LATEST ADDITIONS

Filed under
SV Staff Posted: Oct 06, 2014 0 comments
GoldenEar Technology will demonstrate its flagship Triton One tower speaker at the 2014 Rocky Mountain Audio Fest (RMAF), the company announced. The showing marks the first time GoldenEar has exhibited at RMAF, which begins Friday, October 10 at the Marriott Tech Center in Denver, CO and runs through Sunday, October 12.

A showcase of GoldenEar’s most advanced technologies, the $5,000-a-pair Triton One is a Sound&Vision 2014 Top Pick, which received accolades for its remarkably open and balanced sound quality and performance-price ratio.

Demonstrations will be ongoing in Room 8021.

Filed under
Lauren Dragan Posted: Oct 03, 2014 0 comments
This week, at a massive loft space in NYC, the people of Bose constructed a temporary museum of sorts: an impressive array of both consumer technology and fascinating prototypes, chronicling the company’s history. Bose is celebrating its50th anniversary, an accomplishment for any company, but especially in technology, a field where so many businesses launch with great fanfare only to sink into obscurity. Built on the shoulders of engineer, MIT professor, inventor, and entrepreneur Dr. Amar Bose, the Bose corporation began with a single product, the pod-looking Bose 2201. The 2201 screams 1960s design aesthetic. With its burlap-esque fabric and wooden housing, it’s fun to imagine what stereophiles thought of this unique and bizarre design in a sea of rectangle and square speakers.
Filed under
Mark Fleischmann Posted: Oct 03, 2014 4 comments
Should there be a Soundbar Bill of Rights? Consumer rights are trivial compared to the majesty of the U.S. Constitution's Bill of Rights—for example, the right to freedom of speech (Fourth Article) or the right to a speedy and public trial (Ninth Article). Even so, the question is provocative enough for one little blog.

Filed under
SV Staff Posted: Oct 03, 2014 0 comments
Dolby Releases Atmos Testimonial Video

Three Blu-ray titles featuring Dolby Atmos soundtracks were announced this week. Paramount Pictures will release Hercules on November 4 and Teenage Mutant Ninja Turtles on December 16. Lionsgate announced the November 4 release of Step Up All In on Blu-ray.

Filed under
Al Griffin Posted: Oct 02, 2014 Published: Sep 30, 2014 0 comments
Got a tech question for Sound & Vision? Email us at AskSandV@gmail.com

Q I’ve seen a couple of instances in Sound & Vision magazine of installations with a flat-panel TV for normal viewing and a projector and large screen for special viewings. If the screen comes down in front of the flat panel, how do you arrange room seating to accommodate both screen sizes? A 60-inch flat panel and a 100-inch projection screen for instance?—W. Ladd Romans, Jr. / via e-mail

Mike Mettler Posted: Oct 02, 2014 0 comments
Performance
Sound
Which one’s Pink? It’s a debate that’s polarized fans ever since Pink Floyd principals David Gilmour and Roger Waters split up their creative partnership in the mid-’80s. Waters went on to build an unprecedented solo live Wall of epic visual and auditory proportions, while Gilmour retained the rights to the band name and constructed two diverse, divergent studio albums and subsequent tours with his other two Floydmates in tow, keyboardist Richard Wright and drummer Nick Mason. The latter of those two LPs, 1994’s admittedly divisive The Division Bell, now comes back to life with a 20th anniversary deluxe celebration in box set form, and thanks to a brilliantly stunning surround sound mix, material initially perceived as B-level reveals itself to have been A all the way.
Darryl Wilkinson Posted: Oct 02, 2014 2 comments
It’s disappointing to note that, already well into the second decade of the 21st century, the smartest component of most people’s homes is a programmable thermostat—and chances are, it hasn’t been programmed since it was installed (if at all). But you can’t really blame homeowners for not rushing in droves to embrace home automation or, as it’s more often called, the “smart home.” Neither the high cost of reliable systems nor the low reliability of cheap systems has been all that enticing.
Darryl Wilkinson Posted: Oct 02, 2014 0 comments

Performance
Features
Ergonomics
Value
PRICE $99

AT A GLANCE
Plus
Z-Wave and ZigBee radios built in
In-app live chat support
Supports multiple third-party devices and services
Minus
Doesn’t support Insteon
No tablet-specific app layout

THE VERDICT
The SmartThings Hub offers an impressive range of support, its app is powerful and smartly designed, and it’s a great value.

As with all up-and-coming DIY home automation systems, the SmartThings Hub is intended to make your life a living nirvana, bringing peace, love, and, yes, even rock ’n’ roll (grunge or otherwise) into your smart home. The $99 price—with a free app and no monthly subscription fees—is certainly a tasty enticement for someone with a sweet tooth for home automation on the cheap. But the big question is whether there’s enough meaty substance to the SmartThings system to satisfy a homeowner’s long-term automation hunger. Or does SmartThings give nothing more than a sugar high that inevitably leads to a disappointing crash later on?

Darryl Wilkinson Posted: Oct 02, 2014 0 comments
Performance
Features
Ergonomics
Value
PRICE $299

AT A GLANCE
Plus
Seven radios built in
Extremely easy initial setup
Minus
Pricey next to other DIY automation hubs
Lacks some advanced programming features

THE VERDICT
The Revolv Hub is a powerhouse that looks to be relatively future-proof from a hardware standpoint. A great choice for a newbie.

Humble isn’t a word anyone would associate with Revolv and their distinctive, teardrop-shaped, little red smart-home controller—which the company calls, with uncharacteristic restraint, the Hub. In fact, this device is easily the flashiest and most recognizable of all the smart home gadgets around today.

Filed under
Corey Gunnestad Posted: Oct 01, 2014 0 comments
Picture
Sound
Extras
To commemorate the 10th anniversary of its release, Oliver Stone returns once again to his much maligned and misunderstood epic. This is officially the fourth cut of the film, but before you grouse, hear me out. The progression follows thus: The original Theatrical Cut was Stone’s epic vision pared down to a marketable length to appease the studio executives; the Director’s Cut was the result of Stone yielding to pressure to appease the masses and their aversion to the film’s blatant homo-eroticism; and the Revisited Final Cut was a tenacious filmmaker getting the chance to finally realize his passion-project in the version that he originally intended audiences to see. What’s curious, though, about this new Ultimate Cut is that it differs only slightly from the Revisited Final Cut and runs just eight minutes shorter.

Pages

Share | |

X
Enter your Sound & Vision username.
Enter the password that accompanies your username.
Loading
setting var node_statistics_87948