AT A GLANCE Plus
Incredible mids and highs
Elegant appearance
Exceptional build quality
Minus
Not inexpensive
Perfect Bass Kit not included with sub
MAP (Manufacturers Advertised Pricing) enforced
THE VERDICT
MartinLogan blends exquisite detail with razor-sharp imaging and rich bass, then combines those elements into stylish enclosures. The Motion speakers and BalancedForce subwoofer provide a very compelling option for the serious audiophile.
MartinLogan, you know the name. They've been around since 1983 so pretty much everyone has heard of them. Renowned for its statement electrostatic speakers, the company also offers a full line of traditional cabinet speakers, subwoofers, wireless systems, architectural speakers, soundbars, even discrete outdoor systems.
The MartinLogan hybrid electrostatic speaker system delivers a distinctive aural panorama that throws you into the movies.
A core tenet of stellar home theater reproduction calls for a system's ability to re-create infrasonic bass—the kind that drops so low that you no longer hear it, but you can feel it throughout the length of your alimentary canal. The kind of bass that threatens to shatter your gallstones. Of course, getting this kind of gut-whomping bass is relatively easy today, depending on your room's resonance nodes and the amount of greenbacks you can muster for the purchase of a foundation-rattling subwoofer.
MB Quart's new Vera Series speakers have redefined cool. They're cool-sounding, for sure, but I also mean cool, as in low-temperature cool. Heat, you see, is the enemy of good sound. When you're rocking with Aerosmith's ballistic blues bash Honkin' on Bobo or crankin' Master and Commander, your speakers' voice-coil temperatures shoot up. In extreme cases, they can heat up to 300 degrees Fahrenheit. The excessive temperature does bad, bad things; it can raise the voice coils' resistance by as much as 25 percent. Distortion creeps up, dynamics flatten out, and transient response goes to hell. Worse yet, sustained overheating can lead to driver meltdown. Ouch!
Back when surround sound meant Dolby Pro-Logic, most informed enthusiasts preferred dipole or bipole surround speakers. Since Pro-Logic was an analog matrix system that derived four channels from two, resulting in a monophonic surround channel, the idea was to create as diffuse a surround sound field as possible to avoid "localizing" the position of the speakers and to prevent the creation of a "phantom" center channel for those sitting midway between the surrounds.
Back when surround sound meant Dolby Pro-Logic, most informed enthusiasts preferred dipole or bipole surround speakers. Since Pro-Logic was an analog matrix system that derived four channels from two, resulting in a monophonic surround channel, the idea was to create as diffuse a surround sound field as possible to avoid "localizing" the position of the speakers and to prevent the creation of a "phantom" center channel for those sitting midway between the surrounds.
Turn on, tune in, strap down.
I was standing in an area of last year's Home Entertainment Show in New York that had no demonstration rooms anywhere nearby. It started with a boom and a rumble, like the gathering of a distant but powerful storm. It wasn't enough to shake me yet, but it was enough to grab my attention. Then came another boom, another rumble, and enough curiosity that I felt compelled to find a tactful way out of my conversation and make my way toward this growing intensity. Not only could I feel the floor moving under my feet as I got closer, but I even started to believe I was seeing Sheetrock flakes on the floor, steadily gathering into a distinct trail. Soon enough, the rattling of the walls, the low-frequency energy waves hammering my senses, and the shaken but excited looks of people coming the other way told me I had arrived. MiCon Audio, the door announced. Curious, I thought—or tried to think, before another sortie ripped out from inside—and a belief that the door might literally be blown off its hinges began to monopolize my thoughts. Finally, the door opened, and the answer to all of the riddles awaited me inside—but, for that, you'll have to read on.
M&K's latest delicacy brings out the sweetness in a film soundtrack.
Am I the only one who finds it strange that the maple tree and maple syrup are two very different colors? I bet I am. Ketchup and tomatoes are the same color, and most jellies and jams are the same color as the fruit they're made from. Mustard looks like…the mustard plant? OK, forget that last one.
