Thomas J. Norton

Sort By: Post Date | Title | Publish Date
Filed under
Thomas J. Norton Posted: Aug 27, 2014 2 comments
Reviewers (who are almost universally inveterate collectors) tend to accumulate more software—videos, LPs, CDs, and soon music and video files, than your average bear. Digital files take up little space, but the others can soon grow to enormous proportions. Not only does this create a storage problem, it also makes it difficult to find that special disc we want to enjoy now. Of course, we all organize our collections in some rational form, don’t we? In a classic line from the (must see) movie High Fidelity, a record store owner is reorganizing his personal LP collection. A friend asks him how he’s doing it: alphabetical, by artist, by label, by genre? His answer: autobiographical.

Filed under
Thomas J. Norton Posted: Aug 13, 2014 5 comments
Pioneer's speaker guru Andrew Jones conducting one of the first Dolby Atmos demos in Los Angeles.

Things are moving fast on the Dolby Atmos front. Here's an in-depth look at Dolby Atmos—what it is and how it works—as well as my first impressions of recent demos conducted by Pioneer and Dolby Labs.

Thomas J. Norton Posted: Aug 08, 2014 1 comments

2D Performance
3D Performance
Features
Ergonomics
Value
PRICE $4,000

AT A GLANCE
Plus
Excellent color
Top-class detail—in both 4K and Full HD
Great blacks and shadow detail
Minus
Typical LCD image fade when viewed off-center

THE VERDICT
A superbly performing—and exceptionally inexpensive—Ultra HDTV that looks great with today’s 1080p content.

Ultra HD is still meandering toward its Happy Place. Yes, it offers four times as many pixels as Full HD does at 1080p (“Full HD” being the industry’s new go-to term for “standard HD”). But source material at this native resolution is still hard to come by in any quantity. Most material viewed on an Ultra HD set, for the foreseeable future, will still be upconverted from Full HD, typically by the set, to “4K” (in quotes, because Ultra HD’s 3840 x 2160 resolution falls just short of true 4K resolution as defined in the cinema world). Can this provide a visible improvement over 1080p displayed on a 1080p set?

Filed under
Thomas J. Norton Posted: Aug 07, 2014 0 comments
Picture
Sound
Extras
In the final months of World War II, as Allied armies smashed across Europe and into Germany, an organization called the Monuments, Fine Arts, and Archives program (the MFAA) was assigned the task of recovering and preserving countless art treasures plundered by the Nazis. It included hundreds of art experts from 13 countries, working in small cadres.
Filed under
Thomas J. Norton Posted: Jul 23, 2014 Published: Jul 22, 2014 1 comments

Monitor Audio Silver 10 Speaker System
Performance
Build Quality
Value
Monitor Audio W-12 Subwoofer
Performance
Build Quality
Value
PRICE $5,925 (Silver 10, $2,500 pr; Silver Centre, $725; Silver 2, $1,050 pr; Silver W-12, $1,650)

AT A GLANCE
Plus
Crisp, open sound
Superb imaging
First-rate fit and finish
Minus
Two-way center channel
Limited subwoofer output

THE VERDICT
The center speaker suffers the usual off-axis quirks of a two-way design, and the small sub came up short for the deepest movie bass, but Monitor’s Silver series is a triumph, a treat to hear, and well worth seeking out for a serious audition.

Monitor Audio offers an exceptionally wide range of speakers, from the decidedly expensive (but not nosebleed high-end) to the modestly priced. In 2010, I reviewed the company’s relatively affordable Silver RX system. That line has now been completely redesigned, losing its RX moniker and morphing into the Silver series. Like the RXs before them, the Silvers were designed at Monitor’s U.K. headquarters and are built in a company-owned plant in China. For this review, we’ve selected the largest of the floorstanders, the Silver 10, along with the Silver Centre, the Silver W-12 subwoofer, and, instead of the Silver FX dedicated surround speakers, a pair of Silver 2s to serve the surround channels.

Filed under
Thomas J. Norton Posted: Jul 22, 2014 0 comments
A few months back I wrote about the hazards of assuming that any Ultra HD set you might buy today will be future proof. At the risk of repeating myself, some of the points I made there are worth going over again in a different, shorter form—not least of all because new readers are unlikely to devour a long, two month old blog!
Filed under
Thomas J. Norton Posted: Jul 18, 2014 0 comments
Picture
Sound
Extras
In the final months of World War II, as Allied armies smashed across Europe and into Germany, an organization called the Monuments, Fine Arts, and Archives program (the MFAA) was assigned the task of recovering and preserving countless art treasures plundered by the Nazis. It included hundreds of art experts from 13 countries, working in small cadres.
Thomas J. Norton Posted: Jul 16, 2014 0 comments
2D Performance
3D Performance
Features
Ergonomics
Value
PRICE $3,000

AT A GLANCE
Plus
Crisp detail
Excellent color
Bright, vivid 3D
Minus
Middling contrast and black level
3D ghosting

THE VERDICT
It can’t deliver the deep blacks found on today’s best flat panels, but the Sharp LC-60UQ17U offers top-notch detail and color, along with the ability to display 4K source material with excellent, though not full 4K, resolution.

TV manufacturers continue to search for ways to keep prices down and sales up. But with 4K Ultra HD the hot ticket these days, it’s not an easy task. While Sharp already has a 4K model in the market and others planned for the fall, the company also offers a less expensive alternative: Quattron+, or Q+. These aren’t full Ultra HD sets, as their basic pixel structure is still 1920 x 1080 (Full HD), not the 3840 x 2160 required for Ultra HD. But Sharp’s Q+ sets will accept a 4K input, and with a bit of technical hocus-pocus, the company says they’ll deliver something between Full HD and true 4K.

Filed under
Thomas J. Norton Posted: Jul 08, 2014 2 comments
Planet of the Apes is perhaps the longest running science fiction film franchise in history (unless you consider James Bond sci-fi—and Star Trek originated as TV series that didn’t arrive as a theatrical film until 1979). The original Planet of the Apes movie, based on a novel by French author Pierre Boulle, produced by 20th Century Fox, and co-written by Rod Serling of Twilight Zone fame, was followed by four sequels. The budgets for these sequels were tight (miniscule by today’s standards) and the results progressively cheesier. But despite its special effects and makeup, state of the art for the time though primitive now, the original still holds up today. There were also two relatively unsuccessful TV series in the ‘70s, plus books, comic books, and other spin-offs.
Filed under
Thomas J. Norton Posted: Jun 26, 2014 0 comments
Picture
Sound
Extras
Loosely based on Hans Christian Andersen’s fable The Snow Queen, Frozen opens by introducing us to two princesses, Anna and Elsa. Elsa has been born with power over cold—a curse she can’t control. To protect Anna and others, Elsa locks herself in her room as the two siblings grow into young adulthood.

Pages

X
Enter your Sound & Vision username.
Enter the password that accompanies your username.
Loading