Ears On

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Mark Fleischmann  |  Feb 27, 2007  |  0 comments
A major advantage of HD DVD over Blu-ray has diminished with Sony's announcement yesterday of the BDP-S300 at $599. True, it's still not quite as good a deal as the Toshiba HD-XA2 at $499. Moreover, the lowered price is not unprecedented. Sony has already been offering Blu-ray via the PS3 consoles for $499 and $599. But for non-gamers with an achingly empty space in the component rack, the new Blu-ray player costs significantly less than the BDP-S1 at $999. And, unlike the pricier player, the BDP-S300 plays CDs. Sony's latest move puts Blu-ray in a better position, building on the title-releasing momentum that may enable Blu-ray to surpass HD DVD's software sales this year.
Mark Fleischmann  |  Nov 09, 2006  |  0 comments
Sales of CDs will drop to half of current levels within three years, according to a grim forecast from a British record executive. (The very phrase "record executive" seems woefully out of date.) Here's what Jed Doherty, head of Sony BMG in the U.K., had to say: "We figure the value of CD sales will be 50% less in three years than it is now. We predict digital growth of 25% per year, but it is not enough to replace the loss from falling CD sales. By 2010 we will be 30% behind in terms of revenues. We have to reinvent. We are running our businesses like it is 1982." The industry conference Doherty was addressing in Manchester also saw calls for the end of DRM that prevents iPods from playing non-iTunes downloads and iTunes purchases from being played on non-iPod players, according to The Guardian: "Mr. Doherty said the current situation was 'stupid' while Mike Smith, managing director of Columbia Records UK, predicted that the rights management regime would be gone within a year."
Mark Fleischmann  |  Nov 11, 2005  |  6 comments
One of the most mortifying moments of my life came when I realized I’d lost my Sony MDR-NC10 noise-canceling earbuds. Well, I didn’t exactly lose them—what I lost was one of the rubber earpieces. I was ransacking the front pockets of my Levis in the men’s room of the Dallas airport and the friction of dragging out the earbuds must have dislodged the precious morsel of rubber. That effectively exiled the MDR-NC10 to my useless-gear drawer. Living without them was so impossible that I broke down and bought the successor model, the MDR-NC11.
Mark Fleischmann  |  Mar 17, 2006  |  3 comments
Initial Blu-ray titles from Sony-owned studios will not include a down-res flag that would cripple older HDTVs. For months videophiles have been complaining bitterly that the bizarrely named Image Constraint Token would give studios the option of reducing analog component video output from high- to standard-definition. Sony, at least, has decided not to use the ICT. Though the decision certainly is not binding on other studios, Sony deserves a pat on the back for showing leadership. And it's comforting to know that you can put Sony software into a Sony Blu-ray player and see a full 1920 by 1080 pixels on your first-generation Sony HDTV.
Mark Fleischmann  |  Dec 05, 2006  |  0 comments
Sony's long-awaited BDP-S1 Blu-ray player has finally hit the shelves. It does 1080 lines at 24 frame per second for the ultimate in filmlikeness. And it's not just a product--it's a punctuation mark, adding "an exclamation point to Sony’s full HD 1080 line of products, which ranges from BRAVIA™ flat-panel LCD and Grand WEGA SXRD® rear-projection televisions to the new PlayStation® 3 game console, Blu-ray Disc enabled VAIO computers, PC drives and recordable BD media," says the press release. Speaking of Sony HDTVs, did you catch the secret sale from November 24-27? Too bad, so sad. The BDP-S1 sells for $1000, not bad by early-adopter standards, but if you can wait till 2008, the cost of a Blu-ray drive will drop 50 percent, according to DigiTimes. Of course, just because a major component drops in price, that doesn't necessarily mean that a product will do the same--but given the fact that a BD drive is the major component of a BD player, we might entertain hopes.
