TOWER SPEAKER REVIEWS

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Mark Fleischmann Posted: Nov 15, 2007 Published: Oct 15, 2007 0 comments
Surround that stretches for miles.

Although they're now owned by Klipsch, Mirage continues to follow their own ears. The Toronto-based company's name derives from a key design goal—to make speakers so immersive that the listener forgets the product is in the room. In addition to a goal, Mirage also has a method: to favor more omnidirectional sound over direct sound using an unusual reflector assembly built into the top of the speaker, creating a spacious feeling that is the company's sonic signature.

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Thomas J. Norton Posted: Jun 10, 2007 0 comments

Omnidirectional speakers have an uneven history in the audio marketplace. They've always been few in number, but persist because a few designers believe in their unique capabilities. Whether or not you accept the validity of their theory of operation, they do offer a perspective on reproduced sound different than that provided by conventional, forward-radiating designs. Among other things, they almost invariably sound bigger and more spacious than their physical size suggests. For more on the background of omni speakers, go <A HREF=" http://www.ultimateavmag.com/images/newsletter/206uav.html ">here</A>.

Thomas J. Norton Posted: Feb 08, 2004 0 comments

Until the introduction of the Mirage M-1 a decade or so ago, all audiophiles knew what dipolar radiation meant. It was an inherent characteristic of flat, planar, enclosure-free speakers in which the rear radiation was 180&#176; out of phase with the front, producing a null at the sides. This null made the spacing from the sidewalls less critical. Beyond this, open-baffle dipole designs attracted a strong following for their unique spatial characteristics and a sound free of cabinet colorations.

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Mark Fleischmann Posted: May 15, 2006 0 comments
Sometimes it's better to be indirect.

Mirage has been, ahem, reflecting on the influence of room acoustics for nearly two decades. In the process, this distinguished Canadian speaker maker has birthed some unorthodox designs. The common thread running through all of them is a determination to make room reflections work for loudspeakers rather than against them. That determination bears fruit in the second-generation Omnisat series.

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Steve Guttenberg Posted: Sep 03, 2007 Published: Aug 03, 2007 0 comments
Melodious metal.

Monitor Audio has the metal thing down. I remember thinking that after my first encounter with a pair of Monitor Studio speakers in the mid-1980s. In those days, metal drivers had a reputation for adding an annoying metallic zing to the sound, but the Monitors were as sweet as could be. Over the years, Monitor continued to hone the technology; even now, when there are a lot of great-sounding speakers with metal drivers, to my ear, nobody does it better. Monitor's current product range includes a healthy selection of custom-install models and the heavy-metal contenders, which run from the entry-level Bronze, the Silver, the Gold, and up to the flagship Platinum speaker lines.

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Thomas J. Norton Posted: Sep 08, 2009 0 comments

Performance
Value
Build Quality
Price: $25,650 (including stands) At A Glance: Pristine highs, uncolored mids, tight bass • Great dynamic range • Subwoofer lacks wallop in the deepest, loudest bass

Better Than Golden

Founded in 1972, U.K.-based Monitor Audio has long produced speakers that offer good value. Until recently, it topped out at $4,500 per pair for the Gold Signature model. So when I heard about the new Platinum range, priced at $10,000 per pair for just the front left and right flagship PL300, it came as a surprise.

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Thomas J. Norton Posted: Feb 09, 2009 0 comments
Founded in 1972, UK-based Monitor Audio has long produced speakers that offered good value, from its low-end Bronze line, starting at around $325 for a pair of two-way bookshelf models and extending up to $4500/pair for the company's priciest Gold Signature model. Even that is not an outrageous price for an upscale design in today's speaker market. The number of current speaker lines topping out at over $20k/pair, however, would be alarming if it weren't counterbalanced by excellent speakers selling for a fraction of that price.
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Thomas J. Norton Posted: Jul 23, 2014 Published: Jul 22, 2014 1 comments

Monitor Audio Silver 10 Speaker System
Performance
Build Quality
Value
Monitor Audio W-12 Subwoofer
Performance
Build Quality
Value
PRICE $5,925 (Silver 10, $2,500 pr; Silver Centre, $725; Silver 2, $1,050 pr; Silver W-12, $1,650)

AT A GLANCE
Plus
Crisp, open sound
Superb imaging
First-rate fit and finish
Minus
Two-way center channel
Limited subwoofer output

THE VERDICT
The center speaker suffers the usual off-axis quirks of a two-way design, and the small sub came up short for the deepest movie bass, but Monitor’s Silver series is a triumph, a treat to hear, and well worth seeking out for a serious audition.

