A/V Veteran

This is the week. Throngs of unsuspecting innocents are expected to descend on the Las Vegas Convention Center. (That's in Nevada, not Las Vegas, NM. Yes, there is such a place, but they don't hold conventions (there aren't enough rooms at the Motel 6).

Going ape over that last minute gift for the home theater enthusiast? Or looking to drop a hint on a gift for yourself? Check out Universal's recent release, <I>King Kong: Peter Jackson's Production Diaries</I>. Boxed in a faux-antique file briefcase that someone was paid entirely too much money to design and that you'll probably ditch anyway because it won't fit on your bookshelf, this set contains a production memoir, four limited edition prints (my signed Certificate of Authenticity is number 32,786!), and, most important, two DVDs filled with behind the scenes production material on the making of the film.

In my previous blog, "In the Black," I stated that the new Sony VPL-VW100 SXRD projector would not accept 1080p directly. That was the impression I obtained at its press introduction at last September's CEDIA. But I subsequently learned, in completing Part I of my review of that projector, which will be posted on this site tomorrow (Sunday, December 18, 2005), that it will indeed accept 1080p/60 at its HDMI and DVI inputs.

Earlier this week companies supporting the upcoming Blu-ray high definition disc format gathered at the Fox Studios in Los Angeles to give an update to the assembled press. The companies represented were Buena Vista Entertainment (Disney, Touchstone, Miramax), Twentieth Century Fox Home Entertainment, Panasonic, Pioneer, Dell, and Sony.

I dropped in to my local Costco today after lunch to pick up a couple of new DVDs. (No, Virginia, we don't get free review samples for <I>all</I> the titles that come out.) The aisles were crowded with cartons containing new televisions, all of them plasmas, LCDs, and DLPs. I saw the same thing last week when I was in Fry's&mdash;a California chain well known for just about everything electronic and a few things that are not. The branch in my area gives the same amount of space to a giant, 10-foot ant suspended from the ceiling (not a real one&mdash;just in case you were wondering if I've been watching too much science fiction lately) as it does to the latest in big-screen TVs. With the boxes piled high and deep at retailers everywhere, it's obvious they're all humming <I>'Tis the Season to be TV Buying</I> and <I>Jingle Bills</I> (but no interest until 2007).

And you thought it was already here. It's true that a number of films over the past few years have been digitally projected in a small number of theaters around the world, using primarily DLP technology (and occasionally LCoS). But these presentations have employed a wide range of formats. For example, 30 different release masters were reportedly made for the 30 theaters that showed <I>Van Helsing</I> digitally in 2003. This lack of standardization could never support the massive conversion to digital cinema (and the savings in print distribution costs) that the studios are hoping for.