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Mark Fleischmann  |  Jun 06, 2006  |  3 comments
Here is Barb Gonzalez, author of The Home Electronics Survival Guide Volume 1—I like the Volume 1 part!—flanked by two chimps. Ken Kessler, left, author of Quad: The Closest Approach, drew the most traffic with his world-class charisma (sorry about the flash). At right is the unedited original of my blog pic, with lovely pink and blue background, shot at the Paradox Coffeeshop in Amsterdam, a moment of bliss captured for posterity. Have you heard about my annually updated home theater guide? Just checking.
Mark Fleischmann  |  Jun 06, 2006  |  3 comments
At this moment in the Anthony Wilson Nonet's performance, the guitarist and bandleader had just triggered a guitar sample, over which he then soloed. It was eerie and moving and that's why I've chosen this ludicrously out-of-focus picture—because it was the greatest moment of HES 2006. If you want to share moments like this, you'll just have to come to HES 2007.
Mark Fleischmann  |  Jun 02, 2006  |  1 comments
You have that look on your face. It's the look that I see only when you're about to hatch some kind of stink-bomb. Come on, out with it.
Mark Fleischmann  |  May 31, 2006  |  First Published: Jun 01, 2006  |  3 comments
Under a court settlement, Sony BMG has agreed to compensate consumers for exposing their computers to CD-borne security hazards. If you bought a title with the now infamous XCP rootkit, you get a replacement disc, $7.50 in cash, and a free download (or no cash and three downloads). Not too shabby! Wish I'd bought a few myself. Purchasers of titles contaminated with Suncomm MediaMax get only the downloads. You've got to hand it to Sony BMG. The label has done an awful lot to atone for its error. Details here.
Mark Fleischmann  |  May 31, 2006  |  1 comments
Cablevision's digital video recorder has the movie studios and television networks up in arms. ABC, CBS, Fox, NBC, Disney, Paramount, and Universal have sued over the nDVR, or network DVR, claiming copyright infringement. The nDVR stores up to 80 hours of programming on a remote server. Program it to record your favorite stuff in perpetuity and you have, in effect, a limited version of video on demand. Since the disc drive is not in your rack, you can operate it just using an dDVR-enabled cable box. Cablevision says the suit is "without merit." Analysts say the suit was expected, and if Cablevision prevails, cable ops will be able to deploy the dDVR on a larger scale and save big bucks in the process, both for consumers and themselves.
Mark Fleischmann  |  May 30, 2006  |  0 comments
Hitachi bills four new 42-inch plasma models as 1080-line-capable. The following information is for numbers-obsessed videoholics only: The relevant model numbers are 42HDF39 ($2299), 42HDS69 ($2499), 42HDT79 ($2999), and 42HDX99 ($5299). Nominally these are 1080i, as opposed to 1080p, displays though at 42 inches that distinction is negligible. However, it's the vertical resolution that's 1080 lines. Horizontal resolution is actually 1024 lines, as opposed to 1920 in the 1080i ATSC broadcast standard (1920 by 1080). So three of these models are 1024 by 1080, and the lowest-priced is actually 1024 by 1024. Got all that? The difference probably stems from the inherent limitations of Hitachi's highly rated plasma manufacturing technique, which involves vertical channels of pixels crisscrossed by horizontal lines of electrodes. I got a preview at last week's press event in New York though production models will not arrive till later in the year. Up close and personal, the prototype looked pretty spiffy. I could see the dots only from two or three feet. Beyond that the picture looked seamless. The bottom line is that these 42-inch plasmas can show 1080 lines in a test pattern. Try that with a crayon and a piece of paper. Bet you can't do it.
Mark Fleischmann  |  May 26, 2006  |  7 comments
The explosion of flat-panel and microdisplays has multiplied the number of manufacturers and products on the market. Unfortunately this happy profusion leaves a performance gap on the audio side. My Sharp AQUOS LCD HDTV has excellent speakers—by TV-speaker standards—but I don't depend on them for movies. And the sound on a typical no-name LCD set is simply wretched for any content, even sitcoms. So what do you do when you've uncrated your new display only to discover that the other half of the home theater equation is a shaping up to be a big zero?