Monitor Audio offers an exceptionally wide range of speakers, from the decidedly expensive (but not nosebleed high-end) to the modestly priced. In 2010, I reviewed the company’s relatively affordable Silver RX system. That line has now been completely redesigned, losing its RX moniker and morphing into the Silver series. Like the RXs before them, the Silvers were designed at Monitor’s U.K. headquarters and are built in a company-owned plant in China. For this review, we’ve selected the largest of the floorstanders, the Silver 10, along with the Silver Centre, the Silver W-12 subwoofer, and, instead of the Silver FX dedicated surround speakers, a pair of Silver 2s to serve the surround channels.

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Chris Lewis Posted: Dec 21, 2005 0 comments
Quality drivers in quality cabinets equals quality sound—at a nice price.

It's easy to find your eyes dazzled, and your mind befuddled, by the outpouring of new speakers over the last few years, particularly those of the nontraditional variety. In-walls, plasma-friendly speakers, and even flat-panel speakers are all the rage with the general public. This is hardly a bad thing—anything that can get people to recognize that the speaker realm extends far beyond the two-dollar paper drivers in their televisions serves a valuable purpose. Many of these people may also come to realize that, at this point, most of these recent unconventional designs embody some degree of compromise, and they hopefully won't fall victim to the dreaded anything-that-is-new-is-better philosophy. It is true that manufacturers are getting more out of unconventional designs than ever before. But, generally speaking, the best speaker sound still comes out of old-fashioned cone drivers and dome tweeters in cabinets with the proper interior and exterior qualities, along with the proper space for them to do their work.

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Thomas J. Norton Posted: Jul 06, 2010 0 comments

Performance
Value
Build Quality
Price: $4,400 At A Glance: Clean, open, natural detail • Enveloping soundstage • Outstanding fit and finish

Bringing Home the Silver

One benefit that comes from the development of flagship products like Monitor Audio’s Platinum PL300-based speaker system (HT, October 2009) is that the technology often filters down into less expensive models in the manufacturer’s line. Of course, it won’t surprise you to hear that the ribbon tweeters, sculpted cabinets, and leather trim found in that $25,000-plus Platinum set haven’t made it into the $4,400 Silver RX8 system under review here. But refinement, elegance, and most importantly, high value and superb performance are still very much part of the package.

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Mark Fleischmann Posted: Sep 29, 2008 0 comments
Following a train of thought.

The world is full of loudspeakers and their manufacturers. Try as I might, I can’t review them all, and normally I have no problem with my limitations. But where Mordaunt-Short is concerned, a feeling of having missed the boat haunts me. Given the quality of the Alumni sat/sub set I reviewed in March (my first review of a Mordaunt-Short product), how could I have missed out on such a stellar company, especially one with a 40-year pedigree?

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Thomas J. Norton Posted: Mar 26, 2003 0 comments

Founded in 1986, NHT established its reputation by building small, relatively inexpensive but high-value bookshelf speakers. After 16 years and several changes of ownership and design teams, they still do. However, their product range is now far broader, and their top-of-the-line, floorstanding systems have long been respected as among the best available.

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Michael Fremer Posted: Jan 29, 2001 0 comments

When a speaker company changes hands, particularly when it is sold by its founders, a new design team often comes on board. That can be a tricky affair. Like passing a baton in a relay race, if it's not handled smoothly, or if it's dropped, sometimes there's no catching up and the race is lost. That almost happened to giant Harman International when it bought Infinity from Arnie Nudell and Cary Christie. Both men ultimately left to pursue other ventures. It took years for Infinity to fully regain its footing, which it did with the rollout of the outstanding, high-tech Prelude system, reviewed by Joel Brinkley in the July/August 2000 issue of SGHT.

Adrienne Maxwell Posted: Nov 21, 2006 Published: Nov 22, 2006 0 comments
HDMI: It's not just for video anymore.

HDMI is a wonderful invention filled with promise. When utilized to its fullest, it can offer the best of both worlds: uncompressed audio and video signals and intelligent, two-way communication over a single cable. Manufacturers have long teased us with talk of complete home theater systems that you can set up using just two or three cables, but the reality has fallen far short of the promise. Most designers have used HDMI only as a top-grade video connector, paying little attention to its audio and communication abilities. Armed with the new HDMI 1.2a spec (the products here were designed and released before 1.3 was finalized), Panasonic is aiming for the ultimate in connection and control with their new EZ Sync HDAVI Control products.

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Ultimate AV Staff Posted: May 25, 2006 0 comments

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