Although they're now owned by Klipsch, Mirage continues to follow their own ears. The Toronto-based company's name derives from a key design goal—to make speakers so immersive that the listener forgets the product is in the room. In addition to a goal, Mirage also has a method: to favor more omnidirectional sound over direct sound using an unusual reflector assembly built into the top of the speaker, creating a spacious feeling that is the company's sonic signature.
Omnidirectional speakers have an uneven history in the audio marketplace. They've always been few in number, but persist because a few designers believe in their unique capabilities. Whether or not you accept the validity of their theory of operation, they do offer a perspective on reproduced sound different than that provided by conventional, forward-radiating designs. Among other things, they almost invariably sound bigger and more spacious than their physical size suggests. For more on the background of omni speakers, go <A HREF=" http://www.ultimateavmag.com/images/newsletter/206uav.html ">here</A>.
Until the introduction of the Mirage M-1 a decade or so ago, all audiophiles knew what dipolar radiation meant. It was an inherent characteristic of flat, planar, enclosure-free speakers in which the rear radiation was 180° out of phase with the front, producing a null at the sides. This null made the spacing from the sidewalls less critical. Beyond this, open-baffle dipole designs attracted a strong following for their unique spatial characteristics and a sound free of cabinet colorations.
Mirage has been, ahem, reflecting on the influence of room acoustics for nearly two decades. In the process, this distinguished Canadian speaker maker has birthed some unorthodox designs. The common thread running through all of them is a determination to make room reflections work for loudspeakers rather than against them. That determination bears fruit in the second-generation Omnisat series.
Subwoofer Performance Features Build Quality Value
PRICE (as tested): $4,010
AT A GLANCE Plus
Affordable price
Detailed overall sound
Good envelopment with Atmos soundtracks
Minus
Towers have limited deep bass
Ordinary cosmetics
THE VERDICT
Monitor Audio's Bronze 6G system is a remarkable testament to how much speaker you can get today for a reasonable price.
Britain-based Monitor Audio offers a wide range of loudspeakers at prices spanning from the bargain basement up to the penthouse that are cleverly named for a variety of metals: Platinum, Gold, Silver, Bronze. The company must have run out of suitable metallic names when its Monitor series was introduced a few years ago— Steel or Aluminum (or Aluminium!) clearly wouldn't do. But while that budget-priced series represents the entry point to the Monitor Audio's offerings, our saga here covers the next step up: Bronze 6G, the sixth generation of the Bronze line.
Monitor Audio has the metal thing down. I remember thinking that after my first encounter with a pair of Monitor Studio speakers in the mid-1980s. In those days, metal drivers had a reputation for adding an annoying metallic zing to the sound, but the Monitors were as sweet as could be. Over the years, Monitor continued to hone the technology; even now, when there are a lot of great-sounding speakers with metal drivers, to my ear, nobody does it better. Monitor's current product range includes a healthy selection of custom-install models and the heavy-metal contenders, which run from the entry-level Bronze, the Silver, the Gold, and up to the flagship Platinum speaker lines.
Price: $26,000 (excluding stands, updated 3/11/15) At A Glance: Pristine highs, uncolored mids, tight bass • Great dynamic range • Subwoofer lacks wallop in the deepest, loudest bass
Better Than Golden
Founded in 1972, U.K.-based Monitor Audio has long produced speakers that offer good value. Until recently, it topped out at $4,500 per pair for the Gold Signature model. So when I heard about the new Platinum range, priced at $10,000 per pair for just the front left and right flagship PL300, it came as a surprise.
Founded in 1972, UK-based Monitor Audio has long produced speakers that offered good value, from its low-end Bronze line, starting at around $325 for a pair of two-way bookshelf models and extending up to $4500/pair for the company's priciest Gold Signature model. Even that is not an outrageous price for an upscale design in today's speaker market. The number of current speaker lines topping out at over $20k/pair, however, would be alarming if it weren't counterbalanced by excellent speakers selling for a fraction of that price.