Sublime With Rome, a collaboration between Eric Wilson, formerly of the band Sublime, and singer and guitarist Rome Ramirez, has announced that it will release a limited-edition 12-inch vinyl album of recent unreleased demos on April 22 to celebrate with Record Store Day 2017.
Chilly Gonzales (seated) and Jarvis Cocker. Courtesy of Deutsche Grammophon.
Let us now give praise to the power of the almighty song cycle that comprises Room 29, a decidedly thrilling 16-track treatise jointly concocted by vocalist/lyricist Jarvis Cocker (of Pulp fame) and composer/pianist Chilly Gonzales (Feist, Peaches, Daft Punk) in and around a baby grand piano located in the same-numbered room on the second floor of the famed Chateau Marmont Hotel on Sunset Boulevard in West Hollywood. Gonzales called in from his room across the Pond to discuss the sonics of Room 29, his and Cocker’s “reverse” song-cycle writing process, and how (yes) Gilligan’s Island fits into the middle of it all.
The UHD Alliance (UHDA) recently announced the Mobile HDR Premium specification for laptops, notebooks, tablets, and smartphones to confirm that a portable device meets UHDA-defined performance criteria for 4K/Ultra HD resolution, dynamic range, color space, and bit depth.
I was midway through a long delayed reorganization, riffling through piles of as yet to be filed home- and work-related stuff. As anyone can tell you, when you start to clear out documents and publications you haven’t seen in years you’re constantly tempted to stop and re-read much of it, which inevitably brings the entire process to a screeching halt.
Rather than keep entire audio-video magazines beyond about three years (the growth of the Internet is making even that a dubious practice), I tend to tear out articles that might be of value in the future. That was how I came across an article I hadn’t seen in 22 years. Titled “Subwoofer Secrets” (the inspiration for the name of this blog) and penned by the late Tom Nousaine, it had been published in the January 1995 issue of Stereo Review, the latter a distant godfather of Sound & Vision.
AT527NC Amplifier Performance Features Ergonomics Value
AT524NC Amplifier Performance Features Ergonomics Value
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AT A GLANCE Plus
Natural and balanced
Made in the U.S.A.
LEDs are too bright
The days of looking down on Class D amps are over.
Two and a half years ago, I reviewed my first ATI amplifier, and to say I was impressed would be an understatement. The ATI Signature AT6005 five-channel amp set a new benchmark for its designer, Morris Kessler—to the point where he put his John Hancock on the faceplate.
Last year, S&V editor-at-large Bob Ankosko sat down with Kessler to talk about his design philosophy over the years, and the subject of Class D amps was broached. Kessler mentioned that his current designs were all Class A/B, but he was following the developments of Class D very closely—though the initial efforts in this area didn’t meet his high standards because frequency response varied greatly as the impedance of the speaker changed. He hinted at the time that he may have finally found a Class D solution that he could deem acceptable, which turned out to be the latest Hypex Ncore modules.