Thomas J. Norton

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Thomas J. Norton Posted: Sep 12, 2014 0 comments
Elite Screens introduced its DarkStar ambient light rejecting screen. It claims a good balance between gain, contrast, and viewing angle. Available only in fixed frame form, its price was not specified, only that it would be a fraction of the cost of the current market leaders in such screens.
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Thomas J. Norton Posted: Sep 12, 2014 0 comments
B&O is widely known for making excellent, stylish, but very expensive products. While its BeoVision Avant 85-inch 4K/Ultra HD LCD set isn't exactly cheap at $25,000, it's not that far off from the prices its competitors charge for similarly-sized 4K sets (and cheaper than some). The set comes with a unique powered, rotating stand and remote. A B&O sibling 55-inch 4K set is also available, but its $8,000 price (the stand for this model is optional at $2,000) it's not as competitive.
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Thomas J. Norton Posted: Sep 12, 2014 0 comments
Splitting an HDMI source to feed both a video projector and a flat panel set is an increasingly popular option in custom home theater installs. But consumer-priced splitters that can do 4K are only just starting to appear. The HDS-12i from Transformative Engineering is one of the first. It can mix output resolutions and both up- and down-scale to 4K. A typical setup might involve a 2K projector and a 4K flat screen Ultra HD TV.

The device also provides full HDCP security and will recognize different EDIDs for each display. Output 2 also can be configured for pass-through, selectable scaling, or an AVR mode which bypasses 4K and 3D to route audio to an AVR or surround pre-pro that lacks the ability to handle these formats.

The HDS-12i's main limitation is that it's only HDMI 1.4a compliant, not 2,0, but that should be adequate for today's source material. It's firmware upgradeable (though not to 2.0--that's hardware) and sells for $299.

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Thomas J. Norton Posted: Sep 12, 2014 0 comments
Epson introduced two new projectors that not only use laser illumination (no lamp to replace) but also reflective LCD technology (Liquid Crystal on Quartz, in contrast to reflective LCDs from Sony and JVC that use Liquid Crystal on Silicon). While both of them employ 2K chips, the top model can accept 4K inputs and reproduce them using technology similar to that found in JVC's upscale projectors. (We call it wobulation in homage to early DLP rear-projection sets that employed a similar idea but to different purposes (they weren't 4K, of course), but JVC and, we presume, Epson, would likely take exception to this characterization!)

The LS10,000, which is expected to sell for under $8000, is rated at

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Thomas J. Norton Posted: Sep 11, 2014 0 comments
Bolstering its dedication to OLED, LG announced two new models, both with Ultra HD resolution and both curved, at 77-inches (available in November at $25,000) and 65-inches (October, at $9,999). The company will also be bringing out a wide selection of new LCD/LED Ultra HD models from 40 inches to 65 inches, with the price for the largest model topping out at $3,500.
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Thomas J. Norton Posted: Sep 11, 2014 0 comments
LG launched a wide range of new TVs at a press event on the first full day of the show but the eye-catcher was a 105-inch curved, Ultra HD, LCD/LED set with a 21:9 aspect ratio. The company also showed a flat 98-inch 16:9 Ultra HD LCD/LED model. At $100,000 (OK, it’s actually $99,999.99) for the 105-incher and $40,000 for the 98-incher, they’re not exactly impulse purchases.

But both use IPS panels for better off-axis performance, have full array backlit local dimming, and incorporate 7.1-channel audio systems designed in cooperation with Harman Kardon.

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Thomas J. Norton Posted: Aug 27, 2014 2 comments
Reviewers (who are almost universally inveterate collectors) tend to accumulate more software—videos, LPs, CDs, and soon music and video files, than your average bear. Digital files take up little space, but the others can soon grow to enormous proportions. Not only does this create a storage problem, it also makes it difficult to find that special disc we want to enjoy now. Of course, we all organize our collections in some rational form, don’t we? In a classic line from the (must see) movie High Fidelity, a record store owner is reorganizing his personal LP collection. A friend asks him how he’s doing it: alphabetical, by artist, by label, by genre? His answer: autobiographical.

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Thomas J. Norton Posted: Aug 13, 2014 5 comments
Pioneer's speaker guru Andrew Jones conducting one of the first Dolby Atmos demos in Los Angeles.

Things are moving fast on the Dolby Atmos front. Here's an in-depth look at Dolby Atmos—what it is and how it works—as well as my first impressions of recent demos conducted by Pioneer and Dolby Labs.

Thomas J. Norton Posted: Aug 08, 2014 2 comments

2D Performance
3D Performance
PRICE $4,000

Excellent color
Top-class detail—in both 4K and Full HD
Great blacks and shadow detail
Typical LCD image fade when viewed off-center

A superbly performing—and exceptionally inexpensive—Ultra HDTV that looks great with today’s 1080p content.

Ultra HD is still meandering toward its Happy Place. Yes, it offers four times as many pixels as Full HD does at 1080p (“Full HD” being the industry’s new go-to term for “standard HD”). But source material at this native resolution is still hard to come by in any quantity. Most material viewed on an Ultra HD set, for the foreseeable future, will still be upconverted from Full HD, typically by the set, to “4K” (in quotes, because Ultra HD’s 3840 x 2160 resolution falls just short of true 4K resolution as defined in the cinema world). Can this provide a visible improvement over 1080p displayed on a 1080p set?

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Thomas J. Norton Posted: Aug 07, 2014 0 comments
In the final months of World War II, as Allied armies smashed across Europe and into Germany, an organization called the Monuments, Fine Arts, and Archives program (the MFAA) was assigned the task of recovering and preserving countless art treasures plundered by the Nazis. It included hundreds of art experts from 13 countries, working in small cadres.


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