Mark Fleischmann  |  May 25, 2006  |  1 comments
Interesting piece by Wired columnist Leander Kahney on the iPod's steady rise to acceptance as a hi-fi audio device. But I think he oversells his point when he says the iPod has audiophiles "spinning in their soundproof graves." He also oversimplifies, asserting that "to purists, only old-fashioned vinyl platters cut it." This stereotype (pun intended) ignores a whole universe of digital audio developments such as SACD and DVD-Audio, great concert videos in lossy surround formats, and the use of Dolby Pro Logic II to coax surround out of stereo source material (whether from CD, WAV, MP3, AAC, or none of the above). Speaking as an audiophile, I find these things just as interesting as my LP collection or, for that matter, my iPod. The biggest problem with high-performance audio, according to 56 percent of consumers in one survey, is that not enough of them have heard it.
Mark Fleischmann  |  May 24, 2006  |  0 comments
Samsung showed off its first LED-driven DLP model yesterday at a press briefing in New York. The 56-inch HL-S5679W ($4199) replaces the arc lamp and color wheel used in conventional DLP rear-projectors (left) with light-emitting diodes (right). This provides longer lamp life (20,000 hours), more uniform performance over the lifetime of the set, quicker turn-on, quieter operation, no color-wheel "rainbow effect," and as an environmental bonus, toxic mercury has been eliminated from the design. The only catch is that the light engine (optics) are left over from last year's lamp-based sets, and that won't change until the next model-year, though what I saw showed impressive smoothness and uniformity of brightness. Also shown were new plasmas using an anti-glare scheme combining a blue backcoating on the glass with a brown matrix between pixels. The picture was watchable, with what subjectively appeared to be very good black level, even with direct light pouring in the window of the fancy hotel. Finally, would you like your iPod to sing through your TV? You can do just that with LCD-HDTVs in the 92 Series (46, 40, and 32 inches starting at $2199). An RS232 port connects the music player, Apple or Samsung (the iPod requires an optional $40 adapter cable). Then you can navigate music files onscreen through the TV's remote.
Mark Fleischmann  |  May 23, 2006  |  2 comments
Titles in the Blu-ray and HD DVD formats will not use the image constraint token until at least 2010, according to a rumor reported in the German media and picked up by ArsTechnica.com. Videophiles had feared that studios would use the ICT, a down-resolution flag, to cut high-def signals down to standard-def signals through the analog three-plug component video connection, the only HD input on early-generation HDTVs. Most of the studios had already agreed to avoid using the ICT for an indefinite period, but this latest rumor—if true—extends that decision to 2010, and possibly 2012. That should give a little breathing room to early adopters eyeing Blu-ray and HD DVD. Another possible reason for the move: Some PS3 and Xbox 360 gear lacks HDMI, the Hollywood-approved HD interface.
Mark Fleischmann  |  May 22, 2006  |  4 comments
Lost amid the hype surrounding the Blu-ray format is the story of its environmental impact. And guess what? Blu-ray wears a white hat. In the process of cutting the manufacturing steps down from twelve to five, the new "phase transition mastering" process also eliminates several toxic chemicals. Only one remains, a developing fluid, and it's recirculated back into the production process. Blu-ray also requires less utility use, both energy and water. What makes this especially interesting is that the HD DVD people make a big deal of the fact that their format uses the same manufacturing techniques as existing DVD—toxicity and all. Whether consumers would care is debatable, but if they don't, they should. These details emerged during a press tour of the Sony DADC plant in Terre Haute, Indiana, where we all donned clean-room smocks, shower caps, and booties (blue, of course) and saw copies of Hitch running down the production line. Oh, and the packaging (blue, of course) has a redesigned spindle that releases the disc with one easy touch, so you'll use less energy (swearing) and water (sweating) when getting the disc out of the box.
Mark Fleischmann  |  May 19, 2006  |  2 comments
The Recording Industry Association of America, better known as the antichrist, is suing XM Satellite Radio for "massive copyright infringement." XM plays 160,000 different songs a month for its 6.5 million subscribers and the RIAA wants $150,000 for each song copied. In the background is the real story: The music industry has been in negotiations with both major satellite operators over payment of royalties, and while Sirius has cut a deal, XM has not. In its defense, XM says it's already the single biggest payer of royalties to the labels. The Consumer Electronics Association has issued a definitive rebuttal to the suit. Another source of heat is Senate bill 2644, a.k.a. the Perform Act, which would prohibit satellite services from allowing programmed downloading of individual songs, even though songs currently are not digitally transferable from the devices that record them (and any analog output from any device can be recorded anyhow). According to the Electronic Frontier Foundation, the Perform Act would also require webcasters to substitute DRM streaming technology for the MP3 streaming many of them use.
Mark Fleischmann  |  May 18, 2006  |  1 comments
Creative Labs has sued Apple Computer alleging that the iPod violates a patent granted for the Creative Zen player. Patent number 6,928,433 describes itself as "a method, performed by software executing on the processor of a portable music playback device, that automatically files tracks according to hierarchical structure of categories to organize tracks in a logical order. A user interface is utilized to change the hierarchy, view track names, and select tracks for playback or other operations." To iPod fans, that is tantamount to patenting the human body. You've got two arms and two legs? Busted! The patent was filed on January 5, 2001 but not granted until August 9, 2005. The first-generation iPod made its debut on October 23, 2001, a few months after the filing. "We will pursue all manufacturers that use the same navigation system," vows Creative's CEO Sim Wong Hoo.
Mark Fleischmann  |  May 17, 2006  |  2 comments
Doesn't the world sometimes seem unbearably noisy? The best advice I can give you is this: Stick it in your ear! I'm talking about Mack's Pillow Soft Earplugs. Made of silicon gel, they mold themselves to the shape of your outer ear canal and cut noise by 22 decibels. That's better than any model of noise-canceling headphones. With a few days of practice you'll get used to gently pushing them into the ear just enough to cover the opening. Getting used to the sound of your footsteps traveling up your spine (BONK, BONK, BONK) takes longer. And I must admit that eating while wearing plugs sounds like a horror movie. But I am no longer willing to walk out on the road-rage-possessed streets of New York City without them. I also find them comforting on buses, subways, planes, and even in airports—a siren at the Newark Airport security checkpoint once practically brought me to my knees. What will other people think when they see you with plugs in your ears? Who cares? Give up a little dignity and baby your ears. They're the most irreplacable components in your system.
Mark Fleischmann  |  May 16, 2006  |  2 comments
Are you about to bring your iPod to San Francisco, Oakland, or the Bay Area? Then don't forget to download Bay Area Rapid Transit information before you leave home. In addition to the BART system map, you'll also get schedules, station information, and email warnings whenever the system changes. The map will work only on iPods with color displays and iTunes 4.7 or later. For skeds and stations you'll need a display (color or B&W) plus the Notes feature. BART also offers a PDA QuickPlanner for the Palm OS and Pocket PC and a Wireless QuickPlanner for web-enabled mobile devices. For other cities, check out isubwaymaps.com (formerly ipodsubwaymaps.com before Apple's lawyers sent a nastygram). The enthusiast-fueled site has maps of Berlin, Bilbao, Boston, Chicago, Hong Kong, London, LA, Lyon, Melbourne, Milan, Montreal, NYC, Paris, Philadelphia, Salt Lake City, San Diego, San Francisco, Seoul, Singapore, Tokyo, Toronto, Vancouver, and Washington DC. Paypal donations appreciated but not compulsory.