monitors (IEMs). This step up to a higher class of product shocked me for two reasons.

Mark Fleischmann  |  Jan 10, 2012
The first development project to follow the death of the late, great Jim Thiel is the CS1.7, which will replace the decade-old CS1.6 as the company's entry-level floorstanding speaker. Its aluminum drivers include a one-inch tweeter and a 6.5-inch woofer with the familiar vibration-controlling star diaphragm. A CS7.3 flagship tower will follow eventually. Given Thiel's traditionally long and pensive development philosophy, it's anyone's guess when the larger speaker will arrive, but the smaller one is very tentatively slated for the first quarter of this year at around $5000-5500.
Mark Fleischmann  |  Jan 10, 2012
This is Mishka the talking dog saying "I love you" on YouTube. No kidding. If it's on the internet, you know it must be true. This was actually a demo of InstaPrevue, a feature being built into Onkyo's network-enabled a/v receivers. The cool part, aside from the talking dog, is that you can view picture insets showing the content of source components as opposed to prosaic text labels like HDMI1, HDMI2, or that classic of the genre, HDMI3. The talking dog (have we mentioned the talking dog?) was being streamed from an iPhone via MHL, or Mobile High-definition Link, another new Onkyo receiver feature. Onkyo was also talking up cloud storage capability for receivers via its partnership with MP3tunes. The first two gigabytes are free.
Mark Fleischmann  |  Jan 10, 2012
CES attendees are being protected by state-of-the-art bomb-sniffing technology. We're not kidding. There is nothing more sensitive than a dog's nose.
Mark Fleischmann  |  Jan 10, 2012
Not much has emerged from the Denmark-born Jamo speaker brand since its acquisition by the Klipsch Group, now itself acquired by Audiovox. But that's changing with a bevy of new Jamo products including the MS25 satellite speaker shown here. What a civilian might identify as a tweeter firing into a spoon is actually Jamo's implementation of OmniPolar technology acquired along with Mirage. This new design was reshaped by authentic Danish designers. There will be no new products labeled Mirage, bringing an end to the historic Canadian speaker brand. The product development guy who briefed us punctuated his presentation by saying "Mirage is a brand, OmniPolar is a technology"—a technology living on under another banner.
Mark Fleischmann  |  Jan 10, 2012
As reported by our colleague Darryl Wilkinson, the Klipsch press conference mentioned the G-17 Air compact system, whose drivers and flat enclosure hail from the new Gallery line, and the ginormous one-piece Console, the latter to be produced in Klipsch's hometown of Hope, Arkansas. But the latter was not shown at the time, so here it is. Interesting, the bleeding-edge Palladium and other higher-end Klipsch lines are moving their manufacturing from China back to Arkansas due to higher costs in the former. This isn't a knock against the Chinese but we can't help feeling pleased that more Klipsch speakers are going to be made in America.
Mark Fleischmann  |  Jan 10, 2012
The Atlantic Technology exhibit at the Venetian featured the first 5.0-channel demo of the smaller H-PAS speaker. We hope to atone for this awful picture of of it with a quasi-review in our print mag. What depraved impulse moved us to go gallivanting off to Vegas when this product was sitting in our bedroom? H-PAS uses a variety of construction techniques to produce deep, true bass without resorting to a sub. While this demo was less than ideal, we could still hear an ideally proportioned rhythm section with precisely pitched bass guitar tones and good impact from the drums. Closing our eyes actually made it sound better: Once we were freed from the tyranny of visually reinforced preconceptions, our ears told us this was the good stuff. Incidentally, the speaker will be sold in single units, so if you want five or seven of them, no sweat.

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