Mark Fleischmann  |  Oct 22, 2008  |  3 comments
Since the advent of the iPod, the stature of portable audio products has risen. Still, some taboos have remained unbroken. You can make audiophile-approved choices in what you load into your player, what headgear you plug into it, and even what iPod docks and iPod-friendly systems into which you plug it. But the notion that a portable audio system might approach the go-anywhere versatility of the iPod itself has languished. Oh, there are good ones, and some are even rechargeable, but they're still more for briefcase or knapsack than for purse or cargo-pants pocket. That may change thanks to what soundmatters calls the foxL personal audiophile speaker.
Mark Fleischmann  |  May 26, 2006  |  7 comments
The explosion of flat-panel and microdisplays has multiplied the number of manufacturers and products on the market. Unfortunately this happy profusion leaves a performance gap on the audio side. My Sharp AQUOS LCD HDTV has excellent speakers—by TV-speaker standards—but I don't depend on them for movies. And the sound on a typical no-name LCD set is simply wretched for any content, even sitcoms. So what do you do when you've uncrated your new display only to discover that the other half of the home theater equation is a shaping up to be a big zero?
Mark Fleischmann  |  Sep 21, 2006  |  0 comments
Polk Audio's acquisition by Directed Electronics is the latest in a series of shifts among the audio industry's rich assortment of stars. Directed—a power in mobile tech products, judging from its website—had already acquired Definitive Technology. In another noteworthy deal, Klipsch bought API, the Canadian giant whose brand names include Mirage, Energy, Athena, and Spherex. Klipsch is also the proud new owner of Jamo, the cool Danish brand. And all this comes on top of last year's sale of Boston Acoustics to D&M Holdings—a stable that already included Denon, Marantz, McIntosh, Snell, Escient, and RePlayTV—and NHT's move from the Rockford Corp. to the Vinci Group. Why are so many potent and prestigious brands changing hands? It feels as though some invisible hand were rearranging the constellations, and declining audio-component sales are the obvious suspect. But historically, major speaker brands (with the notable exception of Bose) have been sold and resold regularly, and all the brand names involved here are valuable ones that deserve fresh and vigorous marketing.
Mark Fleischmann  |  Mar 21, 2007  |  2 comments
A watermarking technology used to trace pirated movies back to the source will soon be built into set-top boxes. Thomson developed NexGuard to trace pirate masters back to the theaters where they were stolen with camcorders or to DVDs distributed to reviewers and awards juries. Soon chips will be built into STBs to read watermarks in MPEG-2, MPEG-4 AVC, and VC-1 formats. The technology might be applicable to cable, satellite, or any other kind of STB. So if a piece of copyrighted material enters your home through the box, and ends up being pirated or file-shared, it will bear an individual watermark leading the copyright holder back to you. Should you worry? Said a Thomson executive: "The idea is to slow down piracy without limiting the use of the consumer. They should not be upset about this unless they are widely redistributing content." Of course, if you loan an archival video to someone who does file sharing, the copyright holder might become upset, and the copyright holder's attorney might make you very upset.
Mark Fleischmann  |  May 10, 2006  |  1 comments
OK, let's tote up the recent wins for Steve Jobs. The trademark lawsuit from the Beatles is history. The music labels have renewed their 99-cent download arrangement with iTunes, amid much grumbling, even after Steve rejected their demand for variable pricing. The French parliament may be backing off its legislative requirement that iTunes downloads play on non-Apple devices. Disney is paying $7.4 billion for Pixar, of which Steve owns more than half, and he's got a seat on the board of directors, presumably alongside Mickey. The iPod is dominating the audio industry. Intel-driven Macs are being positioned for higher sales. Microsoft just can't seem to get its act together for the next generation of Windows. And whether or not Jobs ever gets to beat Bill Gates, he's already beaten an even meaner adversary, pancreatic cancer (God bless). I'll bet there aren't even any widows in his sock drawer.
Mark Fleischmann  |  Mar 26, 2008  |  9 comments
People are watching more network TV shows on the internet and I wondered what it would be like to be one of them. I'm the first to admit I'm not crazy about watching anything longer than three minutes on my PC monitor--even after upgrading to a 24-inch 1080p NEC. Still, I couldn't resist doing an hour of Star Trek from CBS.com. I figured if I could get through season one, episode one--"The Man Trap"--I might do a few more. Slow data rate and low res were givens. My first frustration beyond that was that the Adobe Flash Player wouldn't let me upscale the image to fill the screen. That meant I had to either stick to my desk chair or squint at a postcard-sized image from my armchair across the room. Buffering errors interrupted the flow of the program three or four times. As for the ads, I saw the series in the original telecasts (yes, I'm that old) and ads didn't bother me then. If anything, the online ad interruptions were fewer and briefer than typical broadcast TV. But the ads were painfully loud compared to the volume level of the program. Again, that happens on broadcast TV too, but in this case the disparity was extreme, and got even more irksome during one ad with substantial low-bass content, which turned my desk sub into a blaring bass bomb. Unfortunately my Onix desktop amp doesn't come with remote control. Altogether, I won't do it again unless I can get a full-screen image and a reasonable ratio between program and ad sound levels. These are solvable problems. Over to you, CBS.
Mark Fleischmann  |  Jul 19, 2006  |  1 comments
Students at Cornell, Purdue, George Washington University, and other schools won't download music from university-approved services even if it's free, according to The Wall Street Journal. These and other schools began offering free (often meaning subsidized) downloads to prevent illegal downloads from attracting lawsuits and choking servers. But these experiments have flunked for several reasons. Onerous DRM restrictions are often attached. For instance, the download may be free, but transferring to a music player or burning a CD may not be. At Cornell, students lost interest in Napster when they discovered they'd lose the right to use their downloads upon graduating. The non-iTunes services have also met resistance from iPod and/or Mac users, the latter an estimated 20 percent of the student population.
Mark Fleischmann  |  Mar 09, 2006  |  2 comments
Samsung is the object of a Hollywood feeding frenzy. Five studios are suing the manufacturer for selling the DVD-HD841 DVD, DVD-Audio, and SACD player, though it was available for only a few months in 2004. Apparently this universal player was a little too universal. Like many players still sold, it allowed the regional coding feature to be easily hacked with a few remote keystrokes. Worse, from Hollywood's point of view, was its content-security weakness. Hackers found ways to defeat HDCP, allowing upconverted DVD content to be copied from the DVI output. Of course, the new Blu-ray and HD DVD formats have state-of-the-art security features, but they're being rushed onto the market before the ink has dried on the security-tech agreements. Looks like the studios are ready to pounce if any little accidents give pirates an advantage.
Mark Fleischmann  |  Feb 08, 2007  |  1 comments
What's remarkable about Wal-Mart's just-unveiled Video Downloads is not that America's number one retailer is venturing into online distribution of movies and teevee. The real story is that Wal-Mart has convinced all six major motion picture studios and at least some of the networks to pour a total of 3000 titles into the fledgling service. Wal-Mart tells you how to enjoy its downloads on TV, PC, or portable player. Pricing ranges from $1.96 for a TV episode to $19.88 for a fresh movie title. Shop around and you'll find movie titles well under the maximum. For example, Rugrats Go Wild for a mere $7.50. Still, even that's not much of a bargain compared to your basic Blockbuster movie rental fee of less than $5--so much for the "always low prices" slogan. Moreover, there's no mention of HD, compatible portables do not include iPods, and Wal-Mart's web developer is guilty, guilty, guilty of a major gaffe: The service seems to have been optimized for Internet Explorer (I used version 7). In Firefox 1.5, it's an unusable mess. Any Safari or Opera users having trouble with this page? Let me know. In fairness, the service is in beta, and improvements may follow.
Mark Fleischmann  |  Nov 01, 2013  |  11 comments
A home theater system, as I never tire of saying, is the union of big-screen television and surround sound. Conceptually speaking, the big-TV part is not a heavy lift. But some people interested in getting into home theater may have trouble visualizing what a surround sound system might look like. And it's hard to blame them. Surround systems come in many configurations, each appealing to a different tribe of listeners. How can you, as an aspiring home theater buff, decide which surround tribe you belong to? Here are some common configurations matched to the listeners to whom they would appeal.

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