Mark Fleischmann

Sort By: Post Date | Title | Publish Date
Filed under
Mark Fleischmann Posted: Feb 12, 2015 1 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $3,000

AT A GLANCE
Plus
Dolby Atmos-capable
New Dolby Surround upmixer
D3 amplification
Minus
Confusing back-panel nomenclature
No HDCP 2.2 digital rights management

THE VERDICT
This Class D receiver is just the kind of nine-channel powerhouse needed for Dolby Atmos 5.2.4—and the built-in USB DAC is a cool bonus.

You probably know by now that Dolby Atmos is the next generation of surround sound in both theaters and home theaters. This object-oriented technology lets movie mixers place any sound, almost anywhere they want, in an immersive dome-like soundfield, with height effects that transcend the flat horizontal plane of 5.1- or 7.1-channel surround. With the first generation of Atmos gear now arriving, the technology has been covered in print evaluations of Denon and Definitive Technology products (by ace reviewer Daniel Kumin), on the Web (by editor-in-chief Rob Sabin, video editor Tom Norton, and columnists Ken Pohlmann and John Sciacca), and in my own Test Report in this issue on the Pioneer Elite SP-EBS73-LR Atmos-enabled speaker system.

Mark Fleischmann Posted: Feb 12, 2015 0 comments

Performance
Build Quality
Value
PRICE $2,500

AT A GLANCE
Plus
Dolby Atmos–enabled monitors
Laser-like focus from coaxial driver array
Minus
Just-average subwoofer performance

THE VERDICT
Andrew Jones’ excellent Atmos-enabled speakers are equally at home in a 5.1-channel footprint as they are transforming surround sound as we know it.

Dolby Atmos bids to change the landscape of surround sound at home. One thing it has already changed is my mind.

I am that 5.1 guy. I’ve spent much of my tech-writing career promoting the standard 5.1-channel speaker configuration and defending it against all comers. This has pitted me against two-channel loyalists who mistakenly believe there is no such thing as a surround audiophile. But I’ve also opposed what I deem to be useless additions to 5.1.

Filed under
Mark Fleischmann Posted: Feb 06, 2015 15 comments
First there was mono. Then there was stereo. And then things got complicated. Surround sound has been a restless medium ever since it first snuck into movie theaters and home theaters. Encoding methods and formats have proliferated but standards have been elusive. Where multiplexes are concerned, that doesn't affect the consumer much. Most moviegoers are content to leave the technical details to the theater owners (except our readers, of course). But at home, where consumers are investing their own money in the home theater experience, many would like to have a fixed idea of what surround sound is at heart, something as close as possible to a stable minimum standard. And until now that standard has been 5.1. But in the dawning age of Dolby Atmos, is 5.1 obsolete?

Filed under
Mark Fleischmann Posted: Feb 03, 2015 5 comments
Until now, strong tablet sales and weak TV sales have suggested a massive shift from TVs to tablets. But a slowdown in tablet sales may bring the two categories into a different balance.
Filed under
Mark Fleischmann Posted: Jan 22, 2015 0 comments
No, you can’t get Ultra HD via antenna yet, but the technology has just gotten its first successful test broadcast in Baltimore. The test used Technicolor’s ATSC 3.0 test platform to send UHDTV through an experimental transmission system from Sinclair Broadcast Group, owner of more than a hundred U.S. TV stations. The platform is based on open standards including SHVC video compression, MPEG-H audio, and MPEG-MMT signal transport. It is designed for phones and tablets as well as traditional antenna-TV reception.
Filed under
Mark Fleischmann Posted: Jan 21, 2015 6 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $899

AT A GLANCE
Plus
Wi-Fi, AirPlay, Bluetooth built in Analog multichannel ins and outs
Minus
No HDCP 2.2

THE VERDICT
Though it lacks the latest UHD video future-proofing, this mid-line Marantz delivered great sound and solid value.

D+M has a leading role in the audio/video receiver market. It’s actually an amalgamation of two former companies with markedly different (though both distinguished) histories. Denon, born in 1910 and known for a time as Nippon Columbia, was originally a manufacturer of gramophones and discs in Japan. Marantz, in contrast, was born in the U.S.A. in the early 1950s when Saul Marantz of Kew Gardens, New York, started building preamps in his home.

After numerous corporate permutations (which included a three-decade relationship between Marantz and Philips), Marantz and Denon merged in 2002 into what is now called the D+M Group. In 2014, the pro divisions of both brands were acquired by inMusic Brands, a maker of DJ equipment. However, the consumer divisions continue to market A/V receivers and other audio products under the D+M umbrella.

Mark Fleischmann Posted: Jan 13, 2015 1 comments

Infinity Reference R162 Speaker System
Performance
Build Quality
Value

Infinity Reference SUB R12 Subwoofer
Performance
Features
Build Quality
Value
PRICE $2,100

AT A GLANCE
Plus
Detailed high frequencies
Proprietary drivers
Curved enclosure
Minus
Can be too revealing
More finishes needed

THE VERDICT
The new Infinity Reference series has superb top-end transient detail and a commendably subtle sub, turning even familiar material into a fresh experience.

“Attention to detail.” That was my mantra when I hired and trained people to write product descriptions for an e-commerce site. It’s a pretty good rule to live by in general, and I try my imperfect best to practice it myself, both personally and professionally. It came back to me when I pulled the grille off the Infinity R162, part of the big brand’s new Reference series. When I saw a tweeter waveguide unlike any I’d previously seen, I knew I was communing with a kindred spirit, a lover of detail—though one with access to far greater resources than I command as a mere reviewer. Infinity’s parent corporation, Harman International Industries, has the kind of facilities and personnel that many speaker companies can only dream of. Harman pays a whole lot of talented people to attend to detail.

Filed under
Mark Fleischmann Posted: Jan 08, 2015 1 comments
Without a doubt the most mind-blowing surround demo at CES combined Auro-3D height-enhanced surround technology with gear from CAT, ATI, and Theta.
Filed under
Mark Fleischmann Posted: Jan 08, 2015 0 comments
A small-scaled but pleasing Dolby Atmos upmix demo unfolded in Atlantic Technology's room at the Venetian, uniting the company's new sound base and existing Atmos add-on modules.
Filed under
Mark Fleischmann Posted: Jan 08, 2015 0 comments
If you buy a whole system from Steinway & Sons, you'll have access to the P200 pre-pro, which handles every conceivable height-enhanced surround format.

Pages

X
Enter your Sound & Vision username.
Enter the password that accompanies your username.
